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Sound On Sound Presents...

Senior Mike: Mixing Secrets for the
Small Studio

Mixing Secrets for the Small Studio

In this new edition, discover how to achieve commercial-grade recordings, even in the smallest studios, by applying power-user techniques from the world's most successful producers.Recording Secrets for the Small Studio is based on the backroom strategies of more than 250 famous names. This thorough and down-to-earth guide leads you through a logical sequence of practical tasks to build your live-room skills progressively from the ground up, with user-friendly explanations that introduce technical concepts on a strictly need-to-know basis. On the way, you'll unravel the mysteries of many specialist studio tactics and gain the confidence to tackle a full range of real-world recording situations.Specifically designed for small-studio enthusiasts, this book provides an intensive training course for those who want a fast track to releasing quality results, while the chapter summaries, assignments, and extensive online resources are perfect for school and college use.<ul> <li>Learn the fundamental principles of mic technique that you can apply in any recording scenario - and how to avoid those rookie mistakes that all too often compromise the sonics of lower-budget productions</li> <li>Explore advanced techniques which help industry insiders maintain their competitive edge even under the most adverse conditions: creative phase manipulation, improvised acoustics tweaks, inventive monitoring workarounds, and subtle psychological tricks</li> <li>Find out where you don't need to spend money, as well as how to make a limited budget really count</li> <li>Make the best use of limited equipment and session time, especially in situations where you're engineering and producing single-handed</li> <li>Pick up tricks and tips from celebrated engineers and producers across the stylistic spectrum, including Steve Albini, Neal Avron, Roy Thomas Baker, Joe Barresi, Howard Benson, Tchad Blake, T-Bone Burnett, Geoff Emerick, Brian Eno, Paul Epworth, Shawn Everett, Humberto Gatica, Imogen Heap, Ross Hogarth, Trevor Horn, Rodney Jerkins, Leslie Ann Jones, Eddie Kramer, Jacquire King, Daniel Lanois, Sylvia Massy, Alan Meyerson, Justin Niebank, Gary Paczosa, Tony Platt, Jack Joseph Puig, David Reitzas, Bob Rock, Laura Sisk, Fraser T Smith, Young Guru, and many more</li> </ul>Now extensively expanded and updated, with new sections on contact mics, software instruments, squash mics, and ensemble depth distortion.

In this new edition, discover how to achieve commercial-grade recordings, even in the smallest studios, by applying power-user techniques from the world's most successful producers.

Recording Secrets for the Small Studio

Rechtsextremismus und Rechtspopulismus

Die Debatten über Desinformationen der deutschsprachigen Alternativen Rechten blenden bislang deren kulturhistorische und medienästhetische Dimensionen weitgehend aus. Auf Grundlage der ästhetischen Kategorie 'Glitch' entwickelt Niklas von Reischach die Lesart, den Bildpraktiken von 'Fake News' postdigitale Ästhetiken zuzuschreiben. Als meme-ähnliche Analyseobjekte enthalten Desinformationen Verweise auf rechtsextreme Ideologien und Bilder. Somit tragen sie in Teilen der Gesellschaft dazu bei, pessimistische Wahrnehmungen auf digitale Medien auszubilden. Doch die ästhetisch-diskursive Sabotage beschränkt sich nicht allein auf rechte Kontexte: Auch digitale Bildpraktiken anderer extremistischer Gruppen lassen sich in ähnlicher Weise lesen.

Die Debatten über Desinformationen der Alternativen Rechten blenden bislang deren kulturhistorische und medienästhetische Dimensionen weitestgehend aus. Auf Grundlage der ästhetischen Kategorie »Glitch« entwickelt Niklas von Reischach die Lesart, die Bildpraktiken von »Fake News« als Bestandteil postdigitaler Ästhetiken zu fassen. Als meme-ähnliche Analyseobjekte verweisen Desinformationen auf Verwandtschaften zu rechtsextremem Bildmaterial und tragen bei Demokrat*innen dazu bei, ein pessimistisches Medienverständnis auszubilden. Doch die ästhetisch-diskursive Sabotage beschränkt sich nicht allein auf rechte Akteur*innen: Auch digitale Bildpraktiken anderer extremistischer Gruppen lassen sich in ähnlicher Weise lesen.

