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Gingold M: Armies of the Night

Armies of the Night

The Warriors and Its Legacy

This deluxe two-volume set explores seven-time Academy Award-winner Rick Baker's 40-plus-year journey as a special makeup effects artist. Features a foreword by John Landis, a preface by Peter Jackson, and an introduction by Baker.

Metamorphosis: Vol 1: 1950-1989, Vol 2: 1990-2019

Rick Baker

<div>While tracing both Hollywood’s internal foreign relations protocols and external regulatory interventions by the Chinese government, the U.S. State Department, the Office of War Information, and the Department of Defense, Hollywood Diplomacy&nbsp;contends that film regulation has played a key role in shaping images of&nbsp;Chinese, Japanese, and Korean ethnicities according to the political mandates of U.S. foreign policy.</div>

Film Regulation, Foreign Relations, and East Asian Representations

Hollywood Diplomacy

The media technologies that surround and suffuse our everyday life profoundly affect our relation to reality. Philosophers since Plato and Aristotle have sought to understand the complex influence of apparently simple tools of expression on our understanding and experience of the world, time, space, materiality and energy. The Digital Image and Reality takes up this crucial philosophical task for our digital era. This rich yet accessible work argues that when new visual technologies arrive to represent and simulate reality, they give rise to nothing less than a radically different sensual image of the world. Through engaging with post-cinematic content and the new digital formats in which it appears, Strutt uncovers and explores how digital image-making is integral to emergent modes of metaphysical reflection - to speculative futurism, optimistic nihilism, and ethical plasticity. Ultimately, he prompts the reader to ask whether the impact of digital image processes might go even beyond our subjective consciousness of reality, towards the synthesis of objective actuality itself.

Affect, Metaphysics and Post-Cinema

The Digital Image and Reality

In 1995--one hundred years after the birth of cinema in Paris--a Vatican-appointed commission compiled a list of forty-five significant films. The entries vary widely, ranging from light-hearted favorites like The Wizard of Oz to challenging arthouse features such as The Seventh Seal. This list, released under Pope St. John Paul II, was an important milestone in the dialogue between the Church and the wider culture. Yet for many Catholics and cinephiles alike, it remains undiscovered or unclear. What was the list for? And why did the commission choose these particular titles? In this groundbreaking study, David Paul Baird, Andrew Petiprin, and Michael Ward walk readers through the entire Vatican List, film by film. The authors show that its aim was not to serve as a "best-ever" register, nor as an anthology of approved works; rather, it was to guide people in an appreciation of cinema as an artistic language and a bearer of spiritual and moral messages. In addition to theologically and historically informed commentary, each chapter includes film stills, quotations, fun facts, and questions for further reflection and discussion. Elevated yet entertaining, Popcorn with the Pope is perfect for anyone interested in delving deeper into a Christian approach to movies.

A Guide to the Vatican Film List

Popcorn with the Pope

Cutaways

"Beugnet's ingenious insights seep like a fog into once-crisp categories of film analysis, unsettling notions of blur as visual deficiency. Near-sighted characters, formless smudges, teary and weary vision, and perspectival and atmospheric distortions energize this compelling love song to the affordances of and cinematic predisposition toward visual chaos, vagueness, uncertainty and confusion. Clearly, it's the perfect moment for both cinema and blur."--Karen Redrobe, author of Crash: Cinema and the Politics of Speed and Stasis In cinema, blurriness is usually intended to go unnoticed. When it appears it is either considered an error -- a mistake of focus or a technological failure -- or a background effect of shallow focus intended to offset a defined image. As Martine Beugnet argues, however, blur is an essential feature of the cinema, possessing its own properties and affordances, and capable of powerful effects. Examining an array of notable examples of blurriness from horror to art cinema and experimental film, and including the works of the Lumière brothers, Josef von Sternberg, Agnès Varda and many others, she develops a taxonomy of blurs, from speed and motion blur to the hand-held, "shaky camera" blur common in contemporary digital cinema. These wide-ranging instances all return the viewer to the sensorial and material qualities of the moving image. In the face of technological developments that valorize sharpness as an indicator of progress, blur stands as a provocative reminder of the value of uncertainty--a sign of the irreducible mystery at the heart of the filmic image. Martine Beugnet is Professor in Visual Studies at the Université Paris Cité and a member of ECHELLES, a CNRS research institute.

Blur

Succinct and comprehensive, this updated and expanded edition of A Short History of Film provides an accessible overview of the major movements, directors, studios, and genres from the 1880s to the present.

A Short History of Film

'Sarah Atkinson enlivens the digital transition as she explores the production of a film from beginning to end, capturing the drama and impact on the UK industry. Hers is a truly original take on the continuities, ruptures and invisible translations taking place in the shift from film to data.' Jennifer Holt, University of California, Santa Barbara

To what extent have digital innovations transformed the UK film industry? What new practices and processes are emerging within the contemporary UK filmmaking landscape? What impact is this having upon filmmaking professionals?

The business of conventional feature filmmaking is like no other, in that it assembles a huge company of people from a range of disciplines on a temporary basis, all to engage in the collaborative endeavour of producing a unique, one-off piece of work. By focusing on the pivotal year of 2012, and by considering the input of every single contributor to the process, this book illuminates how this period of analogue to digital transition is impacting upon working practices, cultures, opportunities and structures in the industry, and examines the various causative forces behind their adoptions and resistances.

With an in-depth case study of Sally Potter's 2012 film Ginger &amp; Rosa, and drawing upon interviews with international film industry practitioners, From Film Practice to Data Process is a groundbreaking examination of film production in its totality, in a moment of profound change.

Sarah Atkinson is Senior Lecturer in Digital Cultures at King's College London.


