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Authors V: Cultural Trends

Cultural Trends

Vol. 15.3

JOURNAL

Ccut Vol 17.3

International Screen Industries

The Indian Television Industry

In 2009, Futurism has not ended up in a waste paper bin, as Marinetti predicted in 1909, but rather is being celebrated everywhere around the world with exhibitions, conferences and a large number of books. This bibliographic handbook is a revised and expanded version of a bibliographic reference-shelf the author published in International Futurism in Arts and Literature (de Gruyter 2000). Since then, several thousand new publications have expanded the already sizeable critical literature on Futurism. It has become difficult, even for specialists, to keep an overview on such a vast array of books and essays. The centenary year 2009 offered an opportune moment to compile a fresh bibliographic survey of the reception Futurism experienced in the period between Marinetti's death in 1944 and 2009. This bibliography containing some 25,000 bibliographic entries is ordered in sections dedicated to individual countries and artistic media. Its purpose is entirely practical: to offer orientation to the student of Futurism and to help identify publications dedicated to specific aspects of the movement. This handbook lists most significant studies on the artists who were active in the movement and on a variety of aesthetic genres and media in which Futurism exercised a particularly noteworthy influence.

A Bibliographic Handbook

International Futurism 1945-2012

Foundations in Global Studies

From the Foundations in Global Studies series, this text offers students a fresh, comprehensive, multidisciplinary entry point to the broader African region. After a brief introduction to the study of Africa, the early chapters of the book survey the essentials of African history; important historical narratives; and the region's languages, religions, and global connections. Students are guided through the material with relevant maps, resource boxes, and text boxes that support and guide further independent exploration of the topics at hand.The second half of the book features interdisciplinary case studies, each of which focuses on a specific country or region and a particular issue. Each chapter gives a flavor for the cultural distinctiveness of the particular country yet also draws attention to global linkages. Readers will come away from this book with an understanding of the larger historical, political, and cultural frameworks that shaped Africa as we know it today, and of current issues that have relevance in the region and beyond.

An Introduction

Africa in the World

This book explores central issues of religion in an age of globalization, questioning how religion speaks to us in contemporary society, and how representations of religion impact in popular culture.  Focusing on Japanese popular culture, MacWilliams examines Japanese comic books in particular: Japanese manga   or 'comic books' often explicitly deal with religion, and commercially published manga account for over 40% of total number of books and magazines published in Japan. The magic of manga  lies in their potential 'to dramatise and exaggerate information and simplify a complex reality', and just like the religious iconography of an earlier age, modern manga  offer a powerful visual theology of sacred reality for their audience. What 'imagined selves and worlds' do manga construct? What are some of the important visual theologies that they can convey? These are some of the questions explored in this book.  Historians of religion have largely ignored popular culture as a medium of religious experience and expression; yet by neglecting popular genres, such as Japanese manga, they ignore one of the principal ways people day wrestle with contemporary moral and spiritual issues.  This book redresses this neglected area, raising profound religious and moral issues that are immediately relevant for those exploring Japanese religion, media and cultural studies, and anyone trying to imagine the sacred today.

Visual Representations in Japanese Religion

Imagining the Sacred in Popular Culture

Ccut Vol 17.1

The book seeks to move forward debates on postsecularity as conceived by Habermas et.al. which recognise that, contrary to secular expectations, religion persists. The study is unique in exploring the irruptions (external breakthroughs) that unsettle secularisation and which give rise to postsecularisation. This shift has rendered sociology vulnerable to some unexpected theological considerations, some of which are explored in the study. Topics considered in the study, which make it accessible, include: dilemmas of naming; emotions and the visual; martyrdom and theodicy. Each of these has irruptive properties that force sociology to reconsider its theological debts. Postsecularity has become a fashionable term, but one which needs to be fleshed out and this study grasps a moment of opportunity to do so, which renders it original.

Postsecularity and Sociology

This book brings together for the first time a wealth of information about the UK cultural. It explains how the whole UK cultural sector operates; exploring the contribution of both publicly funded cultural activity and the "creative industries".

This book brings together for the first time a wealth of information about the UK cultural. It explains how the whole UK cultural sector operates; exploring the contribution of both publicly funded cultural activity and the "creative industries".

A Guide to Organisations, Policy and Funding

Culture and Media in the UK

Andere Ästhetik – Koordinaten

Der Band zielt darauf, vormoderne Phänomene von Norm und Abweichung als dynamische Situationen eines Aushandelns des Ästhetischen und als ein ästhetisches Aushandeln zu betrachten. Zwar zielt jede Formulierung einer Norm auf Allgemeingültigkeit, zugleich existiert aber eine Pluralität von Normen und wird ihr Geltungsanspruch durch eine vielfältige Praxis reflektiert und immer wieder neu zur Diskussion gestellt. Die Beiträge dokumentieren die Diskussionen um den Querschnittsbereich "Norm und Diversität" des Tübinger Sonderforschungsbereichs 1391 "Andere Ästhetik".