Visuelle Sabotagen und postdigitale Ästhetiken der Alternativen Rechten

Desinformationen als journalistische Glitches

'I came to realise my mother was a lioness. She was soft and strong at the same time and had the gentlest of hearts.' - Sean Hepburn FerrerThe deeply personal, official biography of Audrey Hepburn, full of untold stories exclusive photos and cherish memories from her son Sean Hepburn Ferrer, one of the people who knew her best.Audrey Hepburn was many things. She was a child survivor of the Second World War. She was a symbol of timeless style. She played a runaway princess, an eccentric socialite and a nun struggling with her faith. But perhaps her greatest contribution to the world was as a selfless humanitarian in the final years of her life.For Sean Hepburn Ferrer, Audrey was also his mother. In INTIMATE AUDREY, he candidly recounts how the shy 'girl from across the landing' became the star we remember and love today. Featuring never-before-seen photographs and excerpts from her personal letters, this book is an intimate portrait of Audrey: as an icon, as a mother and as an altruist who drew on her own experience of hunger and suffering to advocate fiercely for children in war-torn countries.Audrey shines in this moving portrait of a mother by her son; a visionary woman who continues to defy all expectations decades after her death.

'I came to realise my mother was a lioness. She was soft and strong at the same time and had the gentlest of hearts.' - Sean Hepburn Ferrer

The Authorised Biography

Intimate Audrey

This book examines the nuances of how the media conveys environmental issues, drawing on scientific facts and documenting grassroots realities, and influencing popular perceptions. It provides a broad overview of the emerging field of environmental communication research. It is a valuable resource for scholars of environmental communication across various disciplines, including environmental studies and media and communication studies.This book arises from the need to guide media academics undertaking research in environmental communication, as well as media professionals, environmental enthusiasts, and environmental non-governmental organisations. It discusses the issues, theories, and methods related to environmental communication research practised around the globe. It goes beyond the Green Revolution and its aftermath, and examines the mass media's coverage of agriculture. Case studies such as the Fukushima nuclear disaster and the Bhopal gas disaster provide an in-depth understanding of pollution policies and the role of the media in monitoring their implementation. Greta Thunberg's climate change movement and the depletion of the ozone layer are also discussed. The book covers how human-wildlife conflict revolves around protected areas. It focuses on how the media creates a platform for the exchange of eco-sensitive information and ideas. The book provides an in-depth account of ecocriticism and visual analysis. All chapters are intertwined with examples of media coverage of the environment.This book has an advocacy approach, aiming to encourage people and governments to take action by promoting research in environmental communication. It will be an invaluable textbook for students, researchers, and educators studying environmental communication, media studies, environmental studies, disaster studies, and cultural studies. It will also serve as an essential resource for academics, policymakers, disaster management professionals, media practitioners, mental health experts, social workers, and general readers seeking a deeper understanding of ecology and environment, disaster narratives, memory, and resilience.

Media and Environment in a Changing World

Green Narratives

The celebration of the stories behind 100 of the most iconic objects to pass through the doors of one of the world’s most legendary auction houses

 

Icons traces the extraordinary heritage of international auction house Sotheby’s through one hundred of the most significant works sold under its banner. With works spanning across history and mediums – from a 67-million-year-old Tyrannosaurus rex to Maurizio’s Cattelan infamous banana – this engaging book offers readers an exclusive glimpse into the journey of each artwork through its arrival in Sotheby’s salesroom. The presentation of these exceptional objects, from some of the most prestigious collections entrusted to Sotheby’s, gives behind-the-scenes access to pivotal moments in art market history.

