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Leon Donna: Backstage / B

Backstage

Stories of a writing life

Show Don't Tell

Code Noir

Puffin Clothbound Classics

The Odyssey

Every One Still Here

THE SUNDAY TIMES AND NEW YORK TIMES BESTSELLERThe renowned author returns with a timely book about his journeys to three sites of conflict - Dakar, South Carolina, and Palestine - exploring how the stories we tell, and the ones we don't, shape our realities. 'A politically-charged meditation on the power of stories' Guardian ***Ta-Nehisi Coates originally set out to write a book about writing, but soon found himself grappling with deeper questions about the destructive myths that shape our world. First we join Coates on his inaugural trip to Africa - a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination. He then takes readers to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology - visibly on display in its segregationist statues. Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground. Written at a dramatic moment in American and global history, this work from one of our most important writers is about the urgent need to embrace the liberating power of even the most difficult truths. ***'An earnest and intimate exploration of locations of extreme injustice' Oprah Daily

The Message

Canons

The Writing Life

Nourishments and Jamborees

Bite by Bite

On the unlikely politics of ‘inner-prepping’

The Revolution Will Be Internalised

Stalingrad, Treblinka, Berlin - 1941-45

Dispatches from the Frontline

A collection of essential writings by Latinas from the 1900s to 1960 that documents the undeniable presence of the Latina community in the United States and stands as a testament to the dismissal and erasure of their intellectual and feminist contributions to the nation A Penguin Classic The first book of its kind, The Penguin Book of Latina Writings shines a light on a robust community of U.S.-based Latina voices that have been historically overlooked and underrepresented in literature, and demonstrates the valuable contributions Latina writers have made to the literary and intellectual community. The curated selections in this unique anthology elucidate U.S. Latina writers’ intersectionality and give readers an understanding of the various positions they are writing to and from. In addition to providing valuable information about their individual time periods, these documents show instances where the silencing or policing of women’s writing often led writers to resort to the use of pseudonyms in order to publish their work. While some authors’ publications are scarce, they represent essential voices responding to issues that impacted women, children, and Latine communities at large, including feminism, workers’ rights, colonialism, racism, exile, immigration, citizenship, and religion. The writers featured are public intellectuals, educators, feminists, poets, editors, and homemakers who produced a variety of published and unpublished manuscripts, editorials, poetry, recipes, correspondence, performances, and historical documents accessed through Arte Público Press’s Recovering the US Hispanic Literary Heritage program archives.

Backstage

Informations bibliographiques

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