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Catalogue complet

Gingold M: Armies of the Night

Armies of the Night

The Warriors and Its Legacy

<div>Covering everything from&nbsp;Black Panther&nbsp;to&nbsp;American Sniper, and from&nbsp;Frozen&nbsp;to&nbsp;Get Out,&nbsp;American Cinema in the 2010s&nbsp;takes a close look at the memorable movies, visionary filmmakers, and behind-the-scenes drama that made this divisive decade such an exciting time to be a moviegoer.</div>

Covering everything from&nbsp;Black Panther&nbsp;to&nbsp;American Sniper, and from&nbsp;Frozen&nbsp;to&nbsp;Get Out,&nbsp;American Cinema in the 2010s&nbsp;takes a close look at the memorable movies, visionary filmmakers, and behind-the-scenes drama that made this divisive decade such an exciting time to be a moviegoer.

Themes and Variations

American Cinema of the 2010s

The best-selling film appreciation text on the market, Looking at Movies succeeds by building on students' enthusiasm for screened entertainment. It introduces students to film studies by starting with the movies they know and love before guiding them to more serious film analysis-with a robust set of video and interactive resources to support them along the way. The Eighth Edition reflects the shifting film and educational landscapes, with revisions that respond to changes in streaming media, new digital filmmaking techniques, and the move toward hybrid and online classes.

An Introduction to Film

Looking at Movies

Refocus: The Films of Antoinetta Angelidi

John Ford at Work: Production Histories 1927–1939 explores the evolution of John Ford's career in the Hollywood studio system of the 1930s as the system itself changed in response to the coming of sound and the business downtown instigated by the Depression. Based upon a decade of research utilizing the studio files of Twentieth Century-Fox, RKO and Samuel Goldwyn, it delineates the director's collaborations with the producers, screen- writers, actors and cinematographers that had the most impact on his production practices. It traces the major literary, cinematic and musical sources from which he drew. It considers relevant changes in film technology and seeks to explain how they were incorporated into his style. Films analyzed include 4 Sons, The Black Watch, Arrowsmith, Air Mail, The Lost Patrol, The Informer, Judge Priest, Steamboat Round the Bend, The Prisoner of Shark Island, Wee Willie Winkie, Stagecoach and Young Mr. Lincoln.

Production Histories 1927-1939

John Ford at Work

Explores British director Steve McQueen's diverse output, from video installations to independent cinema to Hollywood to the BBC

Explores British director Steve McQueen’s diverse output, from video installations to independent cinema to Hollywood to the BBC

Refocus: The Films of Steve McQueen

<div>Indie Cinema Online maps out a cultural history of American independent cinema online from 1999 to the present, from Netflix and its use of online streaming to the first feature film released on YouTube to Sundance’s creation of digital shorts and web series intended for cell phone viewing.</div>

Investigates the changing nature of independent cinema in an era of media convergence. Focusing on the ways in which modes of production, distribution, and exhibition are shifting with the advent of online streaming, simultaneous release strategies, and web series, this book analyses online spaces as a means of redefining independent cinema.

Indie Cinema Online

Who makes films and television shows? How do those people make a living in Hollywood? Hollywood Unions tells the stories of the unions and guilds that have organized and negotiate on behalf of motion picture and television labor: the DGA, IATSE, SAG-AFTRA, and WGA.

Who makes films and television shows? How do those people make a living in Hollywood? Hollywood Unions tells the stories of the unions and guilds that have organized and negotiate on behalf of motion picture and television labor: the DGA, IATSE, SAG-AFTRA, and WGA.

Hollywood Unions

Covering everything fromÂ&nbsp;Black PantherÂ&nbsp;toÂ&nbsp;American Sniper, and fromÂ&nbsp;FrozenÂ&nbsp;toÂ&nbsp;Get Out,Â&nbsp;American Cinema in the 2010sÂ&nbsp;takes a close look at the memorable movies, visionary filmmakers, and behind-the-scenes drama that made this divisive decade such an exciting time to be a moviegoer.