 

From national icons such as the Constitution and auction sensations such as Banksy’s unforgettable, partially shredded Girl Without Balloon, each prized work is shown as a large-format image accompanied by an informative text written by Sotheby’s specialists. Select entries also include contextual images – such as the work shown in situ or on the auction floor – as well as immersive quotes from curators, critics in the field and the Sotheby’s specialists who brought them to sale. From rediscoveries, to record-breaking lots and 'white glove' auctions, every object sold through Sotheby’s has a riveting story to tell. Published to coincide with Sotheby’s marquee move back to the Breuer – a landmark of the New York art scene, having previously belonged to the Whitney Museum of American Art, and later the Metropolitan Museum of Art, and the Frick Collection – Icons highlights the legacy of the auction house through the masterpieces it has had the privilege of stewarding.

 

Featured artists and creators include Jean-Michel Basquiat, Louise Bourgeois, Constantin Brâncusi, Leonora Carrington, Paul Cézanne, Edgar Degas, Salvador Dalí, Helen Frankenthaler, Achille and Pier Giacomo Castiglioni, Vincent van Gogh, Edward Hopper, Frida Kahlo, Gustav Klimt, Jacob Lawrence, Édouard Manet, Andrea Mantegna, Ludwig Mies van der Rohe, Joan Mitchell, Piet Mondrian, Georgia O'Keeffe, Patek Philippe, Pablo Picasso, Jackson Pollock, Raphael, Norman Rockwell, Mark Rothko, Georges Seurat, and Louis Comfort Tiffany, among others.

100 Extraordinary Objects from Sotheby's History

Icons

Film

Das Werk des römischen Drehbuchautors, Regisseurs und Schauspielers Nanni Moretti ist autoreflexiv wie kaum ein anderes. In unterschiedlichsten Variationen hat sich Moretti mit der Frage befasst, wie man sich im Medium Film mit dem Ich auseinandersetzen kann - obwohl oder gerade weil er Subjekt und Objekt des Produkts zugleich ist. Susanne Watzenboeck analysiert zwölf seiner Filme, in denen die Protagonisten um ein kohärentes Ich ringen. Dabei verknüpft sie Fragen nach individueller und nationaler Identität mit Strategien der Repräsentation, durch die sich Subjektivität auf verschiedenen Reflexionsebenen konstituiert - von Morettis physischem Körper als visuellem Konstrukt bis hin zum Körper des filmischen Apparats.

Konstitution von Subjektivität zwischen Persistenz und Differenz im Werk Nanni Morettis

Das filmische Ich

X-Texte zu Kultur und Gesellschaft

Deutschland soll kriegstüchtig werden. Und was macht die Bundeswehr? Sie rekrutiert mithilfe von Blockbuster-Ästhetik, Bildwelten der Gaming-Industrie und Armee-Influencern: Die Zeitenwende wird als Lifestyle-Event mit Adventure-Feeling inszeniert. Daniel Hornuff nimmt Anstoß an der jüngsten Medienoffensive der Bundeswehr. Er entfaltet ein politisches Plädoyer und fordert ein gesetzliches Werbeverbot für die Bundeswehr. Denn die Art und Weise, wie sich das Militär in einer Demokratie präsentiert, ist mit grundlegenden Fragen verknüpft: Was wird als Sicherheitspolitik verstanden? Welche Vorstellungen von Verteidigung und Wehrhaftigkeit zirkulieren? Und was bedeuten uns die Interessen junger Menschen?

Deutschland soll kriegstüchtig werden. Und was macht die Bundeswehr? Sie rekrutiert mithilfe von Blockbuster-Ästhetik, Bildwelten der Gaming-Industrie und Armee-Influencern: Die Zeitenwende wird als Lifestyle-Event mit Adventure-Feeling inszeniert. Daniel Hornuff nimmt Anstoß an der jüngsten Medienoffensive der Bundeswehr. Er entfaltet ein politisches Plädoyer und fordert ein gesetzliches Werbeverbot für die Bundeswehr. Denn die Art und Weise, wie sich das Militär in einer Demokratie präsentiert, ist mit grundlegenden Fragen verknüpft: Was wird als Sicherheitspolitik verstanden? Welche Vorstellungen von Verteidigung und Wehrhaftigkeit zirkulieren? Und was bedeuten uns die Interessen junger Menschen?

