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Gros F: A Philosophy of War

A Philosophy of War

Why We Fight

Wissenskultur und gesellschaftlicher Wandel

Der Band versammelt Studien zur Kulturgeschichte und Theorie der Wissenschaften in der 1. Hälfte des 20. Jahrhunderts. Vereinigt sind die Beiträge durch die Überzeugung, dass eine der folgenreichsten Interventionen der jüngeren Wissenschaftsgeschichte darin liegt, dass die Beziehungen zwischen Wissenschaft, Kultur und Gesellschaft auf reziproke Weise verstanden und untersucht werden müssen. Wissenschaftliche Praxis findet nicht nur stets unter sozial und kulturell geprägten Bedingungen statt, sie erzeugt und erfordert auch eigene, spezifische Muster kulturellen, sozialen und politischen Handelns. Die Wissenschaften, die zu sozialen Systemen bedeutender Größe angewachsen sind, schaffen ihre eigenen Kulturen und Politiken. Durch die Diskussion der gemeinsamen Entstehung wissenschaftlichen Wissens und der Kulturen und Politiken der Forschung leistet der Band einen Beitrag zu einem besseren Verständnis der Rollen wissenschaftlicher Forschung in den von dramatischen Umbrüchen geprägten ersten Jahrzehnten des vergangenen Jahrhunderts.

Der Band versammelt Studien zur Kulturgeschichte und Theorie der Wissenschaften in der 1. Hälfte des 20. Jahrhunderts. Vereinigt sind die Beiträge durch die Überzeugung, dass eine der folgenreichsten Interventionen der jüngeren Wissenschaftsgeschichte darin liegt, dass die Beziehungen zwischen Wissenschaft, Kultur und Gesellschaft auf reziproke Weise verstanden und untersucht werden müssen. Wissenschaftliche Praxis findet nicht nur stets unter sozial und kulturell geprägten Bedingungen statt, sie erzeugt und erfordert auch eigene, spezifische Muster kulturellen, sozialen und politischen Handelns. Die Wissenschaften, die zu sozialen Systemen bedeutender Größe angewachsen sind, schaffen ihre eigenen Kulturen und Politiken. Durch die Diskussion der gemeinsamen Entstehung wissenschaftlichen Wissens und der Kulturen und Politiken der Forschung leistet der Band einen Beitrag zu einem besseren Verständnis der Rollen wissenschaftlicher Forschung in den von dramatischen Umbrüchen geprägten ersten Jahrzehnten des vergangenen Jahrhunderts.

Vol. II: Modernism in the Sciences, ca. 1900-1940

Science as Cultural Practice

Applied Legal Philosophy

This book challenges the neo-liberal view of private property as a liberal choice in respect of the use of goods and resources, which can be controlled. It argues that ultimately private property is not choice, it is ego. The book develops a theory to reject the neo-liberal concept of private property as the means of apportioning the world. It offers reflections on alternatives as to how the earth's things might be allocated, forcing us to reflect upon how a world without private property might look.

Drawing on Badiou’s statement: ‘Property as ego", this book argues that the reality of neo-liberalism means that rather than seeing it as ego, we need to understand that private property is ego. The book is divided into three parts. Part I discusses the neo-liberal account of private property as a liberal choice in respect of the use of goods and resources, which can be controlled. The book challenges this view arguing that private property cannot be justified, regardless of how much restraint the state tries to impose on choice. Ultimately private property is not choice, it is ego. Part II develops a theory of private property as the expression of the neo-liberal ego. Working from Badiou’s statement, it argues that all of the liberal and neo-liberal theorising about the content of private property, and the justifications for it merely seek to defend the exercise of ego as concerns the allocation, use and control of the planet’s goods and resources. Part III calls for the rejection of private property as the means of apportioning the world. It offers reflections on alternatives as to how the earth’s things might be allocated, forcing us to reflect upon how a world without private property might look.

Reflections on Property, Neoliberalism and Law

Private Property is Ego

Cass Military Studies

This volume focuses on civilian control of the military in American history and contemporary national security affairs.

This volume focuses on civilian control of the military in American history and contemporary national security affairs.

Civil-Military Relations in the United States

Victims, Culture and Society

Drawing upon a wealth of original testimonies, this book investigates the status of convicted military veterans in the United Kingdom post 9/11 and provides a comprehensive criminological analysis of the experiences of war and life after it.

Drawing upon a wealth of original testimonies, this book investigates the status of convicted military veterans in the United Kingdom post 9/11 and provides a comprehensive criminological analysis of the experiences of war and life after it.

Reimagining the Veteran

Violence, Vulnerability and the Legacies of War

Soziologische Klassiker

Das Werk "Grundriss der Soziologie" ist das erste, das den Begriff "Soziologie" im Titel führte. Die Neuausgabe macht diesen Klassiker der Soziologie wieder zugänglich. Zudem führt der Herausgeber in das Werk und die Wirkung von Ludwig Gumplowicz ein.

