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Klein Mason: Paul Klee

Paul Klee

Other Possible Worlds

Described as 'exhilarating' by Katy Hessel, a compelling and lively history that examines the lives of British artists from the late-19th century to today. In This is Tomorrow Michael Bird takes a fresh look at the 'long twentieth century', from the closing years of Queen Victoria's reign to the turn of the millennium, through the lens of the artists who lived and worked in this ever-changing Britain. Bird examines how the rhythms of change and adaptation in art became embedded in the collective consciousness of the nation and vividly evokes the personalities who populate and drive this story, looking beyond individual careers and historical moments to weave together interconnecting currents of change that flowed through London, Glasgow, Leeds, Cornwall, the Caribbean, New York, Moscow and Berlin. From the American James McNeill Whistler's defence of his new kind of modern art against the British art establishment in the latter half of the 19th century to the Danish-Icelandic artist Olafur Eliasson's melting icebergs in London, he traverses the lives of the artists that have recorded, questioned and defined our times. At the heart of this original book are the successive waves of displacement caused by global wars and persecution that conversely brought fresh ideas and new points of view to the British Isles; educational reforms opened new routes for young people from working-class backgrounds; movements of social change enabled the emergence of female artists and artists of colour; and the emergence of the mass media shaped modern modes of communication and culture. These are the ebbs and flows that Michael Bird teases out in this panoramic account of Britain and its artists in across the twentieth century.

This is Tomorrow

A Search for Hidden Legacies

(Post)Socialist Dance

The Works

Part of a brand new series celebrating the works of great artists, The Works: Katsushika Hokusai is a stunning exploration of the iconic visions of a master printmaker whose influence transcends time. This volume presents 50 of the legendary artist's most iconic pieces in a striking, high-design book format. From the towering crest of The Great Wave off Kanagawa to the crisp serenity of Cranes and the fiery hues of Fire Wind, Clear Morning, each image is accompanied by insightful analyses and biographical context from acclaimed art historian Sally Grant, that unpacks the techniques, themes, and cultural significance behind Hokusai's enduring legacy. Perfect for budding and season art lovers, or anyone looking for a beautiful, bold book to adorn their shelves or coffee table. This volume is an essential tribute to a trailblazing icon of 19th century art.

The essential masterpieces

The Works: Katsushika Hokusai

Winner of the Gilder Lehrman Military History Prize, the first global history of the world's first world war.

A Global History

The Napoleonic Wars

A nuanced and personal look at the Latino art world in New York from the 1970s to the new millennium &nbsp; In this deft interweaving of autobiography with the story of Latino art’s place in the flourishing New York art scene, Edward J. Sullivan calls attention to the prominent influence of Latin American artists from the 1970s until today. Recounting his own journey from student and curator to one of the field’s most celebrated scholars, Sullivan gives readers an insider’s look at a time when Latino art went from the margins to the spotlight and the discipline of Latin American art emerged. Beginning in the wake of the Black Power, gay liberation, and second wave feminism movements, Latino artists exhibited their work everywhere from alternative art spaces to major museums and forged a community and a collective identity. As Latin American and Latino artists navigated crises from AIDS to 9/11, they established their art forms as central to academic study and made New York’s institutions, museums, and galleries take it more seriously. &nbsp; Sullivan offers his readers an intimate view of the people, places, and events that populated the world of Latino art in New York as he showcases Latin American art from ancient to modern times. Rufino Tamayo, Carmen Herrera, Pepón Osorio, Cecilia Vicuña, and Juan Sánchez are among the many personalities who populated the scene. The result is a compelling and often surprising tale of cultural, personal, and institutional activity, and, at times, the intrigues that result from their collaborations.

Art and Experience, 1970-2001

Latino New York

Practical Strategies for a Career in Art

The Artist's Roadmap

X-Men For Dummies

Built Traces of Intercolonial Trade, Industry and Labour, 1800s-1950s

Architectural Encounters in Asia Pacific

The extraordinary creative energy of Renaissance Italy lies at the root of modern Western culture. In this study, Virginia Cox offers a fresh vision of this iconic moment in cultural history. This book explores key artistic, literary and intellectual developments, as well as histories of food and fashion, map-making, exploration and anatomy.

A Cultural History

The Italian Renaissance

Oxford Illustrated History

A beautifully illustrated and accessible account of the medieval crusades. The Oxford Illustrated History of the Crusades provides an accessible introduction to the medieval crusades and to the changes and developments that have taken place in their study over the last twenty-five years. Written by fifteen experts in the field, it opens with the nature of western European society in the eleventh century that gave rise to the holy war ethos, where the Church promoted violence against the perceived enemies of the faith not as a distasteful necessity in a fallen world but as a meritorious act which attracted a spiritual reward. The launch of the First Crusade in 1095 and its capture of Jerusalem four year later is described, along with the subsequent expeditions to the Holy Land up to 1271. Later chapters focus on some of the less well-known aspects. These include the reaction in the Islamic world to the crusades; the impact on the Jewish communities of western Europe; the perspective from the Byzantine empire; the crusades launched against Christians, whether Orthodox Byzantines or Hussite and Albigensian heretics; the literature and songs to which the crusades gave rise and the physical monuments that can still be seen today. Crusading continued long after the fall of Acre, the last outpost in the Holy Land, in 1291, becoming increasingly defensive in the face of the expansion of the Ottoman empire, although Christian forays into Africa and the Americas in the fifteenth and early sixteenth centuries were still regarded as crusades. Even in the nineteenth century, crusades were looked back on as a model for contemporary European imperialism.

The Oxford Illustrated History of the Crusades

Routledge Research in Art History

Through a rereading of the available textual and visual sources of Symbolist theater and of the work of Nabi artists, as well as through an analysis of sources and paintings previously unexamined in the existing literature, this book rewrites the history of the cross-fertilization between Nabi art and Symbolist theater.

Through a rereading of the available textual and visual sources of Symbolist theater and of the work of Nabi artists, as well as through an analysis of sources and paintings previously unexamined in the existing literature, this book rewrites the history of the cross-fertilization between Nabi art and Symbolist theater.

The Nabis and Symbolist Theater

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

Paul Klee

Weitere Titel zum Thema