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Reynolds Simon: Futuromania / B

Futuromania

Electronic Dreams, Desiring Machines and Tomorrow’s Music Today

"Blanco seeks out a point of unity between the primitive energy of mystical rite, the raw vitality of youth and the relationship between pop and urban culture." -VogueFrom the Silence of Duchamp to the Noise of Boys is the first book of poetry by New York-based performance artist and writer Mykki Blanco. Coinciding with the release of Blanco's two new albums-their first in four years-and two new queer anthologies, We Can Do Better Than This (Vintage, 2021) and The Queer Bible (HarperCollins, 2021) that include essays penned by Blanco, this reissue of the sold-out first edition of From the Silence of Duchamp features the original collection of poems with a new introduction by the author. Written over the course of six years with revisions and additions that span across different ages and locations, From the Silence of Duchamp draws heavily from folklore and oral traditions to convey the energy of rebellious youth and challenge a contemporary indifference to spirituality. Blanco, who came of age first in the Pacific Northwest and then as a 16-year-old runaway in New York City, refers in these poems as much to their own experience of life as to the more far-reaching worlds of mysticism, metaphysics and psychedelia. From the Silence of Duchamp is arranged and illustrated by Nikolai Rose, the New York-based creative team of Jacob Melinger and Alan Paukman, who experimented with wine and salt crystals to create the haunting ink washes that accompany Blanco's visceral words. Michael David Quattlebaum Jr. (born 1986), better known by the stage name Mykki Blanco, is a songwriter, musician, performance artist, poet and activist.

“Blanco seeks out a point of unity between the primitive energy of mystical rite, the raw vitality of youth and the relationship between pop and urban culture.” –VogueFrom the Silence of Duchamp to the Noise of Boys is the first book of poetry by New York–based performance artist and writer Mykki Blanco. Coinciding with the release of Blanco’s two new albums—their first in four years—and two new queer anthologies, We Can Do Better Than This (Vintage, 2021) and The Queer Bible (HarperCollins, 2021) that include essays penned by Blanco, this reissue of the sold-out first edition of From the Silence of Duchamp features the original collection of poems with a new introduction by the author. Written over the course of six years with revisions and additions that span across different ages and locations, From the Silence of Duchamp draws heavily from folklore and oral traditions to convey the energy of rebellious youth and challenge a contemporary indifference to spirituality. Blanco, who came of age first in the Pacific Northwest and then as a 16-year-old runaway in New York City, refers in these poems as much to their own experience of life as to the more far-reaching worlds of mysticism, metaphysics and psychedelia. From the Silence of Duchamp is arranged and illustrated by Nikolai Rose, the New York–based creative team of Jacob Melinger and Alan Paukman, who experimented with wine and salt crystals to create the haunting ink washes that accompany Blanco’s visceral words. Michael David Quattlebaum Jr. (born 1986), better known by the stage name Mykki Blanco, is a songwriter, musician, performance artist, poet and activist.

From the Silence of Duchamp to the Noise of Boys

A prevailing narrative goes: Bob Dylan, the voice of Sixties counterculture, disappeared in the 1970s, then released arguably the worst music of his career in the 1980s-only to be resurrected in 2016, when he was awarded the Nobel Prize in Literature. Dylan's concerts once began with an announcer intoning a deadpan version of just such a narrative. That is not this story. 
 
Drawing on thousands of pages of archival materials, After the Flood reveals Dylan's output during the last three decades as his most ambitious yet. Across an abecedarium of chapters surveying his albums, performances, films, and books since the early 1990s, celebrated poet and biographer Robert Polito shows how Dylan evolved a late musical style that has embodied and resisted its era-interweaving Ovid and Americana, film noir and the Civil War. Imaginatively researched, After the Flood is both an essential revision and continuation of the Dylan saga.

Inside Bob Dylan's Memory Palace

After the Flood

A Memoir of No Wave and the Women Who Shaped the Scene

No New York

New Approaches to Sound, Music, and Media

Nabeel Zuberi explores how popular music in the US and UK has mediated violence and racial conflict since 9/11. The text brings together studies from a range of contexts and genres: Hip-hop MCs on both sides of the Atlantic have rapped about the figures of the terrorist, refugee and immigrant, and commented on the surveillance and policing of racialized populations. Punk rock bands have lambasted anti-Muslim racism and Islamic orthodoxies. The sonic intensities of bass music have re-articulated the weaponization of music in torture and the soundscapes of military conflict. Pop stars have become sites for flame wars and memes in racialised discourse across social media. Through discussions of recording artists such as M.I.A., Das Racist, Swet Shop Boys, the Kominas, The Bug, Burial, Vatican Shadow, Fatima Al Qadiri, and Zayn Malik, this book engages with recent scholarship in media and communication studies, popular music studies, sound studies, ethnomusicology, and sociology.

Popular Music, Race, and Media Since 9/11

Music, Image, Dance

DISCO!

Zeitgenössische Musikwissenschaft

Der Sammelband zielt auf eine musikwissenschaftliche und -philosophische Neuperspektivierung der Theorie des Musikverstehens. Seine Beiträge plädieren für eine revidierte Hermeneutik. Dabei wird nicht nur angestrebt, die Prämissen und Methoden traditioneller allgemeiner und musikalischer Hermeneutiken kritisch zu hinterfragen, vielmehr sollen die für eine Theorie des Verstehens relevanten Begriffe der Bedeutung, des Sinns und der Interpretation so bestimmt werden, dass sie den Anforderungen an eine umfassende musikalische Hermeneutik gerecht zu werden vermögen.Die HerausgeberJin Hyun Kim ist Musikwissenschaftlerin, deren Schwerpunkt auf musikalischer Grundlagenforschung mit Fokus auf musikalischer Aisthesis, Interaktion, Kognition und Technologie liegt.Matthias Vogel ist Professor für Theoretische Philosophie an der Justus-Liebig-Universität Gießen. Seine Schwerpunkte liegen in der Philosophie des Geistes und Philosophie der Musik.

Der Sammelband zielt auf eine musikwissenschaftliche und -philosophische Neuperspektivierung der Theorie des Musikverstehens. Seine Beiträge plädieren für eine revidierte Hermeneutik. Dabei wird nicht nur angestrebt, die Prämissen und Methoden traditioneller allgemeiner und musikalischer Hermeneutiken kritisch zu hinterfragen, vielmehr sollen die für eine Theorie des Verstehens relevanten Begriffe der Bedeutung, des Sinns und der Interpretation so bestimmt werden, dass sie den Anforderungen an eine umfassende musikalische Hermeneutik gerecht zu werden vermögen.

Futuromania

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