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Cox Virginia: The Italian Renaissance

The Italian Renaissance

A Cultural History

Cambridge Latin American Studies

A Study in Ethnographic and Spatial History

The Making of Brazilian Amazonian Societies

The Identity Politics of Postcolonial Feminism provides an original analysis of the conceptual categories of essentialisms (situated and strategic) and the politics of location evoked and practised by five hyphenated South Asian postcolonial feminists in the contemporary Anglo-North-American academy: Himani Bannerji, Inderpal Grewal, Chandra Talpade Mohanty, Sherene H. Razack and Gayatri Chakravorty Spivak.&nbsp;

Strategies of Essentialism

The Identity Politics of Postcolonial Feminism

China, Russia, Mongolia: 2,000 Years of Conflict

Conquering the North

The Holocaust and its Contexts

The Cultural Elite and Antisemitic Rhetoric in Interwar Romania

Mexico City from the Sixteenth Century to the Present

Walking a City's History

Routledge Studies in Theology, Imagination and the Arts

The creative act, claims Nicolas Berdyaev, is a prefiguration of the end of the world. To what extent is fiction an exploration of the ultimate ends of humanity - of heaven, hell, death and judgement? And how do modern authors use the literary resources of eschatological imaginings in their storytelling? In this careful yet suggestive study, Greg Clarke explores the eschatological underpinnings of modern fiction. Drawing on the work of Ernst Bloch, Jurgen Moltmann, Jacques Derrida and Frank Kermode, Clarke outlines the way in which literature employs apocalyptic imagery, narrative structures and eschatological themes such as hope, glory, salvation and justice. Through a detailed study of the novels of pre-eminent Australian author Patrick White, a new eschatological approach to criticism emerges, where 'ultimate interests' become a reading lens and a key to understanding the creative impulse.

The creative act, claims Nicolas Berdyaev, is a prefiguration of the end of the world. To what extent is fiction an exploration of the ultimate ends of humanity - of heaven, hell, death and judgement? And how do modern authors use the literary resources of eschatological imaginings in their storytelling?  In this careful yet suggestive study, Greg Clarke explores the eschatological underpinnings of modern fiction. Drawing on the work of Ernst Bloch, Jurgen Moltmann, Jacques Derrida and Frank Kermode, Clarke outlines the way in which literature employs apocalyptic imagery, narrative structures and eschatological themes such as hope, glory, salvation and justice. Through a detailed study of the novels of pre-eminent Australian author Patrick White, a new eschatological approach to criticism emerges, where 'ultimate interests' become a reading lens and a key to understanding the creative impulse.

The Future of Patrick White

Eschatology, Apocalypse and Modern Fiction

Travel Guide

DK Naples and the Amalfi Coast

A beautifully illustrated and accessible account of the medieval crusades, which covers areas such as art, literature and legacy that are not found in other introductions to the topic. It written by a team of fifteen experts in the field and is full of surprising insights from the latest research.

The Oxford Illustrated History of the Crusades

Studien zum Drehbuch

Focusing on the work and perspectives of women, this volume inquires into the production conditions and concepts of cinematic narrative involved in the journey to creating the medium of film. Its chapters delve into this topic transdisciplinarily and theoretically, as well as from the perspective of cinematic practice, thereby contributing to the debate about the diverse possibilities of cinematic storytelling.

The Italian Renaissance

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Bibliografische Angaben

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