Der Band zielt darauf, vormoderne Phänomene von Norm und Abweichung als dynamische Situationen eines Aushandelns des Ästhetischen und als ein ästhetisches Aushandeln zu betrachten. Zwar zielt jede Formulierung einer Norm auf Allgemeingültigkeit, zugleich existiert aber eine Pluralität von Normen und wird ihr Geltungsanspruch durch eine vielfältige Praxis reflektiert und immer wieder neu zur Diskussion gestellt. Die Beiträge dokumentieren die Diskussionen um den Querschnittsbereich „Norm und Diversität" des Tübinger Sonderforschungsbereichs 1391 „Andere Ästhetik".

Ästhetisches Aushandeln in der Vormoderne

Norm und Diversität

An Advanced Textbook

Culture and Human Development

Human–Computer Interaction Series

This book covers key topics regarding the research and creation of personas across cultures for human-computer interaction (HCI).
 &nbsp;
 Through empirical cases studies, it examines a breadth of approaches, challenges and reflections on personas deployed in different locales over time.
 Personas&nbsp;have been artefacts of&nbsp;enquiry&nbsp;and praxis since Alan Cooper brought them to mainstream technology design.&nbsp;Yet, their&nbsp;study&nbsp;and emergence across cultures have been little explored –least of all synthesised in a monograph,&nbsp;this book fills that gap.
 It consolidates the body of work on persona studies conducted in a variety of locations in India, Brazil, Kyrgyzstan, Namibia, Vietnam, Chile, Mozambique, Malaysia and South Africa, drawing upon two somewhat competing, if complementary methodologies: User-Centred Design and Participatory Design.
 
 Rather than prescribing tools, techniques, methods or methodologies, it illustrates thehistorical versatility and epistemological plasticity of personas in the design of technologies shaped by dominant, situated, inclusive or culturally nuanced representations of people. It draws from the author's extensive knowledge of case studies as well as from his own work to provide examples, reflections and audiovisual illustrations of relevant concepts and issues.&nbsp;
 Personas Across Cultures: Representing the Next Billion Users&nbsp;
 is designed for early and seasoned career researchers in HCI who might approach the design of personas across cultures for the first time, and scholars and practitioners in related fields such as&nbsp;interaction design,
 &nbsp;
 usability, user experience and co-design.

This book covers key topics regarding the research and creation of personas across cultures for human-computer interaction (HCI).
 
 Through empirical cases studies, it examines a breadth of approaches, challenges and reflections on personas deployed in different locales over time. 
 Personas have been artefacts of enquiry and praxis since Alan Cooper brought them to mainstream technology design. Yet, their study and emergence across cultures have been little explored –least of all synthesised in a monograph, this book fills that gap.
 It consolidates the body of work on persona studies conducted in a variety of locations in India, Brazil, Kyrgyzstan, Namibia, Vietnam, Chile, Mozambique, Malaysia and South Africa, drawing upon two somewhat competing, if complementary methodologies: User-Centred Design and Participatory Design.
 
 Rather than prescribing tools, techniques, methods or methodologies, it illustrates the historical versatility and epistemological plasticity of personas in the design of technologies shaped by dominant, situated, inclusive or culturally nuanced representations of people. It draws from the author's extensive knowledge of case studies as well as from his own work to provide examples, reflections and audiovisual illustrations of relevant concepts and issues.&nbsp;
 Personas Across Cultures: Representing the Next Billion Users 
 is designed for early and seasoned career researchers in HCI who might approach the design of personas across cultures for the first time, and scholars and practitioners in related fields such as interaction design,
 
 usability, user experience and co-design.

Representing the Next Billion Users

Personas Across Cultures

Commonly known as Dalits, or Untouchables, Paraiyar Christians are a large socially marginalised group living in India within a dynamic and complex social matrix dominated by the caste system. This book presents a detailed exploration of Paraiyar communities, focusing on their religious and cultural identity and examining their worldview within the dominant 'Hindu' religious worldview. Exploring Dalits' wider social context and boundaries, ascribed and achieved identity, and the use of religious symbolism and ritual, this book highlights various tensions and areas of creativity among Paraiyar Christians and how they negotiate their lives within a hierarchical system. Anderson Jeremiah argues that the category 'religion' is inadequate, and he sheds light on the complexity of religious belief in marginalised indigenous communities. This inter-disciplinary, socio-ethonographic study of Dalit Christian community presents a significant anthropological study of Christianity as it is lived out in the grass roots of a marginalised society.

Dalit Culture, Identity and Theology

Hybrid Christianity

Cultural Trends

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema