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Gingold M: Armies of the Night

Armies of the Night

The Warriors and Its Legacy

New from Insight Editions' best-selling HARRY POTTER(TM) stationery line, the Harry Potter: Deathly Hallows Hardcover Ruled Journal (With Pen) brings a bold DEATHLY HALLOWS(TM) touch to your everyday journaling and includes a collectible Elder Wand pen!

Harry Potter: Deathly Hallows Hardcover Journal and Elder Wand Pen Set

Memory, Subjectivity and Independent Chinese Cinema provides a historically informed examination of independent moving image works made between 1990 and 2010 in China. Showcasing an evolving personal mode of narrating memory, documenting reality, and inscribing subjectivity in over sixteen selected works that range from narrative film and documentary to experimental video and digital media (even including a multimedia avant-garde play), this book presents a provocative portrait of the independent filmmakers as a peculiarly pained yet active group of historical subjects of the transitional, post-socialist era. Through a connected investigation of cultural and cinematic concepts including historical consciousness, personal memory, narrative, performance, subjectivity, spatiality, and the body, Wang weaves a critical narrative of the formation of a unique post-socialist cultural consciousness that enables independent cinema and media to become a highly significant and effective conduit for historical thinking in contemporary China. Covering directors such as Zhang Yimou, Chen Kaige, Jia Zhangke, Jiang Wen, Lou Ye, Meng Jinghui, Wang Bing, Wang Guangli, Duan Jinchuan, Cui Zi'en, Shi Tou, and Tang Danhong, this book is essential reading for all students and scholars in Chinese film.

Memory, Subjectivity and Independent Chinese Cinema

A reconstruction of Cold War-era cultural networks between the Second and Third Worlds that offers a compelling genealogy of contemporary postcolonial studies.

Literature and Cinema Between the Second and the Third Worlds

From Internationalism to Postcolonialism

A deep dive into the grit and glamor of America’s favorite criminal couple and the nation’s love affair with guns. On May 23, 1934, two borderline inept but ruthless criminals named Clyde Barrow and Bonnie Parker met their end in a hail of semiautomatic gunfire on a rural road in the Louisiana backcountry. The duo had terrorized Depression-era Middle America with a string of robberies and a brazen daylight prison escape, killing nearly a dozen police officers along the way. A legend was born. Thirty-two years later, a movie crew gathered on a Warner Bros. studio ranch to re-create the scene of Bonnie and Clyde’s violent demise. It was the end of a difficult shoot. Almost everyone involved knew they were on to something, but getting there had taken a toll on relationships both professional and personal. The result was destined to become what is arguably the landmark film of the New Hollywood era. Nothing like it had ever been attempted anything similar had, in fact, been forbidden by censorship. When the lights finally came up after an agonizing moment of black, Hollywood would never be the same. Almost sixty years since it exploded onto American screens, Bonnie and Clyde still retains the power to shock, amaze, and provoke, as fresh and relevant today as when it was first released in 1967. The movie’s resonance goes well beyond the peerless filmmaking of director Arthur Penn, producer-star Warren Beatty, and their talented team of collaborators. Bonnie and Clyde taps into a dark wellspring in the American psyche. Produced in a time of great social upheaval, with a country divided under a deeply polarizing president, the film addresses troubling questions about our country’s founding myth and its obsession with firearms, questions that remain part of our national debate. They Kill People is the story of the making of Bonnie and Clyde. It is the story of the outlaws whose real lives were anything but glamorous. Most of all, it is the story of how violence and a predilection for firearms became a fundamental part of American identity.

Bonnie and Clyde, a Hollywood Revolution, and America's Obsession with Guns and Outlaws

They Kill People

Coming soon, the firsthand account of a studio insider's adventures in movie marketing

An Insider's Look at Marketing Hollywood's Hits and Flops

Opening Weekend

"These authors' knowledge of the nuances of movie and television accounting shines through the pages of this book, which is sure to become a standard reference in this field.""€"Harold L. Vogel, author, Entertainment Industry Economics The distribution of a motion picture's "profits" is, for most filmmakers, a murky, labyrinthine domain ruled by studio/distributor accountants and lawyers.

