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Ancient Near Eastern Iconography and the
Bible

Ancient Near Eastern Iconography and the Bible

Erwin Panofsky and Othmar Keel in Dialogue

Library of Gender and Popular Culture

Female Dandyism in Popular Music

Pop & Postfeminism

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

Renaissance Lives

Francisco de Zurbarán and the Fabric of the World

The Cartoonist as Architectural Critic

Alan Dunn

Afro-Latin America

Art and Anti-Racism in Latin America

Hodder Bible Commentary

50 volumes. 4 million words. Global representation. &nbsp; Engage with the latest theological thinking in this new, readable exposition of the Bible in 50 volumes. Covering all books of the Bible and including the full the Anglicised New International Version (NIV) text, the&nbsp;Hodder Bible Commentary&nbsp;series makes connecting scripture and scholarship easier than ever. &nbsp; Explore how the Bible intersects with 21st century life with commentary that is doctrinally sensitive and globally aware, sourced from a team of contributors representing a variety of cultural and ecclesiastical contexts from around the world. Designed to be accessible to all adult readers and particularly for those who preach, teach, and lead Bible studies, each book is split into manageable sections suitable for talks or study groups. Read the Bible text and the commentary side by side to gain a deep knowledge of scripture and the variety of interpretations that can be made from it. &nbsp; Be refreshed with new understanding. Be encouraged to apply your conclusions to life today.

50 volumes. 4 million words. Global representation. &nbsp; Engage with the latest theological thinking in this new, readable exposition of the Bible in 50 volumes. Covering all books of the Bible and including the full the Anglicised New International Version (NIV) text, the&nbsp;Hodder Bible Commentary&nbsp;series makes connecting scripture and scholarship easier than ever. &nbsp; Explore how the Bible intersects with 21st century life with commentary that is doctrinally sensitive and globally aware, sourced from a team of contributors representing a variety of cultural and ecclesiastical contexts from around the world. Designed to be accessible to all adult readers and particularly for those who preach, teach, and lead Bible studies, each book is split into manageable sections suitable for talks or study groups. Read the Bible text and the commentary side by side to gain a deep knowledge of scripture and the variety of interpretations that can be made from it. &nbsp; Be refreshed with new understanding. Be encouraged to apply your conclusions to life today.

The Hodder Bible Commentary: Esther

A reconsideration of Filippino Lippi’s transformative Roman period and the ensuing evolution of his innovative style, as reflected in his Holy Family tondo in Cleveland—a masterpiece that exemplifies this pivotal phase in his career &nbsp; Between 1488 and 1493, leading Florentine artist Filippino Lippi (ca. 1457–1504) relocated to Rome to complete his celebrated frescoes in the funerary chapel of Neapolitan cardinal Oliviero Carafa in the major Dominican church of Santa Maria Sopra Minerva. During this time, Filippino also painted a magnificent tondo for Carafa: The Holy Family with Saint John the Baptist and Saint Margaret. Focusing on this seminal work in his oeuvre, Filippino Lippi and Rome traces the arc of the painter’s artistic practice before, during, and after his Roman period, illuminating the evolution of his processes and iconographic ingenuities. This in-depth study presents new scholarship on the inspiration Filippino found in the Eternal City and how The Holy Family tondo—the only known independent work produced by Filippino in Rome—influenced artists from Raffaellino del Garbo to Jan Gossaert to Leonardo da Vinci. Moreover, the essays and catalogue entries in this volume draw on recent technical analyses that had, for the first time, revealed the tondo’s underdrawing and pentimenti, shedding new light on Filippino’s painting techniques. These texts are accompanied by a chronicle of the work’s rediscovery at the start of the nineteenth century and the dramatic turn of events that led to its acquisition by the Cleveland Museum of Art in 1932. &nbsp; Distributed for the Cleveland Museum of Art &nbsp; Exhibition Schedule: &nbsp; Cleveland Museum of Art (November 30, 2025–February 22, 2026)

Filippino Lippi and Rome

A Cultural History

The Italian Renaissance

A Graded Reader for Beginners

Reading Biblical Greek

Constructing Textiles

Anni Albers

Rethinking Art's Histories

In the face of global ecological crises, this edited volume examines how contemporary art in East and Southeast Asia confronts environmental destruction, ecological degradation, and social injustice. The book explores the concept of artistic remediation - art's capacity to intervene in and respond to ecological challenges - across a wide range of creative practices. These include producing thought-provoking artworks, fostering non-human agency, reclaiming materials, advocating for biodiversity, promoting eco-education, protesting against capitalist extractivism, and envisioning sustainable futures, among other approaches. Through eleven chapters, twelve contributors delve into artistic interventions that reflect, inspire action, and catalyse ecological transformation. Grounded in the environmental, cultural, and artistic contexts of the region, the authors analyse how individual artists, collectives, and organisations - whether working independently or in collaboration with activists and local communities - confront ecological injustices and foster broader ecological consciousness. Their research uncovers the rich local histories, political ecologies, and creative strategies driving the dynamic and evolving intersection between art and ecology today. By documenting and theorising these diverse forms of remediation, this book not only advances an ecologically conscious and socially engaged art history but also presents a compelling vision for the future. It offers a call to action, emphasising the power of art to inspire a more just and sustainable planet for all life forms.

Contemporary Art and Ecological Transformation in East and Southeast Asia

Ancient Near Eastern Iconography and the Bible

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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