Cover Image © Bullet Creative (bulletcreative.com)

Cover design: Barrie Tullett

[EUP logo]
edinburghuniversitypress.com

ISBN 978-0-7486-9358-0
Barcode

Production Aesthetics and Representational Practices of a Film Industry in Transition

From Film Practice to Data Process

The Italian giallo was a sleazy, violent, and stylistically baroque form of horror film that was produced in the hundreds from the 1960s to the 1980s. Sound and Horror in the Giallo Film listens closely to these films, asking how their soundtracks and their use of the human voice can help us understand the giallo's significance at a time when Italy was undergoing profound postwar social, economic, political, and cultural change. Throughout the history of Italian cinema, soundtracks have been a site of concerted and sustained intervention by political and economic forces. In Sound and Horror in the Giallo Film, author Damien Pollard argues that, because the giallo film pushed the boundaries of film form while also touting unapologetic commercialism, the voices on its soundtracks were both aesthetically exaggerated and directly shaped by commercial imperatives, which were influenced by Italy's turbulent postwar years. Featuring case studies of several well-known giallo films, including The Girl Who Knew Too Much, The Bird with the Crystal Plumage, and Tenebrae, Sound and Horror in the Giallo Film is an original analysis that reveals how the cinematic voice binds film and history.

Sound and Horror in the Giallo Film

In this quintessential work of queer theory, Jack Halberstam takes aim at the protected status of male masculinity and shows that female masculinity has offered a distinct alternative to it for well over two centuries. Demonstrating how female masculinity is not some bad imitation of virility, but a lively and dramatic staging of hybrid and minority genders, Halberstam catalogs the diversity of gender expressions among masculine women from nineteenth-century pre-lesbian practices to contemporary drag king performances.

Through detailed textual readings as well as empirical research, Halberstam uncovers a hidden history of female masculinities while arguing for a more nuanced understanding of gender categories that would incorporate rather than pathologize them. He rereads Anne Lister's diaries and Radclyffe Hall's The Well of Loneliness as foundational assertions of female masculine identity; considers the enigma of the stone butch and the politics surrounding butch/femme roles within lesbian communities; and explores issues of transsexuality among "transgender dykes"-lesbians who pass as men-and female-to-male transsexuals who may find the label of "lesbian" a temporary refuge. Halberstam also tackles such topics as women and boxing, butches in Hollywood and independent cinema, and the phenomenon of male impersonators.

Featuring a new preface by the author, this twentieth anniversary edition of Female Masculinity remains as insightful, timely, and necessary as ever.

Female Masculinity

Global awareness of autism has skyrocketed since the 1980s, and popular culture has caught on, with film and television producers developing ever more material featuring autistic characters. Autism in Film and Television brings together more than a dozen essays on depictions of autism, exploring how autistic characters are signified in media and how the reception of these characters informs societal understandings of autism. Editors Murray Pomerance and R. Barton Palmer have assembled a pioneering examination of autism's portrayal in film and television. Contributors consider the various means by which autism has been expressed in films such as Phantom Thread,&nbsp;Mercury Rising, and Life Animated and in television and streaming programs including Atypical, The Bridge, Stranger Things, Star Trek: The Next Generation, and Community. Across media, the figure of the brilliant, accomplished, and "quirky" autist has proven especially appealing. Film and television have thus staked out a progressive position on neurodiversity by insisting on screen time for autism but have done so while frequently ignoring the true diversity of autistic experience. As a result, this volume is a welcome celebration of nonjudgmental approaches to disability, albeit one that is still freighted with stereotypes and elisions.

On the Island

Autism in Film and Television

Written from an international perspective, this account of the origins of the cinema begins in 1833 with the introduction of optical toys for reproducing movement and ends with a thorough examination of the first full year of projected moving pictures in 1896. Comprehensive and verifiable, with citations that support each individual entry, the book examines the events that culminated in the establishment of the moving picture world that was the dominant visual medium of the last century. Drawing on a range of international sources, this chronology is a readable, vivid account that corrects many longstanding errors in the story of moving pictures while at the same time recording the astounding diversity of ideas, apparatus, personalities, and exhibitions that turned a passing novelty into a major industry. Populated by dreamers, inventors, scientists, and entrepreneurs with widely different skills, interests, and backgrounds, the many origins of the cinema are all recorded here in a rich tapestry that has been woven with attention to the detailed shape and placement of each individual thread. The result is a fully- indexed reference that reflects the state of modern scholarship and should be useful over the long term as both a reference to the period of early cinema and as a starting point for further research.

Chronology of the Birth of Cinema 1833-1896

A critical reflection on the power of moviemaking to shape our collective imagination of better futures Through a close analysis of more than seventy popular documentaries and feature movies from around the world, produced in the twenty-first century, this book explores the theme of poverty, inequality, ecological degradation and revolutionary change, all associated with a contemporary crisis of neoliberal globalization in a world where it has become so pervasive. Profit rules, while poverty and inequality make the political ground fertile for populist manipulation. The book urges progressive moviemakers to take advantage of advancements in digital technologies and to collaborate, in post-pandemic times, with educators to develop public deliberation skills and inspire a new generation of informed and compassionate change-makers. Movies discussed include 28 Days Later, American Psycho, An Inconvenient Truth, Black Panther, Capitalism: A Love Story, City of God, Crazy Rich Asians, Dark Victory, Dawn of the Dead, Downton Abbey, Joker, Parasite, Roger and Me, Shaun of the Dead, The Hunger Games, The Matrix, The Purge, The Texas Chainsaw Massacre, Train to Busan, Twister, Wall Street, and more

Imagining Poverty, Inequality and Environmental Destruction in the 21st Century

Movies to Save Our World

Armies of the Night

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