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Arumugam I: Visceral Politics

Visceral Politics

Imaginaries of Power in South India

Journalist,&nbsp;campaigner and podcast co-host with Owen Jones,&nbsp;Ellie Mae O'Hagan&nbsp;has emerged as one of the smartest observers of contemporary politics, and in The New Normal provides a brilliant and incisive analysis of the current&nbsp;political watershed we face.

Journalist, campaigner and podcast co-host with Owen Jones, Ellie Mae O'Hagan has emerged as one of the smartest observers of contemporary politics, and in The New Normal provides a brilliant and incisive analysis of the current political watershed we face.

The New Normal

BASEES/Routledge Series on Russian and East European Studies

This book explores the ideological and institutional conflict surrounding the development and role of property, the focus being placed upon the legislative provisions implemented to promote the private ownership of land.

This book explores the ideological and institutional conflict surrounding the development and role of property, the focus being placed upon the legislative provisions implemented to promote the private ownership of land.

Before and After Communism

Land Ownership in Russia

JOURNAL

Ccut Vol 17.2

What can one city tell us about the global textile waste problem? Sorting Out Clothes is the first detailed ethnography of clothing waste infrastructures that starts where the problem starts - the Global North. Based on more than 100 interviews, cultural anthropologist Heike Derwanz follows the journey of fast fashion in Hamburg, Germany: starting with two women from different socio-economic backgrounds sorting through their wardrobes, travelling through local flea markets, eBay, church clothes banks, upcycling brands and recycling sites, only to end up in homes and waste heaps in the Global South. Bringing together human agents such as designers, social workers and vintage sellers with objects from containers, plastic sacks and internet platforms to piles of sorted textiles, this on-the-ground cultural study reveals how the global economic system of fast fashion shapes local infrastructures entangled in everyday lives. Combining material culture, waste studies and economic perspectives to scrutinize the so-called circular economy of today's global textile recycling market, Derwanz investigates what agency modern consumers really have in the lifecycle of their clothes.

The Circulation of Used Clothes in the Global North

Sorting Out Clothes

Too often, film and the cinema have been treated primarily as a visual medium, with the consequence that spectatorship has come to be regarded as a matter of the eye alone. In Film History: An Introduction through the Senses, Thomas Elsaesser and Michael Wedel put the other senses at the centre of the cinematic experience, charting the dynamics along which the cinema has configured, positioned, and rearticulated itself over time within the larger cultural force field of media technologies, the body, and the senses. Much like Film Theory: An Introduction through the Senses, each chapter in this new book begins by identifying the major terms of a particular period--including early cinema, classical cinema, modern (art) cinema, post-classical cinema, avant-garde cinema, world cinema, and digital cinema--and closely analyzing of one or more of the era's key films. Using major twentieth century media theorists, the authors then examine the way in which media technologies have affected, altered, traversed, or perverted the body and the senses.

Too often, film and the cinema have been treated primarily as a visual medium, with the consequence that spectatorship has come to be regarded as a matter of the eye alone. In Film History: An Introduction through the Senses, Thomas Elsaesser and Michael Wedel put the other senses at the centre of the cinematic experience, charting the dynamics along which the cinema has configured, positioned, and rearticulated itself over time within the larger cultural force field of media technologies, the body, and the senses. Much like Film Theory: An Introduction through the Senses, each chapter in this new book begins by identifying the major terms of a particular period--including early cinema, classical cinema, modern (art) cinema, post-classical cinema, avant-garde cinema, world cinema, and digital cinema--and closely analyzing of one or more of the era's key films. Using major twentieth century media theorists, the authors then examine the way in which media technologies have affected, altered, traversed, or perverted the body and the senses. For example, they consider:-the cinema as a site for the training of the body and the mass production of the senses-the cinema as the exploitation of the body and the commodification of the senses-the cinema as a public space to adapt the body and educate the senses to the demands of societyBy broadening our understanding of spectatorship Elsaesser and Wedel are able to provide an account of film history that more easily accomodates the new forms that the cinematic experience is taking in the 21st century. The advanced undergraduate will find this book to be an excellent introduction to both major media theorists like McLuhan and Kracauer and also film history more generally.

An Introduction through the Senses

Film History

An Advanced Textbook

Culture and Human Development

Rethinking Asia and International Relations

India and Pakistan's strategic thinking has unfolded hence shifting re-constructions of India-PakistanâEUR(TM)s nationalist identities, (in)securities and their nuclear policy choices. Through a blend of materialism and constructivism, this study not only recasts the dynamics of India-PakistanâEUR(TM)s nuclear politics from a more non-traditional angle, but also contains policy implications by drawing attention to how ideological underpinnings of policy makers - who interpret and construct their world of strategic thinking - impact inter-state nuclear security affairs.

