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Commentaires

Ancient Near Eastern Iconography and the
Bible

Ancient Near Eastern Iconography and the Bible

Erwin Panofsky and Othmar Keel in Dialogue

Earthen Sculpture in South Asia

Clay Works

This book is a groundbreaking interdisciplinary exploration of Mongolian Buddhism of the late nineteenth and early twentieth centuries, drawing on previously unexamined writings and artworks to shed new light on the intricate interrelationships that define this tradition.

Mongolian Buddhist Texts and Rituals

Art and Imagination

Joseph Beuys and History

Leonardo

Media Practices and Aesthetics of Radical Truth

Exposing Violence

A Natural History of the Studio

Hodder Bible Commentary

50 volumes. 4 million words. Global representation. &nbsp; Engage with the latest theological thinking in this new, readable exposition of the Bible in 50 volumes. Covering all books of the Bible and including the full the Anglicised New International Version (NIV) text, the&nbsp;Hodder Bible Commentary&nbsp;series makes connecting scripture and scholarship easier than ever. &nbsp; Explore how the Bible intersects with 21st century life with commentary that is doctrinally sensitive and globally aware, sourced from a team of contributors representing a variety of cultural and ecclesiastical contexts from around the world. Designed to be accessible to all adult readers and particularly for those who preach, teach, and lead Bible studies, each book is split into manageable sections suitable for talks or study groups. Read the Bible text and the commentary side by side to gain a deep knowledge of scripture and the variety of interpretations that can be made from it. &nbsp; Be refreshed with new understanding. Be encouraged to apply your conclusions to life today.

The Hodder Bible Commentary: Esther

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

Feminist Studies and Sacred Texts

A Womanist Reading of Esther

Trauma and Survival in the Hebrew Bible

A Graded Reader for Beginners

Reading Biblical Greek

A Guided Tour

Relational Art

Said in Stone

Edmonia Lewis

Eusebius Werke

Die griechischen christlichen Schriftsteller der ersten Jahrhunderte

Kommentar zu den Psalmen

Der Psalmenkommentar 2. Teil, 2. Band: Kommentare und Fragmente zu Psalm 72–100

Eusebius X

Ancient Near Eastern Iconography and the Bible

Informations bibliographiques

Mots-clés

Informations bibliographiques

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