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DISCO!

Music, Image, Dance

<ul><li>Section I. Music</li> <li>Chapter 1: Alex Jeffery: Cinderella in Eurodiscoland: Donna Summer's Once Upon a Time and the Progressive Rock Connection</li> <li>Chapter 2: Barbara Lebrun: In Defense of Dalida: Nostalgia, Dancing, and Vulgarity in French Disco</li> <li>Chapter 3: Jack Parlett: The First Days of Disco: Nostalgia, Fire Island, and Dancer from the Dance</li> <li>Chapter 4: Daniel Kane: The Best Minds of My Generation Go Bang!: On Arthur Russell and Allen Ginsberg</li> <li>Chapter 5: Mimi Haddon: June 1982, From Disco to Dance: Progressive Urban Contemporary and the Aesthetics of Play</li> <li>Chapter 6: Lucy Robinson: Disco as Community, Space, and Memorialization: Jimmy Somerville Fights AIDS in Four Albums</li> <li>Chapter 7: Jaap Kooijman: Dancing in the Dead Boys' Club: 1990s Retro-Disco and the Memory of AIDS</li> <li>Section II. Image</li> <li>Chapter 8: Adrian Loving: Reflections on Aesthetics and Black Excellence in the Disco Era</li> <li>Chapter 9: Joe Wlodarz: "Caught in the Act": Village People and the Crossover of Gay Macho</li> <li>Chapter 10: Ryan Powell: Disco's Suck: Discophobia and the Foreclosure of Blow Job Temporality in Looking for Mr. Goodbar</li> <li>Chapter 11: Silpa Mukherjee: Contraband Nights: Disco and Film Culture in 1980s Bombay</li> <li>Chapter 12: Jakub Machek: Between the Discothèque and the Screen: The Role of Disco in Late Socialist Czechoslovakia</li> <li>Chapter 13: Tamara Tomi¿-Vajagi¿: Disco as Open Image: Internet Sightings, Cryptic Denotations, and Disco Dancing Girls</li> <li>Chapter 14: madison moore: Brown Disco!: madison moore in Conversation with Nao Bustamante</li> <li>Section III. Dance</li> <li>Chapter 15: Keith Gildart and Rosalind Watkiss Singleton: The English Civil (Disco) War Northern Soul, Club Culture, and Saturday Night Fever in Wigan and Wolverhampton, 1973-1981</li> <li>Chapter 16: Ivan L. Munuera: Rushin' in the Sky</li> <li>Chapter 17: Michael Lawrence: Burn, Baby, Burn-Disco Aerobics!: Working It and Working Out</li> <li>Chapter 18: Qian Wang: All about My Mother: A Family Narrative of Nostalgia and Time-Space in Chinese Disco</li> <li>Chapter 19: Arabella Stanger: Disco Pessimism: A School Disco at Tate Modern</li> <li>Chapter 20: Kareem Khubchandani: "The Land of Disco": Arshia Haq's Insurgent Curation at Discostan</li> <li>Afterword: Disco! After the Dance</li> </ul>

Icons of Style

The story of a fashion legend

Icons of Style: Chappell Roan

Bloomsbury Handbooks

The Bloomsbury Handbook of Hip Hop Pedagogy is the first reference work to cover the theory, history, research methodologies, and practice of Hip Hop pedagogy. Including 20 chapters from activist-oriented and community engaged scholars, the handbook provides perspectives and studies from across the world, including Brazil, the Caribbean, Scandinavia, and the USA. Organized into four topical sections focusing on the history and cultural roots of Hip Hop; theories and research methods in Hip Hop pedagogy; and Hip Hop pedagogy in practice, the handbook offers theoretical, analytical, and pedagogical insights emerging across sociology, literacy, school counselling and youth organizing. The chapters reflect the impact of critical Hip Hop pedagogies and Hip Hop-based research for educators and scholars interested in radical, transformative approaches to education. Ultimately, the many voices included in the handbook show that Hip Hop pedagogy is a humanizing and emancipatory approach which is redefining the purposes and practices of education.

The Bloomsbury Handbook of Hip Hop Pedagogy

A Class Act: Inside the Gang of Four

To Hell With Poverty!

New Approaches to Sound, Music, and Media

1984-2016

David Bowie and the Transformation of Music Video

Nabeel Zuberi explores how popular music in the US and UK has mediated violence and racial conflict since 9/11. The text brings together studies from a range of contexts and genres: Hip-hop MCs on both sides of the Atlantic have rapped about the figures of the terrorist, refugee and immigrant, and commented on the surveillance and policing of racialized populations. Punk rock bands have lambasted anti-Muslim racism and Islamic orthodoxies. The sonic intensities of bass music have re-articulated the weaponization of music in torture and the soundscapes of military conflict. Pop stars have become sites for flame wars and memes in racialised discourse across social media. Through discussions of recording artists such as M.I.A., Das Racist, Swet Shop Boys, the Kominas, The Bug, Burial, Vatican Shadow, Fatima Al Qadiri, and Zayn Malik, this book engages with recent scholarship in media and communication studies, popular music studies, sound studies, ethnomusicology, and sociology.

