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Jo S: You Don't Need a Dick to DJ / B

You Don't Need a Dick to DJ

Motherhood, Identity, Love and F*ckery

Collins Classics

Unless I am allowed to tell the story of my life in my own way, I cannot tell it at all.Mary Seacole - traveller, nurse, businesswoman and radical for her time - defied a prejudiced British government to care for soldiers wounded during the Crimean War.This ground breaking account, written by Seacole in 1857, brings to life her incredible journey from Jamaica to Central America and England, and then on to modern-day Ukraine, where she acted as nurse to injured soldiers while running her business, the 'British Hotel'. A witness to key battles, she gives vivid accounts of how she coped with disease, bombardment and other adversities during the Crimean War.In this extraordinary autobiography, Seacole shows how she navigated her way through racial injustice, poverty and ignorance to become the first woman of colour in Britain to publish her memoirs. It is a testament to her enduring legacy.

HarperCollins is proud to present its incredible range of best-loved, essential classics.

The Wonderful Adventures of Mrs Seacole in Many Lands

If you can't change a system from the inside, you have no choice but to try and change it from the outside. That act starts with telling my own story as a brown Muslim woman in the Met. 'Nusrit Mehtab has gone through the Met like a force of nature...Her story is one worth reading.' HH Wendy Joseph KC, author of Unlawful Killings 'Off The Beat lifts the filthy carpets at the Met Police and shines a light on the darkness below. Gripping, fascinating and crucial to the future of UK policing.' Alice Vinten, author of On the Line. 'A disturbing account of institutionalised sexism and racism in the Metropolitan police told from the perspective of a tough and fiercely ambitious officer who strove to rise up through the ranks' Harriet Wistrich, author of Sister in Law When Nusrit Mehtab joined the Metropolitan Police, the organization was rife with racism and misogyny. Officers refused to patrol with her, or even call her by her name. Her attempts to get promoted were met with hostility and ridicule, and she was subjected to cruel pranks. As the years passed and her seniority grew, Nusrit was dismayed to find that these problems got worse, not better. In this searing memoir, she recounts her thirty years in the Met and the appalling treatment she endured. Now lecturing young recruits in criminology and mentoring BAME officers, Nusrit is confident that we can mould the next generation to create a more inclusive police force, safer for both the officers and the public. Full of deeply shocking stories from the heart of the organization, Off the Beat shines a light on an institution that has lost sight of its mission to protect us and pleads the case for a brighter and safer future.

If you can’t change a system from the inside, you have no choice but to try and change it from the outside. That act starts with telling my own story as a brown Muslim woman in the Met. 'Nusrit Mehtab has gone through the Met like a force of nature…Her story is one worth reading.’ HH Wendy Joseph KC, author of Unlawful Killings ‘Off The Beat lifts the filthy carpets at the Met Police and shines a light on the darkness below. Gripping, fascinating and crucial to the future of UK policing.’ Alice Vinten, author of On the Line. ‘A disturbing account of institutionalised sexism and racism in the Metropolitan police told from the perspective of a tough and fiercely ambitious officer who strove to rise up through the ranks’ Harriet Wistrich, author of Sister in Law When Nusrit Mehtab joined the Metropolitan Police, the organization was rife with racism and misogyny. Officers refused to patrol with her, or even call her by her name. Her attempts to get promoted were met with hostility and ridicule, and she was subjected to cruel pranks. As the years passed and her seniority grew, Nusrit was dismayed to find that these problems got worse, not better. In this searing memoir, she recounts her thirty years in the Met and the appalling treatment she endured. Now lecturing young recruits in criminology and mentoring BAME officers, Nusrit is confident that we can mould the next generation to create a more inclusive police force, safer for both the officers and the public. Full of deeply shocking stories from the heart of the organization, Off the Beat shines a light on an institution that has lost sight of its mission to protect us and pleads the case for a brighter and safer future.