Ein Plädoyer gegen die Medienoffensive der Bundeswehr

Krieg als Lifestyle?

Virtuelle Lebenswelten

Virtual reality is a technique of interfacing which connects diverse bodies, objects and spaces, thereby mediating between different art forms and modes of experience.&nbsp;This feature also calls for a methodological interfacing of different disciplinary perspectives. The contributors to this volume examine how VR is employed in contemporary art with regard to its technical potential, its aesthetic qualities, and the imaginations it evokes. They highlight the use of VR as a ¿world within a world,¿ ranging from encapsulated artificial environments to transitions into familiar lifeworlds. By bringing together theoretical perspectives from art history, media and game studies, this volume provides crucial analysis of selected artworks and expands the critical engagement with a contemporary art form and media practice.

Virtual reality is a technique of interfacing which connects diverse bodies, objects and spaces, thereby mediating between different art forms and modes of experience.&nbsp;This feature also calls for a methodological interfacing of different disciplinary perspectives. The contributors to this volume examine how VR is employed in contemporary art with regard to its technical potential, its aesthetic qualities, and the imaginations it evokes. They highlight the use of VR as a ›world within a world,‹ ranging from encapsulated artificial environments to transitions into familiar lifeworlds. By bringing together theoretical perspectives from art history, media and game studies, this volume provides crucial analysis of selected artworks and expands the critical engagement with a contemporary art form and media practice.

Interfacing Art, Games and Everyday Life

Virtual Reality Exhibited

The life of the world's greatest modern artist by one of Britain's greatest artists.'Positive, original, diverting and highly effective.' - Sunday Times'This biography achieves that rare distinction of never having a dull page.' - Independent on Sunday

A Biography

Picasso

Histories of Electronic Musical Instruments

The Roland x0x Series: A History of Early Roland Synthesizers and Drum Machines from SH-101 to TR-909 offers an authoritative but accessible investigation of how the design of these most influential musical instruments is shaped by technological factors, institutional contexts, market forces and imagined users and uses. Drawing on the perspectives of designers and engineers along with musicians and producers from around the world, the book explores how these iconic instruments both enable and constrain the creative work made with them.Providing detailed analysis of these seminal instruments, this book combines archival research that draws on contemporary reviews, instruction and service documentation, advertising and marketing materials, and technical analysis of the underlying analogue and digital circuits, with discussion of creative composition and performance practice, hardware and software modifications and modern remakes, emulations and clones. The Roland x0x Series is dedicated to demystifying these mainstays of popular music, and revealing the 'hidden histories' of the creation, lives and afterlives of these most important, recognisable, yet often misunderstood, synthesizers and drum machines.This is an essential reference for music producers and music technology enthusiasts, as well as those studying music technology, instrument design and human interaction in the context of electronic music.

A History of Early Roland Synthesizers and Drum Machines from SH-101 to TR-909

The Roland x0x Series

Shortcuts

Living Futures offers a fresh and exciting perspective on how people imagine and make futures as part of their everyday lives. It addresses important questions about who is included in futures thinking and futures making, and who is excluded.Bringing together historical, anthropological, sociological, geographical and arts-based perspectives, this book provides a pithy yet expansive overview of social theories, research and creative approaches applied to futures thinking. Global practices and traditions of divination, fortune telling and speculation from antiquity to the present day are investigated for how they help people deal with uncertainty and engage with the yet-to-come, while also serving political and economic objectives. The book emphasises the plasticity of temporalities and lived experiences across diverse social groups, together with the role of the creatures, things, landscapes, and ecosystems with which we share our futures. The concluding chapter integrates the insights offered from each of the fields of research discussed in the book, providing ideas to spark vibrant and transformative approaches to creative futuring.Living Futures will appeal to academics and students interested in the history, sociology, anthropology and geography of futures, futures studies, possibility studies, anticipation studies, design and forecasting, as well as anyone interested in how innovative social research and creative approaches offer new insights into futures thinking.

Shortcuts to a Big Idea

Living Futures

Mixing Secrets for the Small Studio

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