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Smee S: Paris in Ruins

Paris in Ruins

Love, War, and the Birth of Impressionism

Verso's Southern Questions

In 1960, as the Algerian War for Independence entered its sixth year, 22-year-old Djamila Boupacha was arrested for allegedly planting a bomb in a university cafeteria. While in custody, she was tortured and raped by French soldiers. Her case would have been buried like countless others had it not been for the efforts of her lawyer, Gisèle Halimi, and the philosopher Simone de Beauvoir to transform it into an international cause célèbre. Djamila Boupacha is the culmination of this campaign to expose the systemic violence of colonial rule. "To protest in the name of morality against ‘excesses’ or ‘abuses,’" Beauvoir writes, "is an error which hints at active complicity. There are no ‘abuses’ or ‘excesses’ here, simply an all-pervasive system." More than a historical document, the book is a profound exploration of morality, complicity and resistance. A classic text of anticolonialism, this is a story that demands to be read—and remembered.

Djamila Boupacha

Die 1897 geborene Edith Peritz ist die erste Frau in fast allem, was sie tut: im Wanderclub, Medizinstudium, Operationssaal ¿ und als Pionierin der plastischen Chirurgie. Um sie herum eine weitverzweigte jüdische Großfamilie, deren Schicksale sich mit der dramatischen Geschichte Europas verflechten - vom Kaiserreich bis zur Katastrophe der Verfolgung, von der Emigration bis zum Neustart in der ganzen Welt. Edith Peritz gelingt nach ihrer Flucht in die USA die erfolgreiche Karriere als Schönheitschirurgin zwischen New Yorker Hautevolee und medizinischer Avantgarde.
Die Historikerin und erfolgreiche Buchautorin Felicitas von Aretin zeichnet in diesem erzählenden Sachbuch mitreißend den Lebensweg einer großartigen Frau und die Brüche des 20. Jahrhunderts nach - einer Zeit des Umbruchs, in der Frauen wie Edith Peritz, Erika Mann, Annot Jacobi oder die erste Neurochirurgin der Welt, Alice Rost, sich begegnen und neue Terrains erobern. 
Breslau, Berlin, Paris, New York - vier Städte, eine jüdische Familie, fünf Generationen.
Eine Familiengeschichte, die Weltgeschichte ist. 
Ein Frauenleben, das heute noch Mut macht.

Die 1897 geborene Edith Peritz ist die erste Frau in fast allem, was sie tut: im Wanderclub, Medizinstudium, Operationssaal − und als Pionierin der plastischen Chirurgie. 
 Um sie herum eine weitverzweigte jüdische Großfamilie, deren Schicksale sich mit der dramatischen Geschichte Europas verflechten – vom Kaiserreich bis zur Katastrophe der Verfolgung, von der Emigration bis zum Neustart in der ganzen Welt. Edith Peritz gelingt nach ihrer Flucht in die USA die erfolgreiche Karriere als Schönheitschirurgin zwischen New Yorker Hautevolee und medizinischer Avantgarde.
 Die Historikerin und erfolgreiche Buchautorin Felicitas von Aretin zeichnet in diesem erzählenden Sachbuch mitreißend den Lebensweg einer großartigen Frau und die Brüche des 20. Jahrhunderts nach
 – einer Zeit des Umbruchs, in der Frauen wie Edith Peritz, Erika Mann, Annot Jacobi oder die erste Neurochirurgin der Welt, Alice Rost, sich begegnen und neue Terrains erobern. 
 
 Breslau, Berlin, Paris, New York – vier Städte, eine jüdische Familie, fünf Generationen. 
 
 Eine Familiengeschichte, die Weltgeschichte ist. 
 
 Ein Frauenleben, das heute noch Mut macht.

