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Feldman N: Sound Signatures

Sound Signatures

Crafting Your Electronic Music Identity

My Encounters with Rock Royalty

Men of a Certain Age

New Directions in Critical Criminology

Theorizing Resistance examines the extent to which music constructions provide windows for opposition and resistance to forms of state crime and violence such as war, human rights abuses, oppression, and corruption. Drawing on the work of Michel Maffesoli, the Birmingham Centre for Contemporary Cultural Studies and more recently Jeff Ferrell, this book makes a unique and original contribution to ongoing academic debates about power, alienation and resistance and will be fascinating reading for courses in cultural and critical criminology, state crime, human rights and the sociology of popular music.

Theorizing Resistance examines the extent to which music constructions provide windows for opposition and resistance to forms of state crime and violence such as war, human rights abuses, oppression, and corruption. The analysis is based on rich ethnographic, documentary, and participant observation research with politically active independent punk rock musicians. Drawing on the work of Michel Maffesoli, the Birmingham Centre for Contemporary Cultural Studies and more recently Jeff Ferrell, this book makes a unique and original contribution to ongoing academic debates about power, alienation and resistance and will be fascinating reading for courses in cultural and critical criminology, state crime, human rights and the sociology of popular music.

Music, Politics, and the Crimes of the Powerful

Theorizing Resistance

Music Pro Guides

Grammy Award-winning music producer Sylvia Massy provides a visual tour through the fascinating world of vintage microphones with hundreds of original, full-color photographs. Based on one of the largest collections in the world, this book is for the appreciation of the art, technology, and history of microphones, looking at the first 100 years since the original invention--from the 1870s through the 1970s. There are too many microphones in the world: dozens of different technologies, millions of different uses. Sylvia Massy and Chris Johnson expertly curate hundreds of microphones, from the rare and eccentric to well-known gamechangers, and provide interesting tidbits relating to their use, history, manufacture, design, and much more. This is a visually stunning book that traces the microphone through a history that includes the Great Depression, two World Wars, and the Cold War era.

The Great Book of Vintage Microphones

Unheard Reciprocity, Resonant Relationality, and Aural Confluence

Sonic Perspectives from the Global Souths

Elliot Carter

The Study of Sound

Bringing concepts from early film theory into dialogue with the vibrant field of contemporary sound studies, Wild Sound turns an analytic eye and ear to the role of the soundscape in cinema, particularly the way that film soundtracks capture, create, represent, and even critique our sonic environment. Listening beyond music and dialogue, this book draws attention to the oft-ignored background soundscape-film's "wild sound"-which plays a quiet but substantial role in determining how film audiences feel about certain places, people, and processes. It explores the relationship between location sound and wider practices of phonographic field recording in the creation of a cinematic sonic environment. The latter half of the book shifts attention from from the controlled soundscapes of cinema to the relatively chaotic sonic environments of the world around us. Michael Pigott ultimately demonstrates how a theory of cinematic soundscapes helps us develop practical strategies for investigating the sonic environment in our personal and natural sound worlds, beyond the cinema auditorium.

Wild Sound

Why X Matters S.

A poignant consideration of the material aspect of sound and how it fundamentally shapes our experience of the world, both in its presence and absence &nbsp; From the joyous communal connections fostered through shared auditory experience to the devastating impact of noise pollution in the deep sea, musician and author Damon Krukowski urges readers to reconsider the significance of sound and its role in both our personal and collective well-being. He looks despairingly at how the multipronged efforts of urban dwellers to mitigate city noise have led to increased isolation, loss of community, and a sense of physical detachment from one’s surroundings. He considers the consequences of the commodification of sound in the digital era. And he looks at what’s at stake in trying to preserve the world’s dwindling quiet places. &nbsp; Interspersed with personal reflections from years of working in the music business, this book investigates sound’s role in the environment, its value as a material, its relationship to labor, and how it affects our interactions with one another. Krukowski invites you to hear the world anew and renew your relationship with one of our most precious natural resources. So listen up!

Why Sound Matters

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Strategies for Digital Creativity

Musical Composition in Max/MSP

The fifth edition of Sound and Music for the Theatre traces the process of how to build a sound design to support a theatrical production, from initial concept through implementation in actual performances.The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects to negotiating a contract. It explores how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with 'war stories' describing real-life problems with solutions that readers can apply in their own work, whether they are a sound designer, composer, or sound operator. Also featured are numerous roundtable forums offering insights from theatre luminaries across all aspects of theatrical production. New updates to this edition include:<ul> <li>Insights from Sir Patrick Stewart, Alan Cumming, and Lillias White, among others</li> <li>Inspiring content in the roundtable discussion "A Sense of Sound: An Actors' and Educators' Forum"</li> <li>Updates to paperwork and checklists to reflect modern equipment</li> <li>Revised thoroughly for advancements in technology and procedures</li> </ul>Sound and Music for the Theatre has been the definitive text for sound designers for over three decades, whether they are professionals, students, or enthusiasts. It is essential reading for sound designers and others in the theatre who want a deeper understanding of the craft.

The Art & Technique of Design

Sound and Music for the Theatre

Perspectives on Music Production

Innovation in Music: Current Research Perspectives is a ground-breaking collection, bringing together contributions from instructors, researchers and professionals, focussing on the joy of discovery in the context of music production, music technology and music performance.With chapters on music production and accessibility for visually impaired producers, the use of AI tools to produce music and using distortion as part of synthesis and sampling workflows, this book is recommended reading for students, researchers and professionals looking for global insights into the fields of music production, business and technology.

Innovation in Music: Current Research Perspectives

Sound Signatures

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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