<div class="raw-html-embed"> Newsletteraktion: Abonnieren Sie jetzt unseren Newsletter und sichern Sie sich bis zum 8. August 2025 10% Rabatt auf Ihre Onlinebestellungen. <a href="/newsletter">Infos und Anmeldung.</a></div>

NL_Doormat: Hintergrundfarbe des Newsletter Banners unten in der Doormat. Mit # eingeben z.B. #1405BE

NL_Doormat: Verlinkung zur Newsletter Seite

Über uns

À propos de nous

Nachhaltigkeit

Durabilité

Open Access

Karriere

Carrière

Datenschutz

Protection des données

Impressum

Mentions légales

Zahlung und Lieferung

Paiement et livraison

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Sortiment und Funktionen

Assortiment et recherche

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

DISCO!

Music, Image, Dance

<ul><li>Section I. Music</li> <li>Chapter 1: Alex Jeffery: Cinderella in Eurodiscoland: Donna Summer's Once Upon a Time and the Progressive Rock Connection</li> <li>Chapter 2: Barbara Lebrun: In Defense of Dalida: Nostalgia, Dancing, and Vulgarity in French Disco</li> <li>Chapter 3: Jack Parlett: The First Days of Disco: Nostalgia, Fire Island, and Dancer from the Dance</li> <li>Chapter 4: Daniel Kane: The Best Minds of My Generation Go Bang!: On Arthur Russell and Allen Ginsberg</li> <li>Chapter 5: Mimi Haddon: June 1982, From Disco to Dance: Progressive Urban Contemporary and the Aesthetics of Play</li> <li>Chapter 6: Lucy Robinson: Disco as Community, Space, and Memorialization: Jimmy Somerville Fights AIDS in Four Albums</li> <li>Chapter 7: Jaap Kooijman: Dancing in the Dead Boys' Club: 1990s Retro-Disco and the Memory of AIDS</li> <li>Section II. Image</li> <li>Chapter 8: Adrian Loving: Reflections on Aesthetics and Black Excellence in the Disco Era</li> <li>Chapter 9: Joe Wlodarz: "Caught in the Act": Village People and the Crossover of Gay Macho</li> <li>Chapter 10: Ryan Powell: Disco's Suck: Discophobia and the Foreclosure of Blow Job Temporality in Looking for Mr. Goodbar</li> <li>Chapter 11: Silpa Mukherjee: Contraband Nights: Disco and Film Culture in 1980s Bombay</li> <li>Chapter 12: Jakub Machek: Between the Discothèque and the Screen: The Role of Disco in Late Socialist Czechoslovakia</li> <li>Chapter 13: Tamara Tomi¿-Vajagi¿: Disco as Open Image: Internet Sightings, Cryptic Denotations, and Disco Dancing Girls</li> <li>Chapter 14: madison moore: Brown Disco!: madison moore in Conversation with Nao Bustamante</li> <li>Section III. Dance</li> <li>Chapter 15: Keith Gildart and Rosalind Watkiss Singleton: The English Civil (Disco) War Northern Soul, Club Culture, and Saturday Night Fever in Wigan and Wolverhampton, 1973-1981</li> <li>Chapter 16: Ivan L. Munuera: Rushin' in the Sky</li> <li>Chapter 17: Michael Lawrence: Burn, Baby, Burn-Disco Aerobics!: Working It and Working Out</li> <li>Chapter 18: Qian Wang: All about My Mother: A Family Narrative of Nostalgia and Time-Space in Chinese Disco</li> <li>Chapter 19: Arabella Stanger: Disco Pessimism: A School Disco at Tate Modern</li> <li>Chapter 20: Kareem Khubchandani: "The Land of Disco": Arshia Haq's Insurgent Curation at Discostan</li> <li>Afterword: Disco! After the Dance</li> </ul>

Music and Material Culture

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people's everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people’s everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

The Culture and Practice of Making Musical Objects

Making Things Musical

Power, Activism, and Elections

Musicking and Dancing Politics in Africa

The Beatles, the Beach Boys, and the Invention of the Sixties —or, No Sense Makes Sense

The Musical Lives of Charles Manson

One Hundred Lyrics and a Poem

The Great Albums

40 Years

Run-DMC and Raising Hell

An Intimate Portrait

Picturing Prince

You Don't Need a Dick to DJ

Cambridge Companions to Music

The Cambridge Companion to Electronic Dance Music

Be More

Dance-floor-filling bangers, complete and radical optimism, killer style - we'd all love to be a bit more Dua Lipa. Since her breakout smash-hit 'New Rules', Dua Lipa has been churning out zeitgeisty dance tracks that have swept the world. From her mermaid cameo in Barbie to her critically-acclaimed book club, she is a multi-faceted popstar who constantly challenges and surprises her audience. With this gorgeously illustrated guide to Be More Dua, channel your inner pop queen, and find advice on how to live, dance, party and love like Dua.

New Rules to Dance the Night Away and Fill You with Radical Optimism

Be More Dua Lipa

60 Country Music-Inspired Drinks for Sippin’ Pretty

Cowgirls & Cocktails

33 1/3

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye's earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust. Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye's fantasies, his engagement with Ernie Barnes' painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye’s earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust.

Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye’s fantasies, his engagement with Ernie Barnes’ painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye's I Want You

DISCO!

Weitere Titel zum Thema