Edith Peritz – Schönheitschirurgin zwischen Breslau und New York

Die Frau mit dem Skalpell

The big-hearted, bestselling South Korean memoir co-written by two best friends flouting gender norms and societal expectations with their decision to grow old together under one roof. When most of their peers were moving in with romantic partners and having children, Kim Hana and Hwang Sunwoo chose independence—savoring solitude, quiet mornings, and the unmitigated freedom of living alone. But in their forties, something shifted, and they were met with a new, unexpected loneliness. Refusing to settle for the outdated choice between marriage or isolation, Hana and Sunwoo made a radical decision: to buy a home and live together—not as lovers, not as roommates, but as chosen family.Now a bustling household of two women and four cats, Hana and Sunwoo still value solitude, but can do so while sharing a life and its meaning with someone else. Together they navigate the challenges and comforts of cohabiting in midlife, the growing pains of interdependence and the unexpected rewards of compromise when you’ve grown set in your ways. From sick days to career wins to aging parents and beach-side retirement plans, they are redefining domestic bliss on their own terms, where love, partnership, and home are defined not by tradition, but by choice.With warmth, wit, and sharp social insight, Hana and Sunwoo share their blueprint for building a life outside the scripts of marriage and society’s expectations for women. Two Women Living Together is a quiet revolution—a celebration of female friendship, community, and the many forms that love and family can take.

The Bestselling Korean Memoir

Two Women Living Together

Modern Art Collection

Pinakothek der Moderne Munich

A Local and Global History of the Book

Textiles in Manuscripts

'Tender, transporting, creative and beautifully written ... Simply glorious, from start to finish' Rachel Clarke, author of Dear LifeSimultaneously heart-breaking and darkly hilarious, Leaving Home is a portrait of the artist both as a child and as an adult.Mark Haddon's parents were not really cut out for the job of having children. They were cut out, respectively, for the jobs of designing abattoirs and keeping a pathologically clean and tidy house. At least Mark had the consolations of The Weetabix Solar System Wallchart, walnut whips and the occasional Babycham.Astringently honest and scalpel sharp, this is a book about being different and seeing the world differently. It's about being a cartoonist and a care assistant. It's about family. It's about how art, in all its varied forms, provides a way of understanding and coming to terms with the mess of human life. And it's richly illustrated throughout with images from the author's childhood.As bracing as it is embracing, Leaving Home is about escaping a place that never felt like home and learning to create somewhere that does.'I loved this funny, melancholy and arrestingly original memoir of an artist's coming into being' Sarah Perry, author of Enlightenment

A Memoir in Full Colour

Leaving Home

AN INSTANT NEW YORK TIMES, USA TODAY AND INDIE BESTSELLER! DELUXE EDITION-the hardcover edition of The Red Winter features beautiful red sprayed edges! A LibraryReads Pick! An Indie Next Pick! A Best Book of the Year from BookRiot. A devastating love story. A bewitching twist on history. A blood-drenched hunt for purpose, power, and redemption. In 1785, Professor Sebastian Grave receives the news he fears most: the terrible Beast of Gévaudan has returned, and the French countryside runs red in its wake. Sebastian knows the Beast. A monster-slayer with centuries of experience, he joined the hunt for the creature twenty years ago and watched it slaughter its way through a long and bloody winter. Even with the help of his indwelling demon, Sarmodel - who takes payment in living hearts - it nearly cost him his life to bring the monster down. Now, two decades later, Sebastian has been recalled to the hunt by Antoine Avenel d'Ocerne, an estranged lover who shares a dark history with the Beast and a terrible secret with Sebastian. Drawn by both the chance to finish the Beast for good and the promise of a reconciliation with Antoine, Sebastian cannot refuse. But Gévaudan is not as he remembers it, and Sebastian's unfinished business is everywhere he looks. Years of misery have driven the people to desperation, and France teeters on the edge of revolution. Sebastian's arcane activities - not to mention his demonic counterpart - have also attracted the inquisitorial eye of the French clergy. And the Beast is poised to close his jaws around them all and plunge the continent into war. Debut author Cameron Sullivan tears the heart out of history with this darkly entertaining retelling of the hunt for the Beast of Gévaudan. Lifting the veil on the hidden world behind our own, it reimagines the story of Europe, from Imperial Rome to Saint Jehanne d'Arc, the madness of Gilles de Rais and the first flickers of the French Revolution. "An absolute feast of a book: rich, red, sinfully delicious. I've rarely been this satisfied-or this hungry for more." -Alix E. Harrow, New York Times bestselling author of Starling House "So bloody good. The Red Winter is absolute ripper entertainment-miss it at your peril!" -Shelley Parker-Chan, bestselling author of She Who Became the Sun "A gorgeous tangle of history and fresh-made myth. You'll eat this one up." -Cassandra Khaw, bestselling author of Nothing But Blackened Teeth "Charming, haunting, ambitious, and a great deal of fun." -T. Kingfisher, New York Times bestselling author of A Sorceress Comes to Call

