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Klorman Edward: Bach: The Cello Suites

Bach: The Cello Suites

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Strategies for Digital Creativity

Musical Composition in Max/MSP

An Intimate History of Rough Trade

Document And Eyewitness

"Combining feminist, materialist, and comparatist approaches, Jillian Heydt-Stevenson reveals evocative and hidden information about objects like diamonds, hats, and statues, demonstrating women's life-preserving ecological, social, and political connections to material things in literature from the late eighteenth and early nineteenth centuries"--

Combining feminist, materialist, and comparatist approaches, Jillian Heydt-Stevenson reveals evocative and hidden information about objects like diamonds, hats, and statues, demonstrating women's life-preserving ecological, social, and political connections to material things in literature from the late eighteenth and early nineteenth centuries.

Women and Belonging

Embodied Experience in British and French Literature, 1778–1814

A melodic odyssey through the interwoven worlds of music, physics and mathematics.

Music, Mathematics and Science

A Perfect Harmony

Music Theory in Britain, 1500–1700: Critical Editions

The critical edition of John Playford's Introduction to the Skill of Musick (1672, Sixth edition) represents the contents of Playford's seminal pedagogical treatise in the middle of its development. Although Playford's Introduction was one of the most famous music texts of the period, a satisfactory modern edition of its contents has not yet been published. This is due, in part, to the fact that the interior contents of the Introduction changed markedly throughout its publication run from 1654 to 1730 (though post-1694 changes are minimal). This edition addresses this issue by presenting not only the transcription of the 1672 edition, but detailed contents of the entire publication run to better understand the shifting contents of the major sections of the work from its beginnings to the turn of the century. The contents include an introductory essay concerning the development of the series, divided according to the main sections of the text: The Grounds and Rules of Musick, Instructions and Lessons for the Bass Viol, and The Art of Descant. The body is a full transcription of the 1672 edition with images. Two appendices contain 1) critical notes on the text and a comparison of the major changes-section changes, major wording and style changes, repertoire lists, along with significant codicological amendments-between editions using 1672 as the model, and 2) a list of all of the music in the different editions of the Introduction, including information regarding in which editions the pieces may be found and a reference to modern editions on those works.

The critical edition of John Playford’s Introduction to the Skill of Musick (1672, Sixth edition) represents the contents of Playford’s seminal pedagogical treatise in the middle of its development. Although Playford’s Introduction was one of the most famous music texts of the period, a satisfactory modern edition of its contents has not yet been published. This is due, in part, to the fact that the interior contents of the Introduction changed markedly throughout its publication run from 1654 to 1730 (though post-1694 changes are minimal). This edition addresses this issue by presenting not only the transcription of the 1672 edition, but detailed contents of the entire publication run to better understand the shifting contents of the major sections of the work from its beginnings to the turn of the century.The contents include an introductory essay concerning the development of the series, divided according to the main sections of the text: The Grounds and Rules of Musick, Instructions and Lessons for the Bass Viol, and The Art of Descant. The body is a full transcription of the 1672 edition with images. Two appendices contain 1) critical notes on the text and a comparison of the major changes-section changes, major wording and style changes, repertoire lists, along with significant codicological amendments-between editions using 1672 as the model, and 2) a list of all of the music in the different editions of the Introduction, including information regarding in which editions the pieces may be found and a reference to modern editions on those works.

John Playford’s Introduction to the Skill of Musick, 1672

The Writer's Lot explores the working lives of eighteenth-century French authors-celebrities and unknowns-at a time when their example, if not often their ideas, changed the course of history. Taking the measure of "literary France" as a whole, Robert Darnton offers rare insight into the social ferment of the Age of Revolution.

Culture and Revolution in Eighteenth-Century France

The Writer's Lot

This is the extensive legacy of grime, as told by a pioneer of the scene. Experience the 140BPM beating heartbeat of grime - not just as a music genre, but as a living, breathing culture that continues to thrive, inspire, and boldly challenge the status quo.

Documenting the Scene’s Rise and Reign

Grime

Ashgate Interdisciplinary Studies in Opera

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst's operas and figure into his reception as a composer of operas.

Although Gustav Holst is rarely thought of as an opera composer, his operatic works provide a gateway to the exploration of how a budding opera composer negotiated the British operatic world across his career and how his synthesis of a myriad of cultural influences in his operatic works affected his reputation and success as a composer. This interdisciplinary study provides a kaleidoscopic view of how overlapping and often contradictory cultural influences such as imperialism, religion, literature, indigenous theatre, philosophy, folk culture, nationalism, and historiography are reflected in Holst’s operas and figure into his reception as a composer of operas.

From Bayreuth to Aldeburgh

Gustav Holst and British Operatic Culture

A vital re-examination of Canadian cultural and commercial history told through key fashion objects from First Nations, colonial settlers, and contemporary Canadian culture.

Traditional narratives of fashion tend to ignore sophisticated pre-colonial networks, First Nation innovations and techniques, and their contributions to colonial dress. From exquisite Chilkat weavings to the iconic Hudson's Bay Company blanket coat, by way of ribbon skirts, quilts, and a beaver-fur top hat, this rich study uses Canadian fashion objects as a research tool to illuminate neglected areas in North American fashion history.

