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Dyck Noel: Sporting Passions

Sporting Passions

Engaging Sport Anthropologically

A Smart City Model for Developing Countries

Vol. 15.4

Cultural Trends

A timely critique of 'wokeness' by one of the most exciting thinkers and writers of her generation

A timely critique of 'wokeness' by one of the most exciting thinkers and writers of her generation

Clarity, Culture and Identity in the Web of Chaos

The Awokening

This textbook is aimed at those with an interest in contemporary social problems of the UK, such as crime, substance misuse and suicide. The book provides factual information and a socio-demographic analysis of each social problem, their causes and effects, policy and legislation together with strategies for micro intervention.

This textbook is aimed at those with an interest in contemporary social problems of the UK, such as crime, substance misuse and suicide. The book provides factual information and a socio-demographic analysis of each social problem, their causes and effects, policy and legislation together with strategies for micro intervention.

Social Problems

Bloomsbury Studies in Black Religion and Cultures

This book fills a gap in religious studies literature by providing a historical study of Black gospel music in Britain. While Black gospel music is a global phenomenon that evolved in many places, including the Caribbean, America and Europe, many still look to America for an understanding of its origin. Dulcie Dixon McKenzie challenges this approach, asserting that there is no universal, 'one-size-fits-all' historical account of Black gospel music. Instead, McKenzie offers an alternative to the American-dominated discourse, presenting Black gospel music as a tradition that was birthed in the churches founded by African Caribbean migrants during the post-war years in Britain. This book is structured around three main themes-context, culture and conservation-and features first-hand accounts from founding members of African Caribbean Pentecostalism, as well as from selected pioneers of singing and music within the various historic congregations. It explores topics such as the arrival and settlement of African Caribbean ancestors in Britain, the exporting of African Caribbean religious beliefs and practices, the growth of African Caribbean Pentecostal churches in Britain, and illustrations of a distinctive African Caribbean Pentecostal style of congregational worship.

This book fills a gap in religious studies literature by providing a historical study of Black gospel music in Britain. While Black gospel music is a global phenomenon that evolved in many places, including the Caribbean, America and Europe, many still look to America for an understanding of its origin. Dulcie Dixon McKenzie challenges this approach, asserting that there is no universal, ‘one-size-fits-all’ historical account of Black gospel music. Instead, McKenzie offers an alternative to the American-dominated discourse, presenting Black gospel music as a tradition that was birthed in the churches founded by African Caribbean migrants during the post-war years in Britain. 

This book is structured around three main themes—context, culture and conservation—and features first-hand accounts from founding members of African Caribbean Pentecostalism, as well as from selected pioneers of singing and music within the various historic congregations. It explores topics such as the arrival and settlement of African Caribbean ancestors in Britain, the exporting of African Caribbean religious beliefs and practices, the growth of African Caribbean Pentecostal churches in Britain, and illustrations of a distinctive African Caribbean Pentecostal style of congregational worship.

Reclaiming its African Caribbean Pentecostal Roots

Black Gospel Music in Britain

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Book is an exciting, readable and comprehensive, all-in-one resource for students of fashion across the English-speaking world. It is designed as an introduction to fashion studies that can be used in a range of fashion courses from fashion studies degrees to fashion modules, and majors in disciplines including cultural studies, cultural sociology, cultural geography, communications and media, anthropology and cultural history. The book will present current writings and research on major topics debates in fashion studies drawing on the literature on fashion theory and incorporating many global case studies (as easy-to-read boxed material). Graphs, tables and diagrams will add texture to the written material. Approximately 200 colour images are planned to generously illustrate the historical and the contemporary tapestry of fashion. A dedicated interactive website will complement the text and ensure that students are in touch with the latest news, issues and trends.

The Fashion Studies Book

Ancestors

18.1 Capitalism Nature Socialism

The Radical Imagination

Since its initial 2011 publication, Theory from the South has stimulated a new field of inquiry from leading scholars, while world developments have escalated and supported its original thesis of how "Euroamerica has evolved toward Africa." Not least of these is the many resemblances of the Trump presidency to that of Jacob Zuma, transformations in the nature of many of the world's Northern democracies, the rise of populist politics, the intensifying hold of private capital over functions of the state, sharpening inequalities, and the transformation of labor. In a new chapter for this expanded edition, the Comaroffs extend their theorizing around and beyond these new developments. Critique and discussion by several prominent commentators round out this new edition: Achille Mbembe, James Ferguson, Ato Quayson, Srinivas Aravamudan, and Juan Obarrio.

Since its initial 2011 publication, Theory from the South has stimulated a new field of inquiry from leading scholars, while world developments have escalated and supported its original thesis of how "Euroamerica has evolved toward Africa." Not least of these is the many resemblances of the Trump presidency to that of Jacob Zuma, transformations in the nature of many of the world’s Northern democracies, the rise of populist politics, the intensifying hold of private capital over functions of the state, sharpening inequalities, and the transformation of labor. In a new chapter for this expanded edition, the Comaroffs extend their theorizing around and beyond these new developments. Critique and discussion by several prominent commentators round out this new edition: Achille Mbembe, James Ferguson, Ato Quayson, Srinivas Aravamudan, and Juan Obarrio.

Theory from the South, Revisited

Weber in Translation

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

The Sociology of Music

First published in 2004. Routledge is an imprint of Taylor &amp; Francis, an informa company.

First published in 2004. Routledge is an imprint of Taylor &amp; Francis, an informa company.

Sport & Leisure Soc Thought E2

Routledge Contemporary Africa

Rebecca Upton closely examines how women in a rural part of southern Africa give voice to contemporary issues of environment, health, economic disparity and the impact of migration on everyday lives through production of baskets for a global marketplace. These objects and cultural artifacts are both an insight into Tswana culture as well as a new means through which women produce, tell and re--¿tell narratives of cultural and global, financial success and resistance.

As globalization has shifted the market in tourism--‐dependent Botswana, women who are responsible for the production of baskets have entered a new and expanded market economy where locally made baskets carry Tswana symbols and meanings into international contexts and construct and contest the idea of sustainability and gender ideology. These objects and cultural artifacts are both an insight into Tswana culture as well as a new means through which women produce, tell and re--‐tell narratives of cultural and global, financial success and resistance. In this book, Rebecca Upton closely examines how women in a rural part of southern Africa give voice to contemporary issues of environment, health, economic disparity and the impact of migration on everyday lives. The ‘traditional’ Tswana patterns, tears of the giraffe and knees of the tortoise, have long been used by women to convey particular messages about ethnic group affiliation, meaningful cultural origin stories and cautionary morality tales. Today, these same patterns have come to take on additional meanings as a result of local interpretation of global impact on Tswana communities. Emphasizing the role that African material culture plays in mediating between social worlds, this book will be of interested to those who research in the fields of African art and anthropology, economics, gender and sustainability. .

Patterns and Production in Women's Basketry Co-operatives

Rural Livelihoods and Gendered Resistance in Botswana

Sporting Passions

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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