NOW IN PAPERBACK! As featured in Entertainment Weekly, The New York Times, The Wall Street Journal, Fangoria, and more.Growing up in the 1970s and 1980s, Michael Gingold became obsessed with horror movies, and his love of the genre led him to become a Fangoria writer and editor for over 30 years, as well as a contributor to Rue Morgue and others. But before all that, he took his scissors to local newspapers, collecting countless ads for horror movies, big and small.Ad Nauseam: Newsprint Nightmares from the '70s and '80s is a year-by-year deep dive into the Gingold archive, with more than 700 ads! Within these pages you'll see rare alternate art for film franchises such as Halloween, Friday the 13th, A Nightmare on Elm Street, Child’s Play, Jaws, The Texas Chainsaw Massacre, and The Exorcist. You'll also revel in oddities including Invasion of the Blood Farmers, Psycho from Texas, Dracula Blows His Cool, Zombie Island Massacre, Twitch of the Death Nerve, and many more.Gingold also provides personal recollections and commentary, and unearths vintage reviews to reveal what critics of the time were saying about these films. Steel yourselves, genre junkies: Ad Nauseam is an unmatched journey into the wild world of 1970s and 1980s horror movies!Also available: Ad Nauseam II: Newsprint Nightmares from the 1990s and 2000s and Ad Astra: 20 Years of Newspaper Ads For Sci-Fi &amp; Fantasy Films (the 1980s and 1990s).

Newsprint Nightmares from the '70s and '80s

AD Nauseam

A deep dive into the grit and glamor of America’s favorite criminal couple and the nation’s love affair with guns. On May 23, 1934, two borderline inept but ruthless criminals named Clyde Barrow and Bonnie Parker met their end in a hail of semiautomatic gunfire on a rural road in the Louisiana backcountry. The duo had terrorized Depression-era Middle America with a string of robberies and a brazen daylight prison escape, killing nearly a dozen police officers along the way. A legend was born. Thirty-two years later, a movie crew gathered on a Warner Bros. studio ranch to re-create the scene of Bonnie and Clyde’s violent demise. It was the end of a difficult shoot. Almost everyone involved knew they were on to something, but getting there had taken a toll on relationships both professional and personal. The result was destined to become what is arguably the landmark film of the New Hollywood era. Nothing like it had ever been attempted anything similar had, in fact, been forbidden by censorship. When the lights finally came up after an agonizing moment of black, Hollywood would never be the same. Almost sixty years since it exploded onto American screens, Bonnie and Clyde still retains the power to shock, amaze, and provoke, as fresh and relevant today as when it was first released in 1967. The movie’s resonance goes well beyond the peerless filmmaking of director Arthur Penn, producer-star Warren Beatty, and their talented team of collaborators. Bonnie and Clyde taps into a dark wellspring in the American psyche. Produced in a time of great social upheaval, with a country divided under a deeply polarizing president, the film addresses troubling questions about our country’s founding myth and its obsession with firearms, questions that remain part of our national debate. They Kill People is the story of the making of Bonnie and Clyde. It is the story of the outlaws whose real lives were anything but glamorous. Most of all, it is the story of how violence and a predilection for firearms became a fundamental part of American identity.

Bonnie and Clyde, a Hollywood Revolution, and America's Obsession with Guns and Outlaws

They Kill People

- Stephen Watt is located in Bloomington, IN -Caitlin Watt is located in Clemson, SC - The editors and contributors to this volume are from a wide range of disciplines to address all aspects of John Wick worldbuilding and are best for this work because they are responsible for the research at "The World(s) of John Wick" conference in November 2019. - Whether you consider the John Wick film franchise to be full of instant cult classics or surprise hits, the movies are no doubt a nostalgic throwback to revenge-thrillers popularized in the 1970s while featuring the action impulses of Kung Fu flicks. The worldbuilding blows people away and has become an iconic site of fan culture. John Wick 4 is planned for May 2022. - The Year's Work series is dedicated to the analysis of recent fan cultural phenomena. This book explores the idiosyncrasies of an action film franchise that has cultivated a passionate fanbase with an elaborate subculture. The series description states that suitable topics will most likely require a multidisciplinary and often coauthored approach. - Target audience includes film buffs and fans of the John Wick film franchise.

The Year's Work at the Continental Hotel

The Worlds of John Wick

Bride of Frankenstein

Armies of the Night

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