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An expansive spatial history of Drancy, the Parisian antechamber to Auschwitz, from the 1930s to the present day

Hesz-Wood S: The Housing of the
Holocaust in Paris

The Housing of the Holocaust in Paris

A Spatial and Oral History of Drancy

Introduction PART 1: SPATIAL ORIGINS Chapter 1. The Cité de la Muette PART II: REPURPOSING Chapter 2. Internment Chapter 3. Deportation Chapter 4. Liberation PART III: MEMORIALISATION AND CO-EXISTENCE Chapter 5. Normalisation and Remembrance Chapter 6. History, Memory, Life Chapter 7. Interpretation, Intervention, Representation Conclusion Index

The Lost Voices of Pompeii

For fans of Ben Macintyre, the gripping story of the assassination of Soviet revolutionary Leon Trotsky and the deadly game of cat and mouse that preceded it On August 20, 1940, Leon Trotsky invited a man he knew only as Jacques Mornard into his study. Mornard waited for Trotsky to sit, then smashed an ice pick he had hidden in his raincoat into his skull. &nbsp; For over a decade, Trotsky’s greatest enemy, Joseph Stalin, had been trying to arrange his murder. His agents had hunted him across Europe and into a lonely, bitter exile in Mexico. He had liquidated Trotsky’s family and friends, and yet Trotsky had always escaped his clutches. The man who changed this all was Ramón Mercader, a minor Spanish aristocrat and Soviet agent who had posed as Mornard, a dissolute Belgian playboy, and infiltrated Trotsky’s inner circle.&nbsp; In The Death of Trotsky, Josh Ireland traces the separate paths walked by each of these protagonists as they steadily draw closer and closer to that fateful encounter on August 20. Blending intimate historical detail and thrilling historical narrative, swinging from Moscow to Paris to Mexico, and taking in a cast of morally conflicted Russian spies, fanatical Mexican painters, and innocent American idealists, The Death of Trotsky delves into the lives of two fascinating, complex men locked in a life-or-death struggle that will bend the course of history.

The True Story of the Plot to Kill Stalin's Greatest Enemy

The Death of Trotsky

Cesare Aldo series

Carnival of Lies

Cities of the Ancient World

Cádiz presents a synthesis of the history of the city from its foundation by the Phoencians until the death of Franco in 1975, building upon recent developments in archaeological fieldwork and historical research. Two themes run through the book: the relationship of Cádiz to Andalucía, and its role as a nexus point between the Iberian Peninsula and the wider world, both the Mediterranean and Atlantic.Cádiz is the first full, scholarly treatment of the history of this fascinating city, from its origins as Gadir through to the 20th century.

Cádiz presents a synthesis of the history of the city from its foundation by the Phoencians until the death of Franco in 1975, building upon recent developments in archaeological fieldwork and historical research. Two themes run through the book: the relationship of Cádiz to Andalucía, and its role as a nexus point between the Iberian Peninsula and the wider world, both the Mediterranean and Atlantic.Cádiz is the first full, scholarly treatment of the history of this fascinating city, from its origins as Gadir through to the 20th century.

Cádiz

Black Arms to Hold You Up

In works such as The Mask of Anarchy? and "A Philosophical View of Reform,? Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in the reformist crisis of agency occasioned by the dramatic historical and political violence that characterized Britain during the Romantic period. He shows how Shelley's body or work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

From the French Revolution, Reign of Terror, and Napoleonic Wars abroad to the dramatic social changes wrought by industrialization and political agitation at home, the Romantic age in Britain was characterized by dramatic historical and political violence. As a result, the reform movement of the early nineteenth century faced a crisis of agency, in the wake of both Waterloo and Peterloo, that centered on the role of violence in the hope for social progress. In poems such as The Mask of Anarchy and political writings such as "A Philosophical View of Reform," Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in this reformist crisis of agency with a highly original political program of nonviolence rooted in the redefining of aesthetics as the primary site for a critique of the violence of post-revolutionary Europe. Grounded in the dynamic historical contexts in which Shelley wrote and informed by twentieth-century theory, Shelley’s Romantic Nonviolence shows how Shelley’s body of work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

Aesthetics and Politics in an Age of Revolution

Shelley's Romantic Nonviolence

Bollingen Series

Its Mythology and Transformations, Volume 2 (Plates)

The Art of Indian Asia

A Caribbean History of Britain

Entangled Lands

Eighteenth-Century Political Biographies

It is the few, but brilliant, political writings of his English career - including the collection of five pamphlets featuring the character, John Bull - that form the crux of this biography.

It is the few, but brilliant, political writings of his English career - including the collection of five pamphlets featuring the character, John Bull - that form the crux of this biography.

The Housing of the Holocaust in Paris

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