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Catalogue complet

Sciolino Elaine: Adventures in the
Louvre

Adventures in the Louvre

How to Fall in Love with the World's Greatest Museum

UCL Critical Cultural Heritage Series

Creative Uses of Postindustrial Spaces

Connecting with Ambivalent Heritage

Based on first-hand accounts, original documentation and unpublished images, this is a highly illustrated history of the Flakpanzer in World War II. As the war progressed, Allied and Soviet forces began to deploy ground-attack aircraft armed with cannons, bombs or rockets to halt German armoured columns. Consequently, field commanders began to demand for their units to be issued with effective armoured anti-aircraft weapons. Renowned armour expert Thomas Anderson explains how the weapons were first mounted on light trucks and then, more effectively, on the chassis of light, medium or heavy half-tracks before orders were issued for a dedicated armoured Flakpanzer - the 2cm Flakpanzer 38(t) based on the chassis of a Czech-built PzKpfw 38(t). The effectiveness of this type saw the development of four further vehicles on the PzKpfw IV chassis: FlakPz IV Wirbelwind (whirlwind), the 3.7cm FlaK 43 L/50 Ostwind (east wind), the 3.7cm FlaK 43 L/60 Möbelwagen (furniture van) and the 2cm Vierlingsflak 38 L/55. The final stages of the war also saw German field engineers mounting Flak weapons on all types of heavy truck or half-track chassis available. Drawing on after-action reports, original wartime documents and rare and previously unseen photographs, this is a comprehensive and fully illustrated study of the German development of Flakpanzers throughout World War II.

Flakpanzer

The Astonishing Travels of an Indian Prince in the Age of Revolutions

A Passage to Europe

From the National Book Award-longlisted author of Finding Florida, a sparkling, sweeping chronicle of the author's life and discoveries in an ancient town in "Deep France," from nearby prehistoric caves to medieval dynastic struggles to the colorful characters populating the area todayWhen T. D. Allman purchased an 800-year-old house in the mountain village of Lauzerte in southwestern France, he aimed to find refuge from the world's tumults. Instead, he found that humanity's most telling melodramas, from the paleolithic to the post-modern, were graven in its stones and visible from its windows. Indeed, the history of France can be viewed from the perspective of Lauzerte and its surrounding area-just as Allman, from one window, can see Lauzerte unfold before him in the Place des Cornières, where he watches performances of the opera Tosca and each Saturday buys produce from "Fred, the Foie Gras Guy;" while from the other side facing the Pyrenees he surveys the fated landscape that generated many events giving birth to the modern world. The dynastic struggles of Eleanor of Aquitaine, he finds, led to Lauzerte's remarkably progressive charter issued in 1241, which even then enshrined human rights in its 51 articles. From Eleanor's marriage to English king Henry II in 1154 dates the never-ending melodrama pitting English arrogance against French resistance; in 2016 Brexit demonstrated that this perpetual contretemps is another of the vaster conditions life in Lauzerte illuminates. Allman chronicles the many conflicts that have swirled in the region, from the Catholic Church's genocidal campaign to wipe out "heresy" there; to France's own 16th-century Wars of Religion, which saw hundreds massacred in the town square, some inside his house; to World War II, during which Lauzerte was part of Nazi-occupied Vichy. In prose as crystalline as his view to the Pyrenees on a clear day, Allman animates Lauzerte and its surrounding communities-Cahors, Moissac, Montauban-all ever in thrall to the magnetic impulse of Paris. Witness to so many dramas over the centuries, his house comes alive as a historical protagonist in its own right, from its wine-cellar cave to the roof where he wages futile battle with pigeons, to the life lessons it conveys. "The onward march of history, my House keeps demonstrating, never takes a rest," he observes, pulling us vividly into his world.

The Long History of a House, a Mountain Town, and a People

In France Profound

Classical Literature and Society

"Presenting a new approach to Euripides' plays, this book explores the playwright's ancient tragedies in relation to quotation culture. Treating extant works and lost works side-by-side, Matthew Wright presents a selective survey of ways in which Euripidean tragedy was quoted within antiquity, both in social contexts (on the comic stage, at symposia, in law courts, in education) and in different literary genres (drama, biography, oratory, philosophy, literary scholarship, history and anthologies). There is also a discussion of the connection between quotability and classic status, where Wright asks what quotations can tell us about ancient reading habits. The implication is that Euripides actively participated in quotation culture by deliberately making certain portions of his plays stand out as especially quotable"--

Euripides and Quotation Culture

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

A Natural History of the Studio

The Outlaw Chefs Who Made Food Modern

The Secret History of French Cooking

Political Struggle and Activist Art in the Uk, 1960-Present

Grassroots Artmaking

The Emerging Western World Canon in the Mediterranean and India, c. 1750-1800

"Kishshana has been an inspiration to me as an entrepreneur, coach, and friend, offering me the opportunity to watch her live out and lead others through the principles and practices she writes about in Busy Is A Four-Letter Word. She has given us a gift by assembling the wisdom she has gained in this accessible and authentic Bible for anyone who has grown up believing they would have to work twice as hard to get half as much in life and leadership. The good news Kishshana shares in Busy Is A Four-Letter Word is a healing balm with applicable lessons and tools for achieving the harmony needed to live purposeful, balanced lives." -MARIA DAUTRUCHE, Founder of dopwell group LLC "In Busy Is A Four-Letter Word, Kishshana Palmer does what she does best-cuts right through the noise by bringing us the truth via humor and complete relatability. With her 5-Step ReThink Method, Kishshana shows us how to ditch the glorification of busyness and embrace actual self-care, rest, and the power of saying 'no'. It's a loving wake-up call that delivers exactly what we need to overcome 'martyritis' and thrive by doing less. This book will be on my nightstand for years to come." -MALLORY ERICKSON, author of What the Fundraising "Busy Is A Four-Letter Word is a revelation. In her approach to supporting effective, efficient, healthy living and leading, Kishshana manages to bring together the best of many worlds. She brings us nostalgia with pop-culture characters we love, but through a fresh lens of reflection. She gives us personal stories that are vulnerable and authentic, accessible and resonant, approachable and real. She gives us validating research and practical applications that move us past words into action. Throughout this worthwhile read, I was tickled pink, seeing red, feeling in true-blue community and accelerated through a green light to make tangible changes in how I approach my life and work. You will be too." -AJUAH HELTON, Long Time Education Leader and Woman Who Regularly Does Too Much

Adventures in the Louvre

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