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Liebert Emily: Martin Puryear

Martin Puryear

A lavishly illustrated volume is the authoritative biography of a consummate self-portraitist and a riveting depiction of a paradoxical personality.

Lucas Samaras was one of the great avant-garde artists of the last few decades. Renowned both for his use of fabrics and for his deployment of everyday objects in his installations, he was perhaps best known for his work in photography, where he frequently took himself as a subject. This lavishly illustrated volume is the authoritative biography of a consummate self-portraitist and a riveting depiction of a paradoxical personality: of an artist whose work in the 1960s and ’70s “prefigured the vindicated narcissism of the selfie era”, but who also showed every sign of being “a quiet and agoraphobic maverick at war with the mindset of calculated sociability”. From his sensitive evocation of Samaras’s childhood in wartime Greece through to his perceptive interpretation of the artist’s career in the United States, Michael Skafidas has produced an outstanding account of his subject’s life and work. It is also an intriguing record of his own relationship with Samaras, and a powerful meditation on the art of life-writing.

The Life and Times of Lucas Samaras

River of Becoming

From the breath-taking collection at the National Gallery, this is a floral feast for the eyes, a fine new art calendar from Flame Tree. Produced in partnership with the National Gallery, this calendar will take you on a journey through the most beautiful floral and landscape masterpieces from the National Gallery collection. Featuring iconic paintings such as Vincent van Gogh's Sunflowers and a less-well-known Gauguin piece A Vase of Flowers, this calendar celebrates some of the world’s most treasured artworks. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

The National Gallery Wall Calendar 2026 (Art Calendar)

Isms

The description for this book, Lennon-isms, will be forthcoming.

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

Blackwell Companions to Art History

A Companion to Impressionism

Described as 'exhilarating' by Katy Hessel, a compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the 'long twentieth century', from the closing years of Queen Victoria's reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler's defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson's melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

This is Tomorrow

Fashion in the French Revolution looks at the elaborate dress of French society and the court in the 1780s and the way in which plain clothing became identified with "democracy". Illustrated in full color throughout and with many new additional images, this extensively revised edition of Fashion in the French Revolution looks at the elaborate dress worn by the elite in the 1780s, and then the impact on people's lives and clothing as a result of the events of 1789 onwards. This was a period in which, for the first time, what one wore was radically affected by revolutionary politics and plain clothing became identified with 'democracy'. Award-winning dress historian Aileen Ribeiro skilfully weaves analysis of paintings, engravings, fashion plates and extant garments to reveal how clothing at all levels in society changed as a result. This new edition, as relevant, informative and provocative as when it was first published in 1988, brings the classic Fashion in the French Revolution to a new generation of readers interested in dress history, fine art, European 18th century history, and all those interested in intelligent, articulate and informed discussion of the period.

New Edition

Fashion in the French Revolution

Ausgehend von Archivmaterial aus der Studienzeit Ludwig Heinrich Heydenreichs richtet diese Publikation den Blick auf historische Unterrichtsformen im Fach Kunstgeschichte sowie auf die engen Verflechtungen von kunsthistorischer Lehre und Forschung. Heydenreichs Aufzeichnungen machen den Gang eines Hamburger Studenten von der Immatrikulation bis zur Promotion in allen Details nachvollziehbar. Gleichzeitig erlauben sie Einblicke in die Abläufe am Kunsthistorischen Seminar Hamburg sowie an der Kulturwissenschaftlichen Bibliothek Warburg. Der Band enthält Mitschriften der Gotik Vorlesungen Erwin Panofskys (1925/26) ebenso wie detaillierte Aufzeichnungen der Methoden-Übungen Aby Warburgs inkl. aller Referate und auch Bildtafeln, die die Studierenden für ihre Vorträge zu arrangieren hatten.

Ausgehend von Archivmaterial aus der Studienzeit Ludwig Heinrich Heydenreichs richtet diese Publikation den Blick auf historische Unterrichtsformen im Fach Kunstgeschichte sowie auf die engen Verflechtungen von kunsthistorischer Lehre und Forschung. Heydenreichs Aufzeichnungen machen den Gang eines Hamburger Studenten von der Immatrikulation bis zur Promotion in allen Details nachvollziehbar. Gleichzeitig erlauben sie Einblicke in die Abläufe am Kunsthistorischen Seminar Hamburg sowie an der Kulturwissenschaftlichen Bibliothek Warburg. Der Band enthält Mitschriften der Gotik Vorlesungen Erwin Panofskys (1925/26) ebenso wie detaillierte Aufzeichnungen der Methoden-Übungen Aby Warburgs inkl. aller Referate und auch Bildtafeln, die die Studierenden für ihre Vorträge zu arrangieren hatten.

