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Fiduccia J: Figures of Crisis

Figures of Crisis

Alberto Giacometti and the Myths of Nationalism

A new fine art calendar from Flame Tree featuring Van Gogh's popular, vibrant landscape paintings. Vincent van Gogh is famous throughout the world for his stunning artworks. His extensive portfolio exceeds some 2,000 pieces of art, of which 800 were oil paintings. Some of his most recognizable landscapes can be found in this stunning calendar: Starry Night Over the Rhone, Cypresses and The Yellow House to name just a few. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Vincent van Gogh Landscapes Wall Calendar 2026 (Art Calendar)

Impressionism and Paris 12-Month 2026 Engagement Calendar

Lowry's appeal has grown over the generations, encapsulating the essence of everyday life in his paintings. A fine new art calendar from Flame Tree. Renowned for his paintings of the industrial towns of North West England, Lowry had a distinctive and enchanting style. In association with The Lowry, which houses over 400 of Lowry’s works, this exceptional wall calendar portrays a selection of 12 works ranging from urban landscapes teeming with his iconic ‘matchstick men’ to haunting unpopulated scenes. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

L.S. Lowry Wall Calendar 2026 (Art Calendar)

The Artist Box: Frida Kahlo

Russian Shorts

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Vasily Surikov, Viktor Vasnetsov, and the Remaking of the Past

Russia's History Painters

New Directions in Contemporary Art

The field of AI Art is a hotbed for strange, uneasy partnerships between big tech, big art and critical culture. Not since Walter Benjamin's Age of Mechanical Reproduction has there been a similar challenge to humanist art criticism. This book examines how a contemporary critic should best engage with, contextualise and effectively critique machine-learning-based art. In considering this question, Nora Khan looks at the rush of institutions to place AI Art within an art-historical lineage while they simultaneously accept significant funding from technology companies. She discusses the scale and speed at which technological production, machine learning, and AI have abraded the individual's capacity for critical evaluation, moving us to consider what a shared, collective criticism of AI might sound like.

The field of AI Art is a hotbed for strange, uneasy partnerships between big tech, big art and critical culture. Not since Walter Benjamin's Age of Mechanical Reproduction has there been a similar challenge to humanist art criticism. This book examines how a contemporary critic should best engage with, contextualise and effectively critique machine-learning-based art. In considering this question, Nora Khan looks at the rush of institutions to place AI Art within an art-historical lineage while they simultaneously accept significant funding from technology companies. She discusses the scale and speed at which technological production, machine learning, and AI have abraded the individual’s capacity for critical evaluation, moving us to consider what a shared, collective criticism of AI might sound like.

AI Art, Machine Learning and the Stakes for Art Criticism

Impressionism and Post-Impressionism 2026 Mini Wall Calendar

Thirty-Six Views of the Moon&nbsp;is a meditative collection of nighttime exposures made with book pages from texts referencing the night sky spanning the last ten&nbsp;centuries.Drink wine and look at the moon and think of all&nbsp;the civilizations the moon has seen passing by… — Omar Khayyam, 11th-century mathematician and poetTaking his cue from Omar Khayyam’s poem, Ebtekar produces a vignette of windows to the moon, inviting us to shift the direction of our gaze.&nbsp;In his process, the artist works with a photographic glass plate negative of the moon from the Lick Observatory archives in Northern California, treating each book page with Potassium ferricyanide and Ammonium ferric citrate (cyanotype) to make the surface of the page light-sensitive. Then, Ebtekar exposes the pages overnight in the UV-light emitted by the moon. This project challenges viewers to imagine the the moon looking at us, seeing ourselves as the objects of the moon’s billion-year gaze.&nbsp;There are four unique editions to the work, each produced under the moonlight of a season (i.e. winter, spring, etc.), and each with its own unique bibliography. The artist’s proof is the only edition made with moonlight from all four seasons over the span of one year.

