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Murray Charles Shaar: Planet Clash

Planet Clash

Letters for the Ages

A collection of letters written through the ages from musicians of all genres, from Mozart to Freddie Mercury. For tens of thousands of years, across various civilisations, our species has been creating music. But what is behind the human fascination with music? This new volume in the Letters for the Ages series explores that question through the personal correspondence of history's most brilliant musical talent, ranging from Hildegaard of Bingen to Amy Winehouse. Spanning from the 12th to the 21st centuries, the letters assembled in this collection combine to delve into musicians' personal relationship with music and the creative process behind their greatest works of art. Witness your musical idols, warm-hearted and compassionate, arrogant and angry, insecure and egocentric, defeated and morose. The letters give a rare insight into the innermost thoughts of these great musicians who have created some of the most recognisable and beautiful music ever heard. But despite the mass of talent within these pages, these letters also provide the realisation that even the most extraordinary music has been created by normal people with normal worries and preoccupations.

Letters for the Ages Great Musicians

Elements in Music and Musicians 1750-1850

This Element describes the history of the Neapolitan Cappella Reale in the second half of the eighteenth century. It is based on primary sources, reconstructing the entire personnel of the ensemble, recovering unstudied contractual agreements, offering details about the personnel while also examining the original music of the orchestra.

The Orchestra of the Cappella Reale, Naples, 1750–1800

A playful literary biography of The Cure in the form of an A-Z of the band: for trainspotters and casual fans alike

The Story of The Cure

Curepedia

Cambridge Companions to Music

"A multi-disciplinary, contemporary analysis of one of the most important musicals of the twentieth century. Leading scholars in music, theatre, dance, literature, and performance introduce the history, creation, content, and legacy of West Side Story, and its cultural contexts and challenges, including class, colourism, and race"--

The Cambridge Companion to West Side Story

Jim Marshall took over ten thousand photos of the Grateful Dead throughout their career?from Woodstock to the last free concert on Haight Street and beyond. Marshall's magnificent images chronicle the band's trajectory as hairstyles changed, relationships came and went, and the music evolved into the sound that would become beloved by generations to come.

Photos and Stories from the Formative Years, 1966–1977

The Grateful Dead by Jim Marshall

In Rethinking Elvis, popular music scholars and historians look beyond Elvis' iconography to shine a light on the branding, historical and geographic reception, heritage, and fan phenomenon that sustain his legacy. By engaging with recent disciplinary shifts and ongoing conversations within the field, Rethinking Elvis pinpoints the many reasons for Elvis' continued influence on popular culture.

Rethinking Elvis

In Chasin' the Sound: Learning Jazz Improvisation through Historical Models, authors Brian Levy and Keith Waters use solos by famous jazz musicians to outline a melodic and rhythmic vocabulary of jazz improvisation. In contrast to mainstream approaches based on rote memorization and generic chord/scale pedagogies, Chasin' the Sound encourages a hands-on approach with activities that highlight the intangible yet key aesthetics of sound, groove, and feel. By studying jazz fundamentals alongside well-known examples of those fundamentals in practice, students gain a broader and more meaningful understanding of the art of improvisation.

Learning Jazz Improvisation through Historical Models

Chasin' the Sound

Oxford Music / Media

Music, Myth, and Hollywood

Korngold in America

Jewish Lives

Jane Eisner traces the professional accomplishments and personal challenges of pop icon Carole King, exploring her unique contribution to American music &nbsp; Carole King’s extraordinary career has defined American popular music for more than half a century. Born in New York City in 1942, she shaped the soundtrack of 1960s teen culture with such songs as “Will You Love Me Tomorrow,” one of many Brill Building classics she wrote with her first husband, Gerry Goffin. She was a leading figure in the singer-songwriter movement of the 1970s, with dozens of Billboard Hot 100 hits and music awards—her 1971 album Tapestry won a record four Grammys. Yet she struggled to reconcile her fame with her roles as a wife and mother and retreated to the backwoods of Idaho, only to emerge in recent years as a political activist and the subject of the Tony-winning Broadway show Beautiful: The Carole King Musical. &nbsp; Journalist and author Jane Eisner places King’s life in historical and cultural context, revealing details of her humble beginnings in postwar Jewish Brooklyn, the roots of her musical genius, her four marriages, and her anguish about public life. Drawing on numerous interviews as well as historical and contemporary sources, this book brings to life King’s professional accomplishments, her personal challenges, and her lasting contributions to the great American songbook.

She Made the Earth Move

Carole King

The vivid stories behind 20 key songs of the 90s - 'Common People' to 'Girls and Boys', 'Connection' to 'Firestarter'; AND the bands that made them . . . The definitive Britpop mixtape from award-winning pop-writer Miranda Sawyer

Britpop and Beyond in 20 Songs

Uncommon People

Music and Material Culture

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people's everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

The Culture and Practice of Making Musical Objects

Making Things Musical

Planet Clash

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