The Red Winter

New York Times Bestseller and #1 Los Angeles Times BestsellerA "gripping, unshakeable firsthand account" (San Francisco Chronicle) of the firestorm that consumed Los Angeles, from the MS NOW reporter and New York Times bestselling author of Separated, who covered the fires on the ground as an LA native."Read[s] like a sci-fi thriller.” —Los Angeles TimesOn the morning of January 7, 2025, a message pinged the phone of Jacob Soboroff, a national reporter for MS NOW. “Big Palisades fire. We are evacuating,” his brother texted within minutes of the blaze engulfing the hillside behind the home where he and his pregnant wife were living. “Really bad.” An attached photo showed a huge black plume rising from behind the house, an umbrella of smoke towering over everything they owned. Jacob rushed to the office of the bureau chief.“I should go. I grew up in the Palisades.”Soon he was on the front line of the blaze—his first live report of what would turn out to be weeks covering unimaginable destruction, from both the Palisades Fire and the Eaton Fire, in Altadena. In the days to come, Soboroff appeared across the networks of NBC News as Los Angeles was ablaze, met with displaced residents and workers, and pressed Governor Gavin Newsom in an interview on Meet the Press. But no story Soboroff has covered at home or abroad—the trauma of family separation at the border, the displacement of the war in Ukraine, the collapse of order in Haiti—could have prepared him for reporting live as the hallmarks of his childhood were engulfed in flames around him while his hometown burned to the ground.But for Soboroff, questions remained after the fires were controlled: what had he just witnessed? How could it have happened? Is it inevitable something like it will happen again? This set Soboroff off on months of reporting—with firefighters, fire victims, political leaders, academics, earth scientists, wildlife biologists, meteorologists and more—that made him keenly aware of how the misfortune of seeing his past carbonize was also a form of time travel into the dystopian world his children will inhabit. This is because the 2025 LA fires were not an isolated tragedy, but rather they are a harbinger—"the fire of the future," in the words of one senior emergency—management official.Firestorm is the story of the costliest wildfire in American history, the people it affected and the deeply personal connection to one journalist covering it. It is a love letter to Los Angeles, a yearning to understand the fires, and why America’s new age of disaster we are living through portends that—without a reckoning of how Los Angeles burned—there is more yet, and worse, to come.

New York Times Bestseller and #1 Los Angeles Times Bestseller A "gripping, unshakeable firsthand account" (San Francisco Chronicle) of the firestorm that consumed Los Angeles, from the MS NOW reporter and New York Times bestselling author of Separated, who covered the fires on the ground as an LA native. "Read[s] like a sci-fi thriller.” —Los Angeles TimesOn the morning of January 7, 2025, a message pinged the phone of Jacob Soboroff, a national reporter for MS NOW. “Big Palisades fire. We are evacuating,” his brother texted within minutes of the blaze engulfing the hillside behind the home where he and his pregnant wife were living. “Really bad.” An attached photo showed a huge black plume rising from behind the house, an umbrella of smoke towering over everything they owned. Jacob rushed to the office of the bureau chief. “I should go. I grew up in the Palisades.” Soon he was on the front line of the blaze—his first live report of what would turn out to be weeks covering unimaginable destruction, from both the Palisades Fire and the Eaton Fire, in Altadena. In the days to come, Soboroff appeared across the networks of NBC News as Los Angeles was ablaze, met with displaced residents and workers, and pressed Governor Gavin Newsom in an interview on Meet the Press. But no story Soboroff has covered at home or abroad—the trauma of family separation at the border, the displacement of the war in Ukraine, the collapse of order in Haiti—could have prepared him for reporting live as the hallmarks of his childhood were engulfed in flames around him while his hometown burned to the ground. But for Soboroff, questions remained after the fires were controlled: what had he just witnessed? How could it have happened? Is it inevitable something like it will happen again? This set Soboroff off on months of reporting—with firefighters, fire victims, political leaders, academics, earth scientists, wildlife biologists, meteorologists and more—that made him keenly aware of how the misfortune of seeing his past carbonize was also a form of time travel into the dystopian world his children will inhabit. This is because the 2025 LA fires were not an isolated tragedy, but rather they are a harbinger—"the fire of the future," in the words of one senior emergency—management official. Firestorm is the story of the costliest wildfire in American history, the people it affected and the deeply personal connection to one journalist covering it. It is a love letter to Los Angeles, a yearning to understand the fires, and why America’s new age of disaster we are living through portends that—without a reckoning of how Los Angeles burned—there is more yet, and worse, to come.

The Great Los Angeles Fires and America’s New Age of Disaster

Firestorm

Shortest Histories

The Shortest History of Scotland

This landmark collection provides new insights, concepts and techniques to understand and respond to tort claims based on illegal conduct. It is the first comparative study of this difficult field, which has remained contested despite numerous decisions of the highest courts in the common law world. The collection draws on scholars from common law and civilian jurisdictions spanning Argentina, Australia, Brazil, England and Wales, France, Germany, Italy, the Netherlands, Scotland, Singapore, Spain, South Africa and Sweden. Together they set out fact patterns, and justifications for tort liability to illustrate the coherence and unity that exists when courts address such claims. While common law legal systems have developed a specific defence of illegality for some of those fact patterns, civilian jurisdictions tend to see illegality operating, if at all, through the existing components of tort liability. The book explains how these different approaches have been reached, how they work, and what they reveal about reasoning in tort.

Comparative Lessons on Legal Reasoning

Understanding Tort Claims and Illegality

In the 19th century, artistic engagement with medieval architecture was closely connected to its academic study. Alongside art historians, architects and painters also played a key role in collecting, organizing, and communicating knowledge about architectural history. This publication shows that not only objective documentation, but above all the creative transformation of historical buildings was a particular strength of research in architectural history. Starting from a transnational comparison of architectural paintings, museum installations, garden spaces, and projects for the preservation of monuments, cross-genre strategies for dealing with historical designs are analyzed and re-evaluated as creative contributions to the emerging discipline of architectural history.<ul> <li>Transnational perspective on European images of the Middle Ages during the 19th century </li><li>Design-based research practice in the 19th century: Part of the current debate on research by design</li> <li>Artistic design presented as an instrument for developing and communicating knowledge </li></ul>

Künstlerische Perspektiven der frühen Architekturgeschichte im 19. Jahrhundert

Mittelalter als Entwurf

Revealing the people behind the Rothschild name, The Rothschilds explores the lives and legacy of one of the best-known and most impactful families in modern history. The Rothschild name has long been synonymous with wealth and privilege, but as Jews the family has also been dogged by prejudice and hatred. Antisemitism followed them from their earliest beginnings in the oppressive Jewish ghetto of Frankfurt, where Jews were not allowed out after nightfall, to the lofty summits of high finance, art, and culture. However, behind the myths, the glamor, and the conspiracy theories are a group of relatives whose individualism, personalities and occasional eccentricities have been obscured by their shared surname. <ul> <li>In The Rothschilds, Harry Freedman delves into their lives on a historical tour, marked by an unfailing attention to the influence of individual family members on world events.</li> <li>We travel from the genesis of the Rothschild international banking empire to the impact of individual Rothschilds in multiple fields over the past 250 years.</li> <li>Spanning war, politics and the industrial revolution, art, architecture and interior design, zoology, smuggling, and counter-terrorism and the ongoing struggle against entrenched anti-Jewish bigotry in different historical eras and places.</li></ul> The Rothschilds reveals a truly new story of a very old family, making a great contribution both to history and our understanding of a dynasty that has shaped our world. &nbsp;

The Untold Family Story

The Rothschilds

Paris in Ruins

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