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Murray Charles Shaar: Planet Clash

Planet Clash

Cambridge Companions to Music

"A multi-disciplinary, contemporary analysis of one of the most important musicals of the twentieth century. Leading scholars in music, theatre, dance, literature, and performance introduce the history, creation, content, and legacy of West Side Story, and its cultural contexts and challenges, including class, colourism, and race"--

The Cambridge Companion to West Side Story

Journalistische Praxis

Dieses Praxisbuch vermittelt die Grundlagen des Kulturjournalismus quer durch alle Medien. Erfahrene Kulturjournalist*innen erläutern die speziellen Anforderungen in dieser Sparte und geben einen Einblick in ihre Arbeit mit vielen Beispielen aus dem Alltag. Der Wandel des Kulturbegriffs sowie Fragen der Diversität im Kulturjournalismus werden ebenso thematisiert wie neue Verbreitungsformen und Formate. Es gibt Checklisten, Tipps zum Berufsbild, zur Ausbildung und zu den vielfältigen Tätigkeitsfeldern.&nbsp;

Dieses Praxisbuch vermittelt die Grundlagen des Kulturjournalismus quer durch alle Medien. Erfahrene Kulturjournalist*innen erläutern die speziellen Anforderungen in dieser Sparte und geben einen Einblick in ihre Arbeit mit vielen Beispielen aus dem Alltag. Der Wandel des Kulturbegriffs sowie Fragen der Diversität im Kulturjournalismus werden ebenso thematisiert wie neue Verbreitungsformen und Formate. Es gibt Checklisten, Tipps zum Berufsbild, zur Ausbildung und zu den vielfältigen Tätigkeitsfeldern.&nbsp;

Radio – Fernsehen – Print – Online

Kulturjournalismus

A moving, intimate look at the life of Amy Winehouse by her best friend Tyler James. From a childhood at stage school to her untimely death at just twenty-seven years-old, My Amy is a beautiful and devastating portrait of a supremely talented but troubled young star.

A moving, intimate look at the life of Amy Winehouse by her best friend Tyler James. From a childhood at stage school to her untimely death at just twenty-seven years-old, My Amy is a beautiful and devastating portrait of a supremely talented but troubled young star.

The Life We Shared

My Amy

My Memories Of Public Image Ltd

POPTOME

Ashgate Popular and Folk Music Series

What musical elements define the unmistakable, yet constantly evolving, 'U2 sound'? This book addresses this question in a three-tiered music -theoretical dissection of the band's unique sound. Endrinal's analyses reach beyond the traditional focus on melody, harmony and rhythm, drawing on new computer assisted analytical techniques to explore texture, timbre and instrumentation. More than a study of one band, then, this book offers new analytical methods for the study of popular music.

What musical elements define the unmistakable, yet constantly evolving, 'U2 sound'? How is their enormously engaging music constructed? How have U2 maintained their prominent position in the  ever-shifting world of popular music? Let Me In The Sound: The Sonic Signature of U2 addresses  these questions in a three-tiered music-theoretical dissection of the band's unique sound. Endrinal begins by identifying the salient sonic characteristics that combine to form U2's distinctive musical autograph.  With those characteristics established, the book examines the various approaches to formal organization found in the band's oeuvre. Finally, detailed analyses of several songs from across the band's career demonstrate how U2 construct songs and how each member of the band contributes his own unique musical perspective to these formal designs. Endrinal's analyses reach beyond the traditional focus on melody, harmony and rhythm, drawing on new computer assisted analytical techniques to explore texture, timbre and instrumentation.  More than a study of one band, then, this book offers new analytical methods for the study of popular music.

Let Me In The Sound

The Sonic Signature of U2

Rap has remapped the way we think about music. The volume guides readers through the history of this global phenomenon, focusing on the most exciting new developments and approaches. It will be of interest to students and researchers in music, sociology, history, philosophy, linguistics, criminology, anthropology, and media and cultural studies.

The Cambridge Companion to Global Rap

Devil in a Coma

This book explores some of the various ways in which hip hop has tragically and perilously been misused by scholars and how the study of hip hop often entrenches antiblackness as well as other social problematics. &nbsp;In the end, the book is a collection that provides a much-needed perspective on hip hop culture as well as some new ways to think about the study of hip hop. It is an event of sorts: an interdisciplinary collection of debates and interventions by scholars and intellectuals in Black Studies, Cultural Studies, Theatre Art, Gender Studies, and English. The perspectives are theoretical and practical, philosophical and historical, engaging a variety of theories and practices.P. Khalil Saucier is Professor of Critical Black Studies at Bucknell University. He is the author of Necessarily Black: Cape Verdean Youth, Hip Hop Culture, and a Critique of Identity (Michigan State Press, 2015) and co-author of African Migrants, European Borders, and the Problem with Humanitarianism (Lexington Books).&nbsp; He is also the editor and co-editor of various books.

Doing the Knowledge

Critical Essays on Hip Hop and the Study of Hip Hop

Transnational Studies in Jazz

Advancing the New Jazz Studies by focusing on questions of intermediality and cultural catalysis, this book demonstrates the role jazz played in the re-making of West German culture in the post-war era.

Jazz as a Catalyst in West German Arts and Culture

Free Action

This book examines Luigi Dallapiccola's groundbreaking works created alongside the masterpieces of many Florentine artists and literati who guided his daily steps and his embrace of twelve-tone serialism as a spiritual dogma.

Luigi Dallapiccola, America, and the Unlocking of Visionary Creativity

Music and Material Culture

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people's everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people’s everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

The Culture and Practice of Making Musical Objects

Making Things Musical

Planet Clash

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

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