My life as a brown, Muslim woman in the Met

Off The Beat

*Voted an Independent best self-care book for 2021* *Voted one of Heat's best self-help books to help you reach your full potential*Have you ever woken up feeling anxious after a night of drinking?

*Voted an Independent best self-care book for 2021* *Voted one of Heat's best self-help books to help you reach your full potential*Have you ever woken up feeling anxious after a night of drinking?

An empowering guide to living hangover free

The Sober Girl Society Handbook

When I’m Chopping Onions

My Memories Of Public Image Ltd

POPTOME

A powerful exploration of race and swimming by a writer who "see[s] the world whole, allowing daily intimacies against a backdrop of social injustice" (New York Times). Michael Kleber-Diggs and his twin brother, Martin, grew up in Kansas City, their family part of a prosperous community of Black medical professionals. Their father had never learned to swim, so when he wanted to buy a boat, their mother, a former lifeguard, agreed on the condition that her sons take swimming lessons. Then their father was murdered in an act of random violence, and everyone's lives changed--but for Michael, in the years and moves that followed, swimming remained a constant. My Weight in Water is the intimate memoir of a swimmer. It is a story of race and recreation in America--of segregation, desegregation, and justice--told through one family and their lives in the Midwest. It is a reckoning with the concept of self-care and a plea for joy. Most of all, it is a book about what it means to love an activity that leaves you vulnerable--your mostly unclothed body in close proximity to other mostly unclothed bodies, moving through the same water--when you are marked as an outsider by both your race and your size. Transparently and gloriously written, My Weight in Water is a definitively American work about what it costs one swimmer to enter the pool and why he does it anyway--imagining a future where all people have access to an activity that renders us weightless.

Notes of a Fat Black Swimmer

My Weight in Water

JS Memoir

Searching for My Slave Roots

This book is about something special that we all desire - love. And it is also a book about what keeps us apart - the desire to be seen but being unwilling to do what needs to be done to see. This book will change your life. It wull give you all the wings you need to fly again.

His friends called him V. He used to feel intimidated by the fashion world but he got over it. He designed his first Louis Vuitton collection in three hours. He cared more about pageantry than clothes. He wasn’t precious about his ideas. He sometimes made work and added the meaning later. He contradicted himself all the time but he saw no problem with that. Fashion for him was one big art project, and also kind of a joke. He believed in God. He believed in logos. He thought insisting on novelty in fashion was farcical; a critique meant to keep people like him out. Some nights when he couldn’t sleep he wondered how people would remember him once he was gone. Virgil Abloh, who died unexpectedly in 2021 at age 41, defied categorization. Born in Rockford, Illinois to Ghanaian immigrants, he learned to sew as child, studied civil engineering in college and then architecture in graduate school. He entered the world of fashion sideways, without formal training, upsetting the status quo first with the stratospheric success of Off-White and then with his appointment as Artistic Director of menswear at Louis Vuitton. He pierced the divisions between pop culture and couture, fashion, music, and design, and was as influenced by Marcel Duchamp and Mies van der Rohe, Albert Murray, Rammellzee, Drake, DJ Benji B, Kylie Jenner, and Bella Hadid, as by the storied histories of high fashion houses. He was fascinated by the commodification of culture and the dialectic between appropriation and reappropriation, between ‘high’ and ‘low’. He admired the ready-made and the imitative for the way in which they force you to think carefully about the context in which they were created. He felt originality was a sham, and saw clearly the way Fashion, with a capital F, depends on the policing of who is allowed the mantle of ‘genius’. The establishment bridled at his approach even as they celebrated his work. He, in turn, understood that people wanted him to be a symbol, to fit an idea of the Black Designer, but he refused any kind of easy definition. Here, in Work in Progress, is a blueprint for a way to live, a conversation between friends, a challenge to any idea of black and white thinking. A portrait of an iconoclast, WORK IN PROGRESS takes us inside the mind of one of the most visionary and transformational designers of our time.

You Don't Need a Dick to DJ

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