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Feldman N: Sound Signatures

Sound Signatures

Crafting Your Electronic Music Identity

Focal Press' Pocket Lawyer series serves as a legal toolkit for independent producers and artists in the creative industries.The Pocket Lawyer for Comic Book Creators is designed to help emerging artists and veteran professionals in the comic book industry build a solid foundation of business and legal practices for their comic book projects. Readers will learn to:<ul> <li>Protect their copyrights and IP</li> <li>Negotiate publishing deals</li> <li>Hire artists so everyone wins</li> <li>Learn the ins and outs of key contracts</li> <li>Understand the risks of AI in comic book creation</li> <li>Explore innovative new distribution methods, and</li> <li>Develop strategies they need to thrive in today's ever-changing, uncertain world of indie comics.</li> </ul>

A Legal Toolkit for Comic Book Artists and Writers

The Pocket Lawyer for Comic Book Creators

Music Pro Guides

Grammy Award-winning music producer Sylvia Massy provides a visual tour through the fascinating world of vintage microphones with hundreds of original, full-color photographs. Based on one of the largest collections in the world, this book is for the appreciation of the art, technology, and history of microphones, looking at the first 100 years since the original invention--from the 1870s through the 1970s. There are too many microphones in the world: dozens of different technologies, millions of different uses. Sylvia Massy and Chris Johnson expertly curate hundreds of microphones, from the rare and eccentric to well-known gamechangers, and provide interesting tidbits relating to their use, history, manufacture, design, and much more. This is a visually stunning book that traces the microphone through a history that includes the Great Depression, two World Wars, and the Cold War era.

The Great Book of Vintage Microphones

Music that Changed America

On the Record

SOAS Studies in Music

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book's second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author's own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict, in a search of methodology for improving the effectiveness of current practices

Music as Cultural Diplomacy: Using Improvisation as a Creative Tool

Ashgate Popular and Folk Music Series

What musical elements define the unmistakable, yet constantly evolving, 'U2 sound'? This book addresses this question in a three-tiered music -theoretical dissection of the band's unique sound. Endrinal's analyses reach beyond the traditional focus on melody, harmony and rhythm, drawing on new computer assisted analytical techniques to explore texture, timbre and instrumentation. More than a study of one band, then, this book offers new analytical methods for the study of popular music.

Let Me In The Sound

The Sonic Signature of U2

Excelsior Editions

Chronicling Its Classic Jazz Recordings, 1949–1972

Listening to Prestige

Perspectives on Music Production

Innovation in Music: Innovative Creative Practice is a ground-breaking collection, bringing together contributions from instructors, researchers and professionals, focussing on the joy of discovery in the context of music production, music technology and music performance.With chapters on augmented creativity, single tonality chord songwriting, musical instruments as live samplers and playing field recordings in music production, this book is recommended reading for students, researchers and professionals looking for global insights into the fields of music production, business and technology.

Innovation in Music: Innovative Creative Practice

The fifth edition of Sound and Music for the Theatre traces the process of how to build a sound design to support a theatrical production, from initial concept through implementation in actual performances.The book discusses the early evolution of sound design and how it supports the play, from researching sources for music and effects to negotiating a contract. It explores how to organize the construction of the sound design elements, how the designer functions in a rehearsal, and how to set up and train an operator to run sound equipment. This instructive information is interspersed with 'war stories' describing real-life problems with solutions that readers can apply in their own work, whether they are a sound designer, composer, or sound operator. Also featured are numerous roundtable forums offering insights from theatre luminaries across all aspects of theatrical production. New updates to this edition include:<ul> <li>Insights from Sir Patrick Stewart, Alan Cumming, and Lillias White, among others</li> <li>Inspiring content in the roundtable discussion "A Sense of Sound: An Actors' and Educators' Forum"</li> <li>Updates to paperwork and checklists to reflect modern equipment</li> <li>Revised thoroughly for advancements in technology and procedures</li> </ul>Sound and Music for the Theatre has been the definitive text for sound designers for over three decades, whether they are professionals, students, or enthusiasts. It is essential reading for sound designers and others in the theatre who want a deeper understanding of the craft.

The Art & Technique of Design

Sound and Music for the Theatre

Focus on Dramaturgy

Drawing upon miscellaneous theories from Eugenio Barba, Friedrich Nietzsche and contemporary sound studies, Sonorous Dramaturgy: The Polyphony of Postdramatic Theatre looks into emerging, cutting-edge theatre artists who employ musicality as the driving force behind their creativity. Celebrating the polyphony of postdramatic theatre, this book incorporates diverse companies and artists from all over the world, including Song of the Goat Theatre company, Marta Górnicka's Chorus of Women, Complicite, Tan Dun, among others.

The Polyphony of Postdramatic Theatre

Sonorous Dramaturgy

A Story of Survival

The Women’s Orchestra of Auschwitz

Sound Signatures

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