Using vivid object-based research, O'Connell maps out pre-colonial economic networks spanning the entire continent, global colonial textile and fur trades, and the material culture of French and English migrant populations in the 'New World', and equips readers with a framework for more nuanced and inclusive histories of Canadian culture and commerce.

Unexpected, overlooked stories emerge as central to Canada's fashion history, from hybrid fashion cultures to re-used textiles in settler communities, and O'Connell highlights contemporary Canadian artists and designers who point to new possibilities to reclaim and preserve this cultural heritage.

A vital re-examination of Canadian cultural and commercial history told through key fashion objects from First Nations, colonial settlers, and contemporary Canadian culture.

Traditional narratives of fashion tend to ignore sophisticated pre-colonial networks, First Nation innovations and techniques, and their contributions to colonial dress. From exquisite Chilkat weavings to the iconic Hudson’s Bay Company blanket coat, by way of ribbon skirts, quilts, and a beaver-fur top hat, this rich study uses Canadian fashion objects as a research tool to illuminate neglected areas in North American fashion history.

Using vivid object-based research, O’Connell maps out pre-colonial economic networks spanning the entire continent, global colonial textile and fur trades, and the material culture of French and English migrant populations in the ‘New World’, and equips readers with a framework for more nuanced and inclusive histories of Canadian culture and commerce.

Unexpected, overlooked stories emerge as central to Canada’s fashion history, from hybrid fashion cultures to re-used textiles in settler communities, and O’Connell highlights contemporary Canadian artists and designers who point to new possibilities to reclaim and preserve this cultural heritage.

A Select History of Fashion Culture, Commerce, and Colonization

Canadian Fashion Economies

Mixing in Flow is a focused guide for mix engineers who are familiar with the basics of mixing and now seek greater consistency and refinement in their work. This book picks up where many mixers experience a plateau -when they know the mechanics but struggle with inconsistent or lacklustre results.

A Critical Approach to Mixing Sound

Mixing in Flow

An Introduction to Music Technology, Third Edition provides a clear overview of the essential elements of music technology for today¿s musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, Sequencing and Software Instruments, Computer Notation and Computer-Assisted Instruction. Appendices cover detailed aspects of MIDI software and hardware. Written for both music technology majors and non-majors, this textbook introduces students to a wide range of principles and practices so students can learn how to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis.Features:<ul> <li>Thorough explanations of key topics in music technology </li> <li>Content applicable to all software and hardware, not linked to just one piece of software or gear </li> <li>In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats </li> <li>Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects </li> <li>Coverage of synthesis and sampling in software instruments </li> <li>Pedagogical features, including: </li> <ul> <li>Further Reading sections that allow the student to delve deeper into topics of interest </li> <li>Suggested Activities that can be carried out with a variety of different programs </li> <li>Key Terms at the end of each chapter </li> <li>What Do I Need? chapters covering the types of hardware and software needed in order to put together audio systems </li> <li>A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. </li> </ul> The third edition has been fully updated to cover shifts in technology since the publication of the second edition, including increased coverage of mobile and cloud-based apps, updated graphics representing current software and hardware, and reorganized coverage of computer hardware and software topics.
</ul>

An Introduction to Music Technology, Third Edition provides a clear overview of the essential elements of music technology for today’s musician. This book focuses on the topics that underlie the hardware and software in use today: Sound, Audio, Sequencing and Software Instruments, Computer Notation and Computer-Assisted Instruction. Appendices cover detailed aspects of MIDI software and hardware. Written for both music technology majors and non-majors, this textbook introduces students to a wide range of principles and practices so students can learn how to work with a wide range of software programs, adapt to new music technologies, and apply music technology in their performance, composition, teaching, and analysis.Features:<ul> <li>Thorough explanations of key topics in music technology </li> <li>Content applicable to all software and hardware, not linked to just one piece of software or gear </li> <li>In-depth discussion of digital audio topics, such as sampling rates, resolutions, and file formats </li> <li>Explanations of standard audio plug-ins including dynamics processors, EQs, and delay based effects </li> <li>Coverage of synthesis and sampling in software instruments </li> <li>Pedagogical features, including: </li> <ul> <li>Further Reading sections that allow the student to delve deeper into topics of interest </li> <li>Suggested Activities that can be carried out with a variety of different programs </li> <li>Key Terms at the end of each chapter </li> <li>What Do I Need? chapters covering the types of hardware and software needed in order to put together audio systems </li> <li>A companion website with links to audio examples that demonstrate various concepts, step-by-step tutorials, relevant hardware, software, and additional audio and video resources. </li> </ul> </ul>The third edition has been fully updated to cover shifts in technology since the publication of the second edition, including increased coverage of mobile and cloud-based apps, updated graphics representing current software and hardware, and reorganized coverage of computer hardware and software topics.

An Introduction to Music Technology

Cultural Technologies: Robots and Artificial Intelligence in the Performing Arts presents a diverse range of perspectives from leading scholars and artists on contemporary performing arts practices that engage with robotic and AI (artificial intelligence) technologies.

Robots and Artificial Intelligence in the Performing Arts

Cultural Technologies

Bach: The Cello Suites

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