Movie Money, 3rd Edition (Updated and Expanded): Understanding Hollywood's (Creative) Accounting Practices (Updated and Expanded)

Explores the influence of the graphic user interface on contemporary screen media

Screen Entertainment and the Graphic User Interface

Gooey Media

In the glow of global screens and quiet behind-the-scenes moments, this book explores the layered journey of a young performer whose life unfolds under constant observation while still trying to remain fully human within it. It is not simply a story of success or recognition, but a deeper reflection on what it means to grow while being seen, to evolve while already being defined by the world before you even fully define yourself.Through a richly reflective narrative style, this work moves beyond surface-level fame and steps into the emotional architecture behind performance, the silent preparation, the internal discipline, the psychological shifts that happen when imagination becomes craft, and when private identity begins to exist alongside a public version that never fully disappears. It captures the unseen tension between authenticity and expectation, where every role carries both emotional immersion and technical precision, and where even stillness becomes a form of skill. As the journey unfolds, the reader is drawn into the invisible spaces between scenes, the moments of silence where emotion settles, where identity recalibrates, and where the mind quietly adjusts between character and self. These are the spaces where true development happens, not in applause or spotlight, but in reflection, repetition, and the subtle learning that shapes long-term artistic depth. It also examines the weight of growing up while being watched, where memory is not only personal but partially shared, and where earlier versions of self continue to exist in public form long after internal change has moved forward. This creates a powerful emotional contrast between who someone was, who they are, and who they are becoming, all existing at once within perception and reality. At its core, the book is about more than performance, it is about identity under visibility, emotional intelligence under pressure, and the quiet strength required to remain grounded while life is continuously interpreted from the outside. It invites readers into a world where calmness is not simplicity, fame is not arrival, and growth is not linear, but instead a continuous unfolding shaped by experience, awareness, and inner balance. Engaging, introspective, and deeply human, this is a story that does not chase spectacle, it reveals what exists beneath it.

Rising Beyond the Frame: From early roles to global fame, a story of focus, passion, and evolution

Noah Schnapp

<div>While tracing both Hollywood’s internal foreign relations protocols and external regulatory interventions by the Chinese government, the U.S. State Department, the Office of War Information, and the Department of Defense, Hollywood Diplomacy&nbsp;contends that film regulation has played a key role in shaping images of&nbsp;Chinese, Japanese, and Korean ethnicities according to the political mandates of U.S. foreign policy.</div>

Film Regulation, Foreign Relations, and East Asian Representations

Hollywood Diplomacy

Suburbia. Say the word and a stream of images pass before your eyes: white picket fence, neatly mowed lawns, winding roads nicely lined with trees, pastel-tinted bungalows, bored housewives, conspicuous consumption. We all know what the suburbs are about. Or do we? This book looks again at the filmic and televised spaces we think we know so well. How are these spaces built up? What is it that makes us recognize them as suburbs? How do they function? By exploring in detail the hometowns of Desperate Housewives, The Simpsons, King of the Hill, Happiness, Pleasantville, Brick and Chumscrubber, Scenes from the Suburbs examines what it means to be suburban today. An essential read for academics concerned with the ways in which our understandings of space and place change, this book will be particularly relevant for students and researchers in Suburban Studies, Film and Television Studies and Urban Geography.

The Suburb in Contemporary US Film and Television

Scenes from the Suburbs

<div>Covering everything from&nbsp;Black Panther&nbsp;to&nbsp;American Sniper, and from&nbsp;Frozen&nbsp;to&nbsp;Get Out,&nbsp;American Cinema in the 2010s&nbsp;takes a close look at the memorable movies, visionary filmmakers, and behind-the-scenes drama that made this divisive decade such an exciting time to be a moviegoer.</div>

Themes and Variations

American Cinema of the 2010s

Melodrama, biography, cold war thriller, drug memoir, essay in fragments, mystery - Fassbinder Thousands of Mirrors is cult critic Ian Penman's long awaited first original book.

Fassbinder Thousands of Mirrors

Armies of the Night

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