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This book is a companion to Writing the Land® workshops taught by WTL poets or for individual, personal use. It contains Adult and Youth Workshop exercises, and is written by experienced poet and poetry instructor Susan Landgraf.

Landgraf S: Writing the Land

Writing the Land

at the Trailhead

Poetry Prescription

This beautiful pocket-sized hardback gift book contains carefully curated prescriptions in verse compiled by Deborah Alma, the founder of the Poetry Pharmacy. Life is lived with feeling - these poems will bring you tranquility. Includes poems by W. B. Yeats, Walt Whitman, William Shakespeare, Edna St Vincent Millay, D. H. Lawrence and many more. The Poetry Prescription series compiled by Deborah Alma is the perfect antidote for life's ailments. Inspired by the achingly cool Poetry Pharmacy shops in London and Shropshire - social media favourites with a clear focus on promoting wellbeing through the written and spoken word. Each of the 8 themed titles offers an array of poems to inspire, heal and comfort. Whether readers are looking to find solace for times of ill-health, loss and grief, cope with matters of the heart, need poetic inspiration for courage and confidence, or want to find peace and tranquillity in wild spaces, there is a collection for everyone. Perfect for reading aloud or for quiet contemplation, these books are a much needed balm for our busy lives. Other books in the series include Poetry Prescription: Comfort, Poetry Prescription: Words for Love, and Poetry Prescription: Becoming.

Poetry Prescription: Wild Remedy

Multi-Genre Creative Writing

A Writer's Craft

Cloud Knowledge

A dark, lyrical odyssey into a mind torn by war, written in a stark, confessional voice that combines raw emotion with analytical cost-benefit language. Raw and poetic, the author portrays trauma, intrusive thoughts, and the reclamation of autonomy. The collection serves both as a literary work and a reflective mirror for readers grappling with anxiety, PTSD, or trauma related stress making it ideal for educators and mental health professionals seeking candid language for reflection, and fans of contemporary confessional or dark gothic lyrical protest.

A Moment of Peace

For Life's Sake

The Thinking Train

DAISY CHAINS is an anthology of poems exploring every facet of girlhood and growth; from heartbreak, loss, growth and becoming someone you finally recognise again. Karisma Takhar's debut collection was written over a period of three years, and very poem has been threaded together with the same tenderness and care as a daisy chain.Note from the author: The completion and publication of this text are a result of every prayer, birthday candle wish and dream I've made and had since the age of six. I'm first and foremost a reader, and if I weren't, I'd never be able to write. As writers, we are empaths. It's our role to feel every emotion on the spectrum intensely and transcribe every sentiment on to paper. These poems were written by an empath, and they are to be read by you.

Daisy Chains

Braughler Books, LLC

Poetry Untamed is a heartfelt collection rooted in family, memory, and the moments that shape who we become.Through stories of childhood, strong women, and the quiet strength found in everyday life, C. M. Picklesimon captures the beauty of connection and resilience. Each poem invites readers to pause, reflect, and recognize pieces of their own story within her words.This collection is a tribute to where we come from, the people who raise us, and the strength we carry forward.

Poetry Untamed

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery'My life always stops for a new book by him' JHUMPA LAHIRI'A generous, moving book' GUARDIANBorn in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world - describing himself as a 'mongrel', someone born out of diverse cultures.Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière's chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem:Reading the lines he loves he slips them into a pocket, wishes to die with his clothes full of torn-free stanzas and the telephone numbers of his children in far citiesPoetry - where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

A Year of Last Things

This gorgeously illustrated collection of poems illuminates and reimagines the ingenious, fragile dwellings of the living creatures around us. Poet Laureate Simon Armitage was inspired to write these poems by the Lost Gardens of Heligan in Cornwall, an ambitious restoration project where history and mystery coexist. The reawakened landscape with its woods, meadows and 'jungle' offers a bustling, fertile realm for all sorts of creatures to inhabit. Armitage uses elements of riddle and folklore to animate a series of dwellings: the 'twig-and-leaf crow's-nest squat' of a squirrel's drey, a beaver lodge's 'spillikin stave church' and a hive's 'reactor core'. Distinctions between human and animal, natural and cultivated, are blurred, emphasising commonality and creating a vibrant account of 'non-stop stop-motion life'. Dwell warns of the fragility of these spaces and their dwellers, exposed to relentless and sadly familiar environmental threats. Just as a garden provides refuge for wildlife, so do these intricate poems offer lasting homes to those who dwell within their lines. This edition is beautifully illustrated by Beth Munro. 'These are poems full of a winning, pleasurable charm.' Guardian Best Recent Poetry