Der band ist die Wiederauflage des Klassikers von Gumplowicz, dessen Wirkung bis heute noch erkennbar ist.

Herausgegeben von Peter-Ulrich Merz-Benz

Grundriss der Soziologie

How People Power Took Over the World

I Heart Politics

Osprey Wargames

A set of platoon level wargames rules for fighting in a Cold War Gone Hot scenario. East vs West, Capitalist vs Communist. Fight as either the Warsaw Pact or NATO in Flashpoint, a set of platoon level wargaming rules for a Cold War Gone Hot alternate history circa 1986. Featuring an extensive campaign system allowing for platoon, squad, and individual character development with forces selected from a range of conventional infantry through to special forces and even guerrillas combatants, Flashpoint contains all the rules, units, and scenarios to fight World War III.

A set of platoon-level wargaming rules for fighting in a Cold War Gone Hot scenario.

East vs West. Capitalist vs Communist. Take the field as either the Warsaw Pact or NATO in Flashpoint, a set of platoon-level wargaming rules for an alternate history 1986 in which the Cold War didn't stay cold. Players can recruit their forces from a range of conventional infantry formations through to special forces and even guerrilla combatants, with varied unit compositions and tactical options reflecting the nature of this 'modern' war. Featuring an extensive campaign system allowing for platoon, squad, and individual character development, Flashpoint contains all the rules, units, and scenarios needed to fight wargames set in Europe during World War III.

Flashpoint

The Routledge Guides to the Great Books

The Routledge Guidebook to Marx's Capital

Letters from Extraordinary People and their Answer to Life's Biggest Question

The Meaning of Life

An Intellectual Biography

Hannah Arendt

Routledge Advances in Democratic Theory

Art’s obsession with politics is a problem, even a paradox. The more art there is, the less it shares with the political. Even the radical character of contemporary artistic practices revolves around the idea that there are no alternatives to liberal democracy and capitalist pluralism without risking another dystopia – a paradigm that, in the artistic realm, is articulated as the opposition between modernism and postmodernism. Indeed, with three recent transformations of our understanding; of emancipatory politics; the nature of aesthetics; and the post-Fordist transformation of capitalism, many argue that we overcome the fundamental challenges of aesthetic and political modernities and encounter ‘things’ beyond power relations and beyond aesthetics. However, even at its most creative, art has more in common with hegemony than capitalism. At every hegemonic turn, artwork is directed against itself, only to reinstate another art form in order to continue. This book looks at the problem of hegemony from an aesthetical perspective and argues that there is a ‘hegemonic trap’ pointing us in the direction of the alteration rather than alternative. Julia Svetlichnaja asks: Can art become hegemony? What is proposed is not Paolo Virno's ‘exit', it is the ‘exit’ from thinking about the ‘world-making’ in terms of alternative. What if instead of searching for alternatives we perform an alteration and pluralise modernism? The aesthetic project of the alteration of hegemony through the pluralisation of modernism does not represent hope for a better, different, political order but a space for problematisation, overlapping and contaminations of a number of social orders. The idea is to think about the world not in terms of ‘alternatives,’ but in terms of their absence.

Towards Plural Hegemony

The Art of Democracy

The digital age has birthed The Great Awokening. Grievances previously overlooked - mental illness, racism, gender identity, homophobia, the need for safe spaces - now occupy centre stage. The current cultural climate demands us to declare our standing quickly and emphatically - often without pause for understanding. Looking at how the concept of a spiritual awakening has evolved into present day 'wokeness' - and how it has in turn lead to further polarisation rather than unification - in THE AWOKENING, Ayishat Akanbi encourages an appeal to humanism. It is a timely and inspiring reminder of the power of curiosity and the benefits of intellectual humility, and an urge to partake in the gruelling task of developing self-awareness, such that we can become more socially aware - and aware of each other.

The digital age has birthed The Great Awokening. Grievances previously overlooked - mental illness, racism, gender identity, homophobia, the need for safe spaces - now occupy centre stage. The current cultural climate demands us to declare our standing quickly and emphatically - often without pause for understanding. Looking at how the concept of a spiritual awakening has evolved into present day 'wokeness' - and how it has in turn lead to further polarisation rather than unification - in THE AWOKENING, Ayishat Akanbi encourages an appeal to humanism. It is a timely and inspiring reminder of the power of curiosity and the benefits of intellectual humility, and an urge to partake in the gruelling task of developing self-awareness, such that we can become more socially aware - and aware of each other.

Clarity, Culture and Identity in the Web of Chaos

The Awokening

A Philosophy of War

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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