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Scanlan P: Rot

A History of the Irish Famine

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution

Penguin Monarchs

When Henry IV seized the throne from his cousin Richard II, people saw it as a hopeful new beginning for England. The first monarch to have English as his mother tongue since the Norman conquest, Henry seemed to embody the ideals of chivalric kingship: mercy, piety, military prowess and learning. Yet deposing a crowned monarch was not a stable foundation on which to build a reign. Henry IV found himself challenged from all sides, plagued by conspiracies, rebellions, assassination attempts and crippling debts, while his tense relationships with Parliament and with his own son, Shakespeare's Prince Hal, saw his grip on power falter. Nevertheless, he was the first king and founder of a Lancastrian dynasty which would go on to shape England for centuries to come. In this lively study, Catherine Nall reappraises a monarch who weathered upheaval and uncertainty and held on to the throne through sheer force of will.

When Henry IV seized the throne from his cousin Richard II, people saw it as a hopeful new beginning for England. The first monarch to have English as his mother tongue since the Norman conquest, Henry seemed to embody the ideals of chivalric kingship: mercy, piety, military prowess and learning. Yet deposing a crowned monarch was not a stable foundation on which to build a reign. Henry IV found himself challenged from all sides, plagued by conspiracies, rebellions, assassination attempts and crippling debts, while his tense relationships with Parliament and with his own son, Shakespeare's Prince Hal, saw his grip on power falter. Nevertheless, he was the first king and founder of a Lancastrian dynasty which would go on to shape England for centuries to come. In this lively study, Catherine Nall reappraises a monarch who weathered upheaval and uncertainty and held on to the throne through sheer force of will.

The Afflicted King

Henry IV (Penguin Monarchs)

What do our gardens say about us?Monty Don has spent many years travelling the world, from America to Japan, from Italy and the Adriatic to Spain and the Mediterranean, getting under the skin of a country through its gardens and gardening traditions. In British Gardens, he finally brings his focus to home, journeying from the northern tip of Scotland to the Cornish coast, seeking to understand what our gardens tell us about ourselves as a nation. Encompassing historical gardens and public parks, mountains and seascapes, urban gardens and rural nurseries, glasshouses and community plots, each encounter is another link in a larger story of British identity: marks of ingenuity, eccentricity, and adaptation to changing environments. From Northumbria's Alnwick Gardens and Beatrix Potter's Lake District farmhouse to the rewilded walled garden on the Knepp Estate and the story of Britain's first garden gnome, Monty's account brings in an astonishing range of British experience. Accompanied by a landmark five-part series on BBC2, and illustrated by stunning photography from Monty's long-time collaborator Derry Moore, British Gardens is a definitive, and uniquely British, account of a nation like no other.

British Gardens

After the German and Italian attack on Yugoslavia, Croatian fascists - the Ustasha - declared the independence of Croatia in April 1941. This short-lived state became one of the most significant theatres of genocide of wartime Europe, with these independent nationalists committing acts of violence against Serbs, Jews, and Roma.

Intertwined Genocides explores the patterns and the internal logic of the genocides carried out by Croatian fascists - the Ustasha - against Serbs, Jews, and Roma during the Second World War. Korb argues that the Croatian fascists were not German puppets, but strong-minded and largely independent agents, despite the German and Italian occupation of their country. They tried to transform their short-lived wartime Croatian state into a mono-ethnic nation-state by force. Whilst pursuing their violent agenda, they soon lost control over much of their territory owing to the armed resistance of their victims. What followed was an escalation of multiple layers of collective violence: local genocide, the German Holocaust, the occupiers' war against partisans, and an escalating civil war, all inextricably intertwined.

Because of this mix of perpetrators and their competing agendas, and because of the dynamics of violence and counter-violence, resistance and revenge, aggression and fear, Croatia became one of the most violent venues during the Second World War. Intertwined Genocides shows that South-eastern European nationalists carried out genocide independently of the Germans. Moreover, Alexander Korb brings critically important insights to the histories of violence, genocide, and its perpetrators: in a multi-ethnic society, genocide cannot be studied as an isolated phenomenon. Its dynamic escalation had dramatic effects on every ethnic group, and the victims' responses had a significant impact on the course of events throughout the Second World War, and into the latter half of the twentieth-century.

Mass Violence in Western Yugoslavia during the Second World War

Intertwined Genocides

A History of the United Kingdom as a Nuclear Power

A Very British Bomb

A Forest History of Russia and its Empires

The Oak and The Larch

An expansive spatial history of Drancy, the Parisian antechamber to Auschwitz, from the 1930s to the present day

A Spatial and Oral History of Drancy

The Housing of the Holocaust in Paris

Anti-Semitism and Islamophobia are on the rise in twenty-first-century Europe, but these notions of the malevolent, conspiring Jew or Muslim are far more than a medieval trope. Over the last millennium, deep currents of exclusion have shaped not only modern relationships between majorities and minorities, but the distinctive Western relationship between state and society. This volume asks an important question: why is it that, in a period when Europe's Islamic south and Catholic and Orthodox east remained home to religiously diverse communities, the Western fringes of Latin Christendom instead rid themselves of Jews and Muslims, through exploitation, mass murder, deportations and enslavement? Ariel Salzmann identifies the intersecting structural and sociological roots of this peculiarly Western approach, from rapid consolidation of secular polities and commercial markets in the Crusades era; to the ideology and practice of ritualised, politicised violence against minorities; to distinctive forms of economic protectionism arising from the use of minorities and their resources as bargaining chips. 'The Exclusionary West' shows that the medieval exclusion of minorities is bound up with the very foundation of Western European nation-states, informing the basic rights of civil citizenship and shaping Western ideas of identity and belonging. These legacies retain their insidious but potent power today.

Medieval Minorities and the Making of Modern Europe

The Exclusionary West

Musicians in the Time of Stalin

The Sound of Utopia

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

This new history reveals that the Baltic States were as fiercely contested between the Germans and Russians as any flashpoint of the Second World War.

A History

The Baltic States in the Second World War

The Death of Stalin

Rot

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