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Liebert Emily: Martin Puryear

Martin Puryear

Fashion in the French Revolution looks at the elaborate dress of French society and the court in the 1780s and the way in which plain clothing became identified with "democracy". Illustrated in full color throughout and with many new additional images, this extensively revised edition of Fashion in the French Revolution looks at the elaborate dress worn by the elite in the 1780s, and then the impact on people's lives and clothing as a result of the events of 1789 onwards. This was a period in which, for the first time, what one wore was radically affected by revolutionary politics and plain clothing became identified with 'democracy'. Award-winning dress historian Aileen Ribeiro skilfully weaves analysis of paintings, engravings, fashion plates and extant garments to reveal how clothing at all levels in society changed as a result. This new edition, as relevant, informative and provocative as when it was first published in 1988, brings the classic Fashion in the French Revolution to a new generation of readers interested in dress history, fine art, European 18th century history, and all those interested in intelligent, articulate and informed discussion of the period.

New Edition

Fashion in the French Revolution

New Directions in Contemporary Art

The field of AI Art is a hotbed for strange, uneasy partnerships between big tech, big art and critical culture. Not since Walter Benjamin's Age of Mechanical Reproduction has there been a similar challenge to humanist art criticism. This book examines how a contemporary critic should best engage with, contextualise and effectively critique machine-learning-based art. In considering this question, Nora Khan looks at the rush of institutions to place AI Art within an art-historical lineage while they simultaneously accept significant funding from technology companies. She discusses the scale and speed at which technological production, machine learning, and AI have abraded the individual's capacity for critical evaluation, moving us to consider what a shared, collective criticism of AI might sound like.

AI Art, Machine Learning and the Stakes for Art Criticism

Teresita Fernández / Robert Smithson 

Lowry is one of the few painters who captured the essence of the people and the towns of factory life. A fine new mini wall art calendar from Flame Tree. Renowned for his paintings of the industrial towns of North West England, Lowry had a distinctive and enchanting style. In association with The Lowry, which houses over 400 of Lowry’s works, this exceptional mini wall calendar portrays a selection of 12 works ranging from urban landscapes teeming with his iconic ‘matchstick men’ to haunting unpopulated scenes. Informative text accompanies each work in this mini wall calendar and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

L.S. Lowry Mini Wall Calendar 2026 (Art Calendar)

Described as 'exhilarating' by Katy Hessel, a compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the 'long twentieth century', from the closing years of Queen Victoria's reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler's defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson's melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

This is Tomorrow

Russian Shorts

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Vasily Surikov, Viktor Vasnetsov, and the Remaking of the Past

Russia's History Painters

The Artist Box: Frida Kahlo

Cognitive Futures

The Hard Question of Art

Isms

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

Flame Tree Bookmarks

L.S. Lowry: Gentleman Looking at Something Bookmarks (pack of 10)

"The first publication of its kind, connecting a constellation of artists working at the forefront of abstraction in the early 20th century. Orphism emerged among a cosmopolitan group of artists active in Paris in the early 1910s, as the innovations of modern life radically altered conceptions of time and space. Engaged with ideas of simultaneity in kaleidoscopic compositions, these artists investigated the transformative possibilities of color, form and motion. Often featuring disks of brilliant color, their work evoked multisensory experiences. When pushed to its limits, Orphism signaled total abstraction. The poet Guillaume Apollinaire, a contemporary, coined the term "Orphism" to describe this move away from Cubism, toward a physically and spiritually transcendent art. His concept referred back to the Greek mythological poet and lyre player Orpheus, whose music thwarted death. The first in-depth examination of the Orphist avant-garde, this revelatory exhibition catalog contextualizes Orphism, tracing its roots, exploring its cross-disciplinary reach and considering its transnational reverberations across 16 illustrated texts by a multigenerational group of authors from different fields. Incisive essays offer new perspectives, delineating Orphism's connection to music, dance and poetry, and investigating the historical and cultural circumstances that shaped its ethos. More than 90 artworks in multiple mediums are punctuated by micro-narratives that view select artists through the Orphist lens, presenting original scholarship on well-known figures such as Robert Delaunay, Sonia Delaunay, Frantiések Kupka and Francis Picabia while also illuminating lesser-known ones such as Mainie Jellett, Morgan Russell and Amadeo de Souza-Cardoso"--

Harmony and Dissonance: Orphism in Paris, 1910–1930

Martin Puryear

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