Ludwig Heinrich Heydenreich und die Kunstgeschichte in Hamburg 1925-1928

Studieren bei Warburg und Panofsky

The al-Sabah Collection

"Dar al-Athar al Islamiyyah - The al-Sabah Collection, Kuwait."--Title page.

Metalwork from the Arab World and the Mediterranean

The first English-language volume of Takuma Nakahira's influential writings on photography. Takuma Nakahira was a crucial figure within the history of Japanese photography, best known outside of Japan as a founding member of Provoke, the experimental magazine of photographs, essays, and poetry, first published in Tokyo in 1968. Through Provoke, Nakahira deepened his artistic and personal connection to Daido Moriyama, with whom he developed a signature style of harsh and grainy black-and-white photography. He would eventually break with this style, and over the course of his decades-long career, maintain an experimental approach to photography. And yet, beyond his photographic practice, Nakahira was also a committed critic, writing on a range of topics hardly limited to photography: art, film, journalism, radical politics, television, and jazz. As a whole, the essays offer insight into the evolution of Nakahira's thinking. As the curator Matthew S. Witkovsky notes, "Nakahira's incisive writing cut apart standing views in literature, film, politics, and especially photography, and he published both articles and photographs at a feverish rate."

Selected writings by Takuma Nakahira

Takuma Nakahira: At the Limits of the Gaze

An epic new history of Ancient China told through the prism of a dozen extraordinary tombsThe three millennia up to the establishment of the first imperial Qin dynasty in 221 BC cemented many of the distinctive elements of Chinese civilisation still in place today: an extraordinarily challenging geography and environment, formidable infrastructure, a society based on the strict hierarchy of the family, a shared written script of characters, a cuisine founded on rice and millet, a material culture of ceramics, bronze, silk and jade, and a unique concept of the universe, in which ancestors continue to exist alongside the living. Records of these early achievements, and their diverse and unexpected expressions, often lie not in written history, but in how people marked the end of their lives: their dwellings for the afterlife. Tombs, and the treasures within them, are almost the only artefacts to survive from Ancient China; their scale and sophistication rivals their equivalents in Ancient Egypt. Jessica Rawson, one of the most eminent Western scholars of China, explores twelve grand tombs - each from a specific historical moment and place - showing how they reveal wider political, dynastic and cultural developments, culminating in the lavish ambition of the First Emperor's monument, guarded by his army of terracotta warriors. Beautifully illustrated and drawing on the latest archaeological discoveries, Life and Afterlife in Ancient China illuminates a constellation of beliefs about life and death very different from our own and provides a remarkable new perspective on one of the oldest civilisations in the world.

An epic new history of Ancient China told through the prism of a dozen extraordinary tombs The three millennia up to the establishment of the first imperial Qin dynasty in 221 BC cemented many of the distinctive elements of Chinese civilisation still in place today: an extraordinarily challenging geography and environment, formidable infrastructure, a society based on the strict hierarchy of the family, a shared written script of characters, a cuisine founded on rice and millet, a material culture of ceramics, bronze, silk and jade, and a unique concept of the universe, in which ancestors continue to exist alongside the living. Records of these early achievements, and their diverse and unexpected expressions, often lie not in written history, but in how people marked the end of their lives: their dwellings for the afterlife. Tombs, and the treasures within them, are almost the only artefacts to survive from Ancient China; their scale and sophistication rivals their equivalents in Ancient Egypt. Jessica Rawson, one of the most eminent Western scholars of China, explores twelve grand tombs - each from a specific historical moment and place - showing how they reveal wider political, dynastic and cultural developments, culminating in the lavish ambition of the First Emperor's monument, guarded by his army of terracotta warriors. Beautifully illustrated and drawing on the latest archaeological discoveries, Life and Afterlife in Ancient China illuminates a constellation of beliefs about life and death very different from our own and provides a remarkable new perspective on one of the oldest civilisations in the world.

Life and Afterlife in Ancient China

The Life of Louise Bourgeois

Knife-Woman

"The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th century. Orphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term "Orphism" to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death. The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism's connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, Frantiések Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso"--

The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th centuryOrphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term “Orphism” to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death. The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism’s connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, František Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso.

Harmony and Dissonance: Orphism in Paris, 1910–1930

Martin Puryear

Bibliografische Angaben

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Bibliografische Angaben

Schlagworte

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