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Tepper J: Shooting Up / LF

Shooting Up

Escaping the Life of a Taliban Fighter

Delusions of Paradise

Inconceivable

'Unforgettable'SUNDAY TIMES'Courageous'OBSERVER'One of the most important books to be published in years' SARA COLLINS'There are few writers with Li's power'DOUGLAS STUARTThe best book I have read this year' DAVID NICHOLLS'I will return to it for the rest of my life' CHARLOTTE WOODA remarkable, defiant work of radical acceptance from acclaimed Pulitzer Prize finalist Yiyun Li as she considers the loss of her son James.'There is no good way to say this,' Yiyun Li writes at the beginning of this book.'There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.'There is no good way to say this - because words fall short. It takes only an instant for death to become fact, 'a single point in a timeline'. Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.This is a book for James, but it is not a book about grieving. As Li writes, 'The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.' Things in Nature Merely Grow is a testament to Li's indomitable spirit.As seen in the New Yorker, Vanity Fair, LA Times, TIME, and the Paris Review.'To state that this courageous book is a testament to love is an understatement. One is left altered by it'OBSERVER'A story of loss that is unlike any other book I've read ... an unforgettable monument to endurance'SUNDAY TIMES'Resolutely unsentimental, and yet it might wind you with its emotional force'GUARDIAN'A memoir unlike others, strange and profound and fiercely determined not to look away'NEW YORK TIMES'An extraordinary book' SARAH MOSS'A manifesto of living, not dying, and of how we endure the most unimaginable things' SINÉAD GLEESON, in THE WEEK'A profound look at how a parent continues to live in a world without her children'TIME'A book unlike any I've read, that brims with rare clarity and intelligence, with love and care. It will stay with me for a long time' CECILE PIN

Things in Nature Merely Grow

Conversations with Remarkable Mothers

Dear Minnie

A courageous excavation of the deep wounds that racism and colonialism have left on Black people across borders, and an imaginative effort to care for oneself and one's community in the wake. 
 
Born in a close-knit Haitian enclave in Miami, Edna Bonhomme was raised to fight for her community-at first for their rights as immigrants, and then as part of the Occupy and Black Lives Matter movements. Later, as an immigrant in Berlin, she encountered species of racism and of resistance that were new and different in some ways but fueled by the same legacy of colonial power. 
 
With astute insight and immersive prose, Bonhomme outlines a personal and political history of life in the United States, Haiti, and Germany, discovering what it means to be Black at home and abroad. She unlearns the lies that she was told about slavery and colonialism and explores how communities are resisting the weight of centuries of history. 
 
Whether thinking through debt, medical racism, art, or reparations, Tending to Our Wounds offers a case study on how to navigate between the past and the present, the individual and collective-identifying the tendrils of history in the everyday, and outlining a path to repair.

A Diasporic Memoir

Tending to Our Wounds

Liquid Reflections

Becoming a Voice for Young People

Cry When the Baby Cries

INCLUDES A NEW BONUS CHAPTER ON 'HOW TO OWN THE ZOOM''Full of helpful concepts... I'm finding it very useful.' Philippa Perry'Plenty of tips and tricks.' Sunday TimesMost books about public speaking don't tell you what to do when you open your mouth and nothing comes out. And they don't tell you how to get over the anxiety about performance that most people naturally have. They don't tell you what to do in the moments when you are made, as a woman, to feel small. They don't tell you how to own the room. This book does. From the way Michelle Obama projects 'happy high status', and the power of J.K. Rowling's understated speaking style, to Virginia Woolf's leisurely pacing and Oprah Winfrey's mastery of inner conviction, what is it that our heroines do to make us sit up and listen - really listen - to their every word? And how can you achieve that impact in your own life? Here's how.

Women and the Art of Brilliant Speaking

How to Own the Room

A riveting and moving memoir, portraying the intense struggle for freedom in South Africa. 
 
Apartheid in South Africa was arbitrary and ferocious-its end is widely celebrated. Yet, the monumental difficulties faced by the anti-apartheid movement and the sacrifices made by individuals have been hidden in the broad sweep of time. 
 
Beloved journalist Lionel Morrison brings this history to life again, honouring his forgotten comrades. He shares memories as a defendant alongside Nelson Mandela in the Treason Trials, being forced to leave South Africa, meeting leaders of the non-aligned movement, the heady days of Third World nationalism, fighting subtle racism in Britain, and much more. With sharp intellect and warm humour, Morrison's stories reveal the intimate experience of grand geopolitical shifts-and how politics is lived. 
 
Completed by Liz Morrison after her husband's death, Footprints is an ode to community, truth, and resistance.

A Black Journalist’s Fight Against Apartheid in South Africa and in Exile

Footsteps

Episodes from the Brink of Motherhood

The Motherload

Shooting Up

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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