Dwell

Research in Creative Writing

Just like a magician, spiritual guide or modern-day witch, poets use their craft to tap into the inherent power of language as an agent of change, willing words to construct and alter reality through intentional acts and performances. Through an examination of the linguistic, historical, and affective poetics of magic, this book shows how pragmatic magical practices from the ancient and Medieval worlds, and poetry from the English Romantics to the present day, leverage the same linguistic qualities to bring about change. Making the case that contemporary poets, especially poets of disenfranchised identity groups, write with language meant to do something, Robert Eric Shoemaker highlights how these writers successfully incant through language, using techniques such as metaphor, symbolism, chant and other magics, to change their readers by leveraging slippages of meaning. Drawing on the long histories of magical, religious, and ritual language, from modernist poets through the English Romantics and stretching back to poems and spells from the Middle Ages and ancient Egyptian, Greek, Roman, and Jewish traditions, this book establishes a theoretical, analytic, and practical framework for magical poetics. An introduction to the theory and topic, Magical Poetics manages and expands on important poetic legacies, establishes frameworks of contemporary practitioners and aids today's writers and readers in seeing the importance of poetry in the everyday, positioning them as part of the larger lineage of poet-hierophants who may work to change the world with words.

The Power of Language and Effective Poetry

Magical Poetics

A walk is like a knot that gets undone, And yet it keeps us closer. In Marston Meadows, John Fuller celebrates the rewards of a life lived in rich attentiveness to the world. The book opens with the extraordinary title sequence, a corona of fifteen intertwining sonnets written for the poet's wife on their diamond wedding anniversary. At once magisterial and delicate, they build into a moving meditation on how our selves are shaped, and deepened, by long companionship, under the growing shadow of mortality.Taking in a dizzying sweep of human time, Fuller reflects on what keeps us together and what breaks us apart. With spectacular formal dexterity and a tender awe, the poems track the hidden lives of wildflowers, birds, and other emissaries from an increasingly fragile natural world. Lyrical, irreverent, freighted with a lifetime's understanding, the poems reach out, with the humility of an apprentice, to the precious others who share our path: 'Can you tell / Me / Something of love?'

Marston Meadows

What if reading poetry could change you--not just what you think, but how you move through the world?For forty years, Thomas Gardner led students through this transformative act--not analyzing poems from a distance but reperforming them from the inside. Walking together through Elizabeth Bishop's broken beaches, Robert Frost's snowy woods, and Emily Dickinson's rooms of possibility, they discovered that getting lost is how we are found. That acknowledging fragility opens eyes to wonder. That poems, like parables, ask us not to produce definitive explanations but to keep up.A Place of Encounter is Gardner's luminous record of this work. Through fifty-one short lyric essays moving between memory, close reading, and theological reflection, he opens up the inner drama of poems as spiritual exercises--spaces where, as Dickinson puts it, our narrow hands are forced wide to gather paradise. With the grace and precision of the poems he loves, Gardner shows how deep reading grooves interior change.Here is the classroom as temple: bodies leaning forward, voices rising together, readers discovering they're no longer alone. Here is teaching from a position of faith that speaks across every spiritual commitment. Here is poetry as a place of encounter.

On Poetry, Teaching, and Faith

A Place of Encounter

"Waunn i vüles ned sou gheard häd, wiar i dou herin red, daunn häd i des sicha ned sou gmochd, ah waunn dou driba gearn wiard glocht!" So beschreibt der Autor seine zum Teil in derber, ja sogar obszöner Wiener Mundart verfassten, meist lustigen Gedichte.

A Buagnlända in Wean bzw. a Weana im Buagnlaund

Teuzeitprodabua

A writing guide to processing trauma through the poetic form, Jehanne Dubrow, a well respected writer, speaker, guide, and spouse of a career military officer, offers an experienced and knowledgeable voice to aspiring writers and those working through trauma. In this accessible and inspiring guide, acclaimed writer Jehanne Dubrow draws on how the study of trauma has defined both her creative work and her teaching. The Wounded Line, the first craft-based writing book of its kind, is grounded not only in research but also in heart, in the belief that even our deepest hurts can find a lyric form. Leading poets through a series of practical approaches to representing pain on the page, Dubrow provides readers with narrative techniques, rhetorical structures, and formal strategies that can be applied to any trauma, from the global and the historical to the intimate and the personal. The Wounded Line encourages poets at all stages to address the difficult, discomfiting questions that ache within each of us.

A Guide to Writing Poems of Trauma

The Wounded Line

Writing the Land

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