India and Pakistan's strategic thinking has unfolded hence shifting re-constructions of India-Pakistan’s nationalist identities, (in)securities and their nuclear policy choices. Through a blend of materialism and constructivism, this study not only recasts the dynamics of India-Pakistan’s nuclear politics from a more non-traditional angle, but also contains policy implications by drawing attention to how ideological underpinnings of policy makers - who interpret and construct their world of strategic thinking - impact inter-state nuclear security affairs.

Strategic Culture, Identity and (in)Security in International Politics

Interpreting Nuclear India and Pakistan

Routledge Advances in Democratic Theory

Art’s obsession with politics is a problem, even a paradox. The more art there is, the less it shares with the political. Even the radical character of contemporary artistic practices revolves around the idea that there are no alternatives to liberal democracy and capitalist pluralism without risking another dystopia – a paradigm that, in the artistic realm, is articulated as the opposition between modernism and postmodernism. Indeed, with three recent transformations of our understanding; of emancipatory politics; the nature of aesthetics; and the post-Fordist transformation of capitalism, many argue that we overcome the fundamental challenges of aesthetic and political modernities and encounter ‘things’ beyond power relations and beyond aesthetics. However, even at its most creative, art has more in common with hegemony than capitalism. At every hegemonic turn, artwork is directed against itself, only to reinstate another art form in order to continue. This book looks at the problem of hegemony from an aesthetical perspective and argues that there is a ‘hegemonic trap’ pointing us in the direction of the alteration rather than alternative. Julia Svetlichnaja asks: Can art become hegemony? What is proposed is not Paolo Virno's ‘exit', it is the ‘exit’ from thinking about the ‘world-making’ in terms of alternative. What if instead of searching for alternatives we perform an alteration and pluralise modernism? The aesthetic project of the alteration of hegemony through the pluralisation of modernism does not represent hope for a better, different, political order but a space for problematisation, overlapping and contaminations of a number of social orders. The idea is to think about the world not in terms of ‘alternatives,’ but in terms of their absence.

Towards Plural Hegemony

The Art of Democracy

The Radical Imagination

Since its initial 2011 publication, Theory from the South has stimulated a new field of inquiry from leading scholars, while world developments have escalated and supported its original thesis of how "Euroamerica has evolved toward Africa." Not least of these is the many resemblances of the Trump presidency to that of Jacob Zuma, transformations in the nature of many of the world's Northern democracies, the rise of populist politics, the intensifying hold of private capital over functions of the state, sharpening inequalities, and the transformation of labor. In a new chapter for this expanded edition, the Comaroffs extend their theorizing around and beyond these new developments. Critique and discussion by several prominent commentators round out this new edition: Achille Mbembe, James Ferguson, Ato Quayson, Srinivas Aravamudan, and Juan Obarrio.

Since its initial 2011 publication, Theory from the South has stimulated a new field of inquiry from leading scholars, while world developments have escalated and supported its original thesis of how "Euroamerica has evolved toward Africa." Not least of these is the many resemblances of the Trump presidency to that of Jacob Zuma, transformations in the nature of many of the world’s Northern democracies, the rise of populist politics, the intensifying hold of private capital over functions of the state, sharpening inequalities, and the transformation of labor. In a new chapter for this expanded edition, the Comaroffs extend their theorizing around and beyond these new developments. Critique and discussion by several prominent commentators round out this new edition: Achille Mbembe, James Ferguson, Ato Quayson, Srinivas Aravamudan, and Juan Obarrio.

Theory from the South, Revisited

Ccut Vol 17.1

Politische Psychologie

"Vorurteile und Rassismus" ist als Einführung in die Vorurteils- und Rassismusforschung konzipiert, die dem Leser den Einstieg in dieses mitunter recht unübersichtliche Forschungsfeld erleichtern soll. Ziel ist die systematische Darstellung von Theorien über die Ursachen von Vorurteilen und Rassismus. Darüber hinaus wird die Frage gestellt, welche Befunde die jeweiligen Theorien stützen oder zu ihnen im Widerspruch stehen und wie dieses Wissen zur Reduktion von Vorurteilen eingesetzt werden kann.Dr. Andreas Zick ist Professor für Sozialisation und Konfliktforschung an der Universität Bielefeld.

"Vorurteile und Rassismus" ist als Einführung in die Vorurteils- und Rassismusforschung konzipiert, die dem Leser den Einstieg in dieses mitunter recht unübersichtliche Forschungsfeld erleichtern soll. Ziel ist die systematische Darstellung von Theorien über die Ursachen von Vorurteilen und Rassismus. Darüber hinaus wird die Frage gestellt, welche Befunde die jeweiligen Theorien stützen oder zu ihnen im Widerspruch stehen und wie dieses Wissen zur Reduktion von Vorurteilen eingesetzt werden kann.

Eine Einführung

Vorurteile und Rassismus

Visceral Politics

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema