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A reconstruction of Cold War-era cultural networks between the Second and Third Worlds that offers a compelling genealogy of contemporary postcolonial studies.

A reconstruction of Cold War–era cultural networks between the Second and Third Worlds that offers a compelling genealogy of contemporary postcolonial studies.

Djagalov R: From Internationalism to
Postcolonialism

From Internationalism to Postcolonialism

Literature and Cinema Between the Second and the Third Worlds

The Sun Also Rises by Ernest Hemingway is a timeless classic that delves into the lives of a group of disillusioned expatriates in post-World War I Europe. Set against the backdrop of the vibrant and tumultuous streets of Paris and the picturesque landscapes of Spain, the novel follows the journey of Jake Barnes, a war veteran grappling with his own sense of purpose and identity. Hemingway's sparse yet evocative prose captures the essence of the Lost Generation, exploring themes of love, loss, and the search for meaning in a world forever changed by war. With its raw honesty and poignant portrayal of human emotions, The Sun Also Rises remains a poignant and powerful reflection of the human experience.

The Sun Also Rises

Memory Studies: Global Constellations

Perverse Memory and the Holocaust presents a new theoretical approach to the study of Polish memory bystanders of the Holocaust. Drawing on psychoanalytic theory, it examines representations of the Holocaust in order to explore the perverse mechanisms of memory at work.

Perverse Memory and the Holocaust presents a new theoretical approach to the study of Polish memory bystanders of the Holocaust. Drawing on psychoanalytic theory, it examines representations of the Holocaust in order to explore the perverse mechanisms of memory at work.

A Psychoanalytic Understanding of Polish Bystanders

Perverse Memory and the Holocaust

A deep dive into the grit and glamor of America’s favorite criminal couple and the nation’s love affair with guns. On May 23, 1934, two borderline inept but ruthless criminals named Clyde Barrow and Bonnie Parker met their end in a hail of semiautomatic gunfire on a rural road in the Louisiana backcountry. The duo had terrorized Depression-era Middle America with a string of robberies and a brazen daylight prison escape, killing nearly a dozen police officers along the way. A legend was born. Thirty-two years later, a movie crew gathered on a Warner Bros. studio ranch to re-create the scene of Bonnie and Clyde’s violent demise. It was the end of a difficult shoot. Almost everyone involved knew they were on to something, but getting there had taken a toll on relationships both professional and personal. The result was destined to become what is arguably the landmark film of the New Hollywood era. Nothing like it had ever been attempted anything similar had, in fact, been forbidden by censorship. When the lights finally came up after an agonizing moment of black, Hollywood would never be the same. Almost sixty years since it exploded onto American screens, Bonnie and Clyde still retains the power to shock, amaze, and provoke, as fresh and relevant today as when it was first released in 1967. The movie’s resonance goes well beyond the peerless filmmaking of director Arthur Penn, producer-star Warren Beatty, and their talented team of collaborators. Bonnie and Clyde taps into a dark wellspring in the American psyche. Produced in a time of great social upheaval, with a country divided under a deeply polarizing president, the film addresses troubling questions about our country’s founding myth and its obsession with firearms, questions that remain part of our national debate. They Kill People is the story of the making of Bonnie and Clyde. It is the story of the outlaws whose real lives were anything but glamorous. Most of all, it is the story of how violence and a predilection for firearms became a fundamental part of American identity.

Bonnie and Clyde, a Hollywood Revolution, and America's Obsession with Guns and Outlaws

They Kill People

Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism. Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism's portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread,&nbsp;Mercury Rising, and Life Animated and in television and streaming programs including Atypical, The Bridge, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and "quirky" autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions.

On the Island

Autism in Film and Television

L'oeuvre de Marcel Proust a été traduite dans de nombreuses langues et ces traducteurs offrent toute une panoplie de variantes selon leurs perspectives. La critique internationale s'est également penchée sur la Recherche dès les années 1920 pour se déplier ensuite en une multitude d'approches. D'autre part tout un ensemble d'auteurs littéraires a trouvé dans l'écriture proustienne une source d'inspiration. Et les lecteurs partout dans le monde ont suivi le conseil de Proust de créer leur propre version du texte. De toutes ces expériences en trouvera ici un reflet et des échos provenant de tous les coins de la planète, de la Chine au Brésil, de l'Italie à la Turquie, des Pays-Bas à la Suisse, de la Suède à la Catalogne, de la Hongrie à l'Allemagne, du Québec à la Grèce.

La Réception de Proust À l'Étranger

This graphic non-fiction explores the history of (non-)encounters between Indigenous and Québécois peoples, as well as the very specific linguistic and historical mainstream narratives that make up the province's internal tensions.

A Diary of Encounters Between Indigenous and Québécois Peoples

Quebec Was Born in My Country!

Succinct and comprehensive, this updated and expanded edition of A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present.

A Short History of Film

When Bichette, the eponymous Tigress and uncrowned queen of Paris prostitutes, meets the grifter Fec, the unbelievable seems to happen: she is "tamed" and falls head over heels for him -- and he for her. This sets off a dangerous game that spirals toward wild escalation in the luxury hotels and casinos of the French Riviera before reaching its grotesque culmination in Montmartre. The nihilism and invented personas recall Serner's engagement with Dada as nothing anyone says or does can be taken at face value. Everything becomes a con, and love the greatest con of all. Responding to initial attempts to ban The Tigress for its erotic content and demimonde patois by having it placed on a list of "trash and smut writings," many well-known authors, such as Alfred Döblin, wrote testimonials in support of it.

A Curious Love Story

The Tigress

An incisive analysis of contemporary crime film in Brazil, this book focuses on how movies in this genre represent masculinity and how their messages connect to twenty-first-century sociopolitical issues.

Neo-Authoritarian Masculinity in Brazilian Crime Film

The bestselling and award-winning German author Jenny Erpenbeck has gained international praise for her novels including Visitation, Kairos, and Go, Went, Gone. Things that Disappear is an exciting collection of interlinked miniature prose pieces that grapple with the phenomenon of disappearance on scales both large and small. The things that disappear in these pages range from everyday objects such as socks and cheese to close friends and the social norms of common courtesy, to sites and objects resonant with East German history, such as the Palace of the Republic or the lines of sight now blocked by new construction in Berlin. Erpenbeck asks: "Is there some kind of perpetrator who makes things that I know cherish and disappear?" These things disappear, and yet do they really? Do they remain in our memories more fully than if they continued to exist? Translated beautifully by Kurt Beals, Things that Disappear follows on the heels of Erpenbeck's Man Booker-Prize winning novel Kairos and offers a window into a renowned writer's sense of the past, and of her own self as a writer.

Things That Disappear

How, Barbara Newman asks, did the myth of the separable heart take such a firm hold in the Middle Ages, from lovers exchanging hearts with one another to mystics exchanging hearts with Jesus? What special traits gave both saints and demoniacs their ability to read minds? Why were mothers who died in childbirth buried in unconsecrated ground? Each of these phenomena, as diverse as they are, offers evidence for a distinctive medieval idea of the person in sharp contrast to that of the modern "subject" of "individual." 
Starting from the premise that the medieval self was more permeable than its modern counterpart, Newman explores the ways in which the self's porous boundaries admitted openness to penetration by divine and demonic spirits and even by other human beings. She takes up the idea of "coinherence," a state familiarly expressed in the amorous and devotional formula "I in you and you in me," to consider the theory and practice of exchanging the self with others in five relational contexts of increasing intimacy. Moving from the outside in, her chapters deal with charismatic teachers and their students, mind-reading saints and their penitents, lovers trading hearts, pregnant mothers who metaphorically and literally carry their children within, and women and men in the throes of demonic obsession. In a provocative conclusion, she sketches some of the far-reaching consequences of this type of personhood by drawing on comparative work in cultural history, literary criticism, anthropology, psychology, and ethics. 
The Permeable Self offers medievalists new insight into the appeal and dangers of the erotics of pedagogy; the remarkable influence of courtly romance conventions on hagiography and mysticism; and the unexpected ways that pregnancy—often devalued in mothers—could be positively ascribed to men, virgins, and God. The half-forgotten but vital idea of coinherence is of relevance far beyond medieval studies, however, as Newman shows how it reverberates in such puzzling phenomena as telepathy, the experience of heart transplant recipients who develop relationships with their deceased donors, the phenomenon of psychoanalytic transference, even the continuities between ideas of demonic possession and contemporary understandings of obsessive-compulsive disorder. 
In The Permeable Self Barbara Newman once again confirms her status as one of our most brilliant and thought-provoking interpreters of the Middle Ages.

Five Medieval Relationships

The Permeable Self

Dating from 1909 to 1923, Franz Kafka's Diaries contains a broad array of writing, including accounts of daily events, assorted reflections and observations, literary sketches, drafts of letters, records of dreams, and unrevised texts of stories. This volume makes available for the first time in English a comprehensive reconstruction of Kafka's handwritten diary entries and provides substantial new content, restoring all the material omitted from previous publications - notably, names of people and undisguised details about them, a number of literary writings, and passages of a sexual nature, some of them with homoerotic overtones. By faithfully reproducing the diaries' distinctive - and often surprisingly unpolished - writing as it appeared in Kafka's notebooks, translator Ross Benjamin brings to light not only the author's use of the diaries for literary invention and unsparing self-examination but also their value as a work of genius in and of themselves.

The Diaries of Franz Kafka

From Internationalism to Postcolonialism

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