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The Works

Grant Sally: The Works: Mary Cassatt

The Works: Mary Cassatt

The essential masterpieces

The Works: Vincent van Gogh

The Works: Katsushika Hokusai

The World According To

The World According to Henri Matisse

Resplendent watercolors of the 19th-century world by New England native Winslow Homer"You will see," said American artist Winslow Homer, "in the future I will live by my watercolors." From his early forays into pastoral landscapes to his more mature works encompassing the maritime scenes for which he is best known, Homer's watercolors are most remarkable for their reverence of nature and the people who thrive within its conditions--sketches that are both quaint and sublime in scope. Boasting one of the most significant collections of Homer's watercolors in the United States, the Museum of Fine Arts, Boston, presents a luminous collection of nearly 50 works that demonstrate the artist's mastery of the medium. Readers will be transported to the rugged Maine coast, the rivers and streams of the Adirondacks, the weathered shores of seaside England and the bright beaches of the Caribbean. The many facets of these environments--ecological, artistic, social and economic--are reflected in Homer's thoughtful compositions that, though more than 100 years old, shine with a modern effervescence. Winslow Homer (1836-1910) was born in Boston and apprenticed to a commercial lithographer. He taught himself painting while working as a freelance illustrator for Harper's and other magazines. In 1883 he moved into his permanent home and studio in Prouts Neck, Maine, but continued to find inspiration in his travels to Canada, Cuba, the Bahamas, Key West and the Adirondacks.

Winslow Homer in Watercolor

The first monographic study of American artist Alison Knowles, a significant yet overlooked cofounder of the Fluxus movement. Alison Knowles stands out as the sole female artist among the founders of Fluxus, yet she has remained an enigmatic, underrecognized figure in the history of art. Performing Chance fills a gap in the record, bringing to light Knowles's transformative body of work as it evolved from abstract painting in the late 1950s, to silkscreens, print media, and performance in the early 1960s, to groundbreaking works in digital poetry, acoustical art, and large-scale installations in the late 1960s-70s. Through her access to previously unpublished archival materials and direct interviews with the artist, Nicole L. Woods provides close readings of pivotal works, disclosing the ways Knowles instituted formal tactics that moved beyond modernist painting, championed principles of indeterminacy and chance, and fostered sociopolitical consciousness. Situating Knowles's innovations in various media within the distinct cultural contexts of Wiesbaden, London, Paris, New York City, and Los Angeles, Performing Chance brings this key artist back to her rightful place as a leader of the postwar avant-garde and provides a nuanced history of the role of women artists in Fluxus and beyond.

The Art of Alison Knowles In/Out of Fluxus

Performing Chance

Anthem Modern and Contemporary Art of the Arab World, Iran and Turkey

Resisting from Morocco's Margins explores the socio-political context in which Ahmed Amrani's oil-on-paper painting Protesta (1969) was made, specifically, the Rif Revolts of the late 1950s.

Ahmed Amrani's Protesta, 1969

Resisting from Morocco's Margins

Bollingen Series

The Archetypal World of Henry Moore

Yale Collections

A Renaissance Tondo Recovered

Luca Signorelli

Joseph Beuys and History

Through a series of newly-commissioned conversations by renowned artists, writers, and scholars, in produced in collaboration with the Georgia O’Keeffe Museum in Santa Fe, In New Light offers new entry points into the iconic American modernist. An extremely well-known painter and cultural figure, O’Keeffe’s persona and biography have remained as much a part of her story as her innovations within and contributions to modernist painting. What are the questions that need to be asked (and critiques to be raised and considered) about her work and legacy today?
 Included is a fully illustrated summary of O’Keeffe’s work — from very early pieces to her latest paintings, with both significant masterworks as well as less-known pieces. Photographs of the artist, her residence in Abiquiú, and other objects and ephemera in the Museum’s collection appear throughout this chronological plate section.
 In addition to the O’Keeffe Museum, the artist’s work is held in countless major public collections, including the Amon Carter Museum of American Art (Dallas),&nbsp;Art Institute of Chicago, Brooklyn Museum, Cleveland Museum of Art, Milwaukee Art Museum,&nbsp;National Gallery of Art (Washington), and The White House (Washington, DC).

Georgia O'Keeffe: In New Light

This is the hotly anticipated debut art book from renowned illustrator and comic artist, Ramón Nunez. With years of extensive experience working in the comic, animation, and video-game industries, Ramon has carved out a unique artistic style and earned himself a reputation for creating captivating visual concepts and character art. His previous clients include top production companies including Riot Games, Sony Pictures Animation, and Dreamworks, and he has built a following of 609K fans on Instagram.In this book, he offers an insight to his world of art, where he likes to portray characters doing everyday activities in everyday places, such as eating at home or riding the subway. He has built a relatability in his art that appeals to fans, as they see themselves in his work. That said, he isn't afraid to introduce a bizarre situation or something unexpected to push the viewers' imagination!The book will feature personal details about Ramón's early life, education, and career, as well as step-by-step tutorials for readers to learn from his incredible style and skills. For long-standing fans or those newly discovering his artwork, Ramón's art book will be one that our audiences jump to own.

The Art of RamonN90: Life in Every Sketch

Routledge Research in Art History

Focusing on the first four films about Moore's sculpture in the 1940s and 1950s, The Making of Henry Moore on Film: A Cultural History considers how these films played a role in the consolidation of the sculptor's public identity and broke new ground in the exploration of sculptural aesthetics through film. The book draws on extensive archival research in the production files of these films and on detailed contextual research.

Art historians have recognised the relationship between photography and sculpture as a fertile ground for the study of sculpture's intermedial relations. In the case of Henry Moore, the role of photography (both as source material and form of documentation) has recently become a new terrain for researching and interpreting his work. Film, however, remains absent from Moore scholarship. Focusing on four films about Moore's sculpture in the 1940s and 1950s,  The Making of Henry Moore on Film: A Cultural History considers how these films broke new ground in the specialised genre of the "film on art," which throve in these decades.  Katerina Loukopoulou places the relationship between sculpture and film within the relevant historical and cultural contexts of post-war Britain (1945-1959), the period during which Moore's public identity was consolidated. The book draws on extensive archival research in the production files of these films and on detailed contextual research (press cuttings, periodicals, festival pamphlets) of contemporaneous writings about the remediation of works of art  and about the reception of these films on Moore. By revealing overlooked aspects of what these films stood for at this historical conjuncture, Loukopoulou examines the specific aesthetic and political meanings of Moore's sculpture as explored by each film.

A Cultural History

The Making of Henry Moore on Film

A Natural History of the Studio

The Works: Mary Cassatt

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel der Reihe: The Works

Weitere Titel zum Thema