Thirty-Six Views of the Moon&nbsp;is a meditative collection of nighttime exposures made with book pages from texts referencing the night sky spanning the last ten&nbsp;centuries.Drink wine and look at the moon and think of all&nbsp;the civilizations the moon has seen passing by… — Omar Khayyam, 11th-century mathematician and poetTaking his cue from Omar Khayyam’s poem, Ebtekar produces a vignette of windows to the moon, inviting us to shift the direction of our gaze.&nbsp;In his process, the artist works with a photographic glass plate negative of the moon from the Lick Observatory archives in Northern California, treating each book page with Potassium ferricyanide and Ammonium ferric citrate (cyanotype) to make the surface of the page light-sensitive. Then, Ebtekar exposes the pages overnight in the UV-light emitted by the moon. This project challenges viewers to imagine the the moon looking at us, seeing ourselves as the objects of the moon’s billion-year gaze.&nbsp;There are four unique editions to the work, each produced under the moonlight of a season (i.e. winter, spring, etc.), and each with its own unique bibliography. The artist’s proof is the only edition made with moonlight from all four seasons over the span of one year.

Ala Ebtekar: Thirty-Six Views of the Moon

The new calendar with twelve popular Art Nouveau posters. A fine new art calendar from Flame Tree. The turn of the twentieth century brought an exciting new art form: Art Nouveau posters celebrated the joie de vivre of the modern age through promoting both commercial products and cultural exhibitions in their own beautiful style. This calendar includes works by such celebrated artists as Alphonse Mucha, Eugene Grasset and Paul Berthon. Informative text accompanies each work, and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Art Nouveau Posters Wall Calendar 2026 (Art Calendar)

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

An epic new history of Ancient China told through the prism of a dozen extraordinary tombsThe three millennia up to the establishment of the first imperial Qin dynasty in 221 BC cemented many of the distinctive elements of Chinese civilisation still in place today: an extraordinarily challenging geography and environment, formidable infrastructure, a society based on the strict hierarchy of the family, a shared written script of characters, a cuisine founded on rice and millet, a material culture of ceramics, bronze, silk and jade, and a unique concept of the universe, in which ancestors continue to exist alongside the living. Records of these early achievements, and their diverse and unexpected expressions, often lie not in written history, but in how people marked the end of their lives: their dwellings for the afterlife. Tombs, and the treasures within them, are almost the only artefacts to survive from Ancient China; their scale and sophistication rivals their equivalents in Ancient Egypt. Jessica Rawson, one of the most eminent Western scholars of China, explores twelve grand tombs - each from a specific historical moment and place - showing how they reveal wider political, dynastic and cultural developments, culminating in the lavish ambition of the First Emperor's monument, guarded by his army of terracotta warriors. Beautifully illustrated and drawing on the latest archaeological discoveries, Life and Afterlife in Ancient China illuminates a constellation of beliefs about life and death very different from our own and provides a remarkable new perspective on one of the oldest civilisations in the world.

An epic new history of Ancient China told through the prism of a dozen extraordinary tombs The three millennia up to the establishment of the first imperial Qin dynasty in 221 BC cemented many of the distinctive elements of Chinese civilisation still in place today: an extraordinarily challenging geography and environment, formidable infrastructure, a society based on the strict hierarchy of the family, a shared written script of characters, a cuisine founded on rice and millet, a material culture of ceramics, bronze, silk and jade, and a unique concept of the universe, in which ancestors continue to exist alongside the living. Records of these early achievements, and their diverse and unexpected expressions, often lie not in written history, but in how people marked the end of their lives: their dwellings for the afterlife. Tombs, and the treasures within them, are almost the only artefacts to survive from Ancient China; their scale and sophistication rivals their equivalents in Ancient Egypt. Jessica Rawson, one of the most eminent Western scholars of China, explores twelve grand tombs - each from a specific historical moment and place - showing how they reveal wider political, dynastic and cultural developments, culminating in the lavish ambition of the First Emperor's monument, guarded by his army of terracotta warriors. Beautifully illustrated and drawing on the latest archaeological discoveries, Life and Afterlife in Ancient China illuminates a constellation of beliefs about life and death very different from our own and provides a remarkable new perspective on one of the oldest civilisations in the world.

Life and Afterlife in Ancient China

Lowry is one of the few painters who captured the essence of the people and the towns of factory life. A fine new mini wall art calendar from Flame Tree. Renowned for his paintings of the industrial towns of North West England, Lowry had a distinctive and enchanting style. In association with The Lowry, which houses over 400 of Lowry’s works, this exceptional mini wall calendar portrays a selection of 12 works ranging from urban landscapes teeming with his iconic ‘matchstick men’ to haunting unpopulated scenes. Informative text accompanies each work in this mini wall calendar and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

L.S. Lowry Mini Wall Calendar 2026 (Art Calendar)

Figures of Crisis

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