Popular Music, Race, and Media Since 9/11

Timothy Dodge explores African American interest in and participation in country music dates from the earliest days of the recording industry's racial segregation of vernacular music into African American "race" and white "hillbilly" music. Ray Charles's then-controversial decision to record an entire album of country music covers in 1962 turned out to be a major success that, in effect, made it "legitimate" for African Americans to record country music. However, the author's intensive research reveals that African Americans had been recording such music as far back as the early 1920s. Previous scholarship has focused on the important influence of African American popular music, especially the blues, on country music. This study investigates the prevalence of country music first recorded by white artists subsequently recorded by African Americans artists from several musical genres including blues, R &amp;B, gospel, jazz, and pop. The author analyzes and discusses his findings to confirm that African American interest in and participation in country has been part of the music's history from the beginning despite the segregation of such vernacular music by the early recording industry into the basic racial categories of "race" and "hillbilly," the influence of which to some extent continues to inform contemporary 21st.-century understandings of country music.

African American Covers of Country Music Before Ray Charles

My Encounters with Rock Royalty

Men of a Certain Age

Strange Things Are Happening

Be More

Dance-floor-filling bangers, complete and radical optimism, killer style - we'd all love to be a bit more Dua Lipa. Since her breakout smash-hit 'New Rules', Dua Lipa has been churning out zeitgeisty dance tracks that have swept the world. From her mermaid cameo in Barbie to her critically-acclaimed book club, she is a multi-faceted popstar who constantly challenges and surprises her audience. With this gorgeously illustrated guide to Be More Dua, channel your inner pop queen, and find advice on how to live, dance, party and love like Dua.

New Rules to Dance the Night Away and Fill You with Radical Optimism

Be More Dua Lipa

This biography explores the career and legacy of one of the world's greatest entertainers, from humble beginnings to superstar success. Vocalist and music historian Matthew Long sheds light on the enduring popularity of the Italian-American legend. In a career spanning 65 years, Como perfected a style and approach to popular music that was timeless and cross-generational in its appeal. This book provides fresh insights into the life of a man whose relaxed on-screen persona belied his strong work ethic and high standards both personally and professionally. Beginning with Como's roots in Canonsburg, Pennsylvania, when the barber business represented the height of his professional aims, the book moves on to his highly rewarding apprenticeship as a band singer in the 1930s and early 40s. Through the belief and insistence of his wife, Perry would soon emerge into the world of international superstardom, and yet, he remained humble throughout his entire career. Como's prolific achievements on record and his pioneering contributions to the television medium are discussed in detail. The book provides recommended listening from each era plus a supplementary, extensive curated song index covering Perry's career in records and many highlights from his legendary performances on radio, television, in concert, and at the movies. This book is the ultimate companion for anyone who appreciates the wonderful, beautifully-sung songs that represent the very best of Perry Como - commercially, technically and artistically.

The Perry Como Story

Magic Moments

Bold, brilliant and always ahead of the curve, Charli XCX is one of pop's most fearless innovators. This pocket-sized celebration dives into the world of a music visionary - packed with punchy quotes, behind-the-scenes facts and unforgettable moments from her rise to fame and beyond. From underground mixtapes to chart-topping collaborations and experimental albums, Charli has consistently redefined what it means to be a pop star in the 21st century. Whether she's championing new sounds, challenging expectations or just being unapologetically herself, her influence is impossible to ignore. Charli's fierce individuality continues to inspire a new generation of music lovers. Perfect for fans and curious newcomers alike, this little guide offers a fabulous snapshot of a boundary-breaking icon. Sample content: Aged just 14, Charlie started sharing her own tracks on MySpace - the go-to spot for new music at the time. That early buzz helped her build a small but loyal fanbase and landed her gigs at underground and illegal raves in East London. It was all pretty DIY, but those raw beginnings kickstarted her fearless, rule-breaking career. "I used to worry about being cool. Now I realize that I genuinely don't care." Charli XCX "I see music in colours. I love music that's black, pink, purple or red - but I hate music that's green, yellow or brown." Charli XCX "I make pop music, but I do it on my own terms. I'll never play the game, so to speak, just for success. I'll always follow my heart and make the music I want to make." Charli XCX

I Don't Care: The Little Guide to Charli XCX

The Official 70th Anniversary Celebration

Legends of Eurovision

DISCO!

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