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King Jon: To Hell With Poverty!

To Hell With Poverty!

A Class Act: Inside the Gang of Four

33 1/3

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye's earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust. Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye's fantasies, his engagement with Ernie Barnes' painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye's I Want You

Raised on Radio

The Year the World Forgot

1975

Stranded In The Future

A Cultural History of Mainstream Emo

Tell All Your Friends

Studies in Metamodernism: Theory and Criticism across the Disciplines

This book is the first academic volume dedicated to the work of "canonically" metamodern multi-instrumentalist singer-songwriter Sufjan Stevens. Contributors critically examine Stevens' output and impact across the relevant fields of musicology, literature, queer theory, performance studies, religious studies, and cultural studies. The volume provides the first international and interdisciplinary analysis of the music, lyrics, performance process and cultural impact of Sufjan Stevens, through the framework of metamodernism.

The Metamodern Music of Sufjan Stevens

My Impossible Soul

New Approaches to Sound, Music, and Media

1984-2016

David Bowie and the Transformation of Music Video

One Hundred Lyrics and a Poem

Play It!

The authors of the popular Play It! series are back with a fun and easy guitar guide, with helpful instruction on beloved Christmas songs, perfect for the budding musician in your life.

A Superfast Way to Learn Awesome Songs on Your Guitar

Play It! Christmas Songs for Guitar

A Fashion Revolutionary

Vivienne Westwood

A Time-Travelling Evangelist’s Guide to Late 20th-Century Underground Music

Volcanic Tongue

Nabeel Zuberi explores how popular music in the US and UK has mediated violence and racial conflict since 9/11. The text brings together studies from a range of contexts and genres: Hip-hop MCs on both sides of the Atlantic have rapped about the figures of the terrorist, refugee and immigrant, and commented on the surveillance and policing of racialized populations. Punk rock bands have lambasted anti-Muslim racism and Islamic orthodoxies. The sonic intensities of bass music have re-articulated the weaponization of music in torture and the soundscapes of military conflict. Pop stars have become sites for flame wars and memes in racialised discourse across social media. Through discussions of recording artists such as M.I.A., Das Racist, Swet Shop Boys, the Kominas, The Bug, Burial, Vatican Shadow, Fatima Al Qadiri, and Zayn Malik, this book engages with recent scholarship in media and communication studies, popular music studies, sound studies, ethnomusicology, and sociology.

Popular Music, Race, and Media Since 9/11

To Hell With Poverty!

Informations bibliographiques

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