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Dunkelberg Kendall: A Writer's Craft

A Writer's Craft

Multi-Genre Creative Writing

De Gruyter Studies in Knowledge Management and Entrepreneurial Ecosystems

Diversity, Equity and Inclusion

Rural Entrepreneurial Ecosystems

In a globalised marketplace, professional integrity requires more than just following a code of conduct; it requires a sophisticated understanding of how different cultures and philosophies define morality. This comprehensive exploration of business ethics shifts the focus from "what" people are doing to "why" it matters, using diverse theoretical perspectives to illuminate the ethical landscape of contemporary trade.
Key features of the second edition: 
<ul>
 <li>Comprehensive Theory: Dedicated chapters for a range of ethical frameworks, now updated to include additional non-Western and critical perspectives.&nbsp; </li>
 <li>Practical Application: In-depth analysis of contemporary case studies and real-life scenarios, including a broad range of topical issues.&nbsp; </li>
 <li>Critical Engagement: Features 'Pause for Reflection' boxes and discussion questions designed to challenge students and develop independent ethical judgment.&nbsp; </li>
 <li>Multimedia Learning: Integrated video activities from contemporary sources to engage students with complex ethical dilemmas. </li>
</ul>
 
Mick Fryer&nbsp;has taught business ethics at Loughborough, Aberystwyth and Cardiff Universities. He has also written course material for the Open University.

Ethics Theory and Business Practice

The essential guide for authors at all levels of their career, updated with fresh film and literary references. Creative writing is what you used to get that first draft down. Now it's time to become objective about your own words! This guide book will show you how to fix sagging structure and deliver a satisfying story for your readers. This second edition contains all-new sections including Editing with AI, and The Personal Six and The Plot Six.The Ticking Clock device is also fully expanded.Written by an award-winning romance author, this friendly, plain-speaking guide takes the self-editing process and breaks it down into achievable smaller tasks.Authors will learn to embrace formula, while steering clear of the formulaic."The editing advice in section one is brutally kind and just potent enough to help the quailing writer find their own, ruthless inner editor." Sage Wolfsong"Perfect for pantsers (and) people who write organically." Renee Conoulty"Run, do not walk, and buy this book." Elda Minger

Editing Fiction Second Edition

The first book to investigate, analyze and theorize the creative processes of literary writers, Creativity and Contingency in Literary Writing uses author interviews, manuscript genetics and textual evidence to explore creativity from the authorial perspective. Studying an author's practice, literary form and contextual contingencies as elements that affect literary creativity, Karin Kukkoken develops theoretical models for examining the age-old problem of artistic creation and how it has been put to works by authors from the nineteenth century to the age of digital fiction, across a range of languages. With insights from the cognitive sciences, anthropology and philosophy of mind as well as literary studies, the book calls upon interviews with Siri Hustvedt, Marina Warner, Anne Weber, Camille Laurens, Gwenaëlle Aubry, Kate Pullinger, Gunnhild Øyehaug, Maria Stepanova and György Dragomán and studies the manuscripts of Charlotte Brontë, Cora Sandel, Elsa Morante and Italo Calvino. Overcoming the traditional distinction between creative agent, process and creative product, Creativity and Contingency in Literary Writing is as accessible and illuminating as it is important to understandings of human creativity.

Creativity and Contingency in Literary Writing

A manifesto in lectures about the material conditions and absurdities of being a writer and adjunct professor under capitalism-by turns funny, angry, despairing, and hopeful-from a writer who "has invented a new form" (Annie Ernaux). 
 
 In the spring of 2025, Heroines and Drifts author Kate Zambreno taught a weeklong nonfiction "craft" lecture at Columbia University, thinking through the crises of the adjunct loop in the United States and the question of labor and writing in publishing and the university. This project became more absurd, and more urgent, as the Trump administration quickly turned to authoritarianism and the university became complicit with the administration, creating a dystopian and paranoid atmosphere in which students were kidnapped from university housing and student protestors were expelled. How can we study together and create under such conditions? 
 
 The resulting essays are funny, angry, often in despair, and somehow also full of optimism as to the future of writing, even amidst the collapse of the institutions meant to support writers and students. Zambreno engages with texts including Sofia Samatar's Opacities, Fred Moten and Stefano Harney's The Undercommons, Noémi Lefebvre's The Poetics of Work, Heike Geissler's Seasonal Associate, and Samuel Delaney's Times Square Red, Times Square Blue. 
 
 A craft book against a "craft" divorced from political and material realities, Against Nonfiction is for anyone trying to write and make art in impossible times.

Writing Through Capitalist Realisms

Against Nonfiction

Those of us who identify as multi-cultural and exist in-between and across places, spaces, cultures and languages are in search of poetic means to understand and represent the experiences of being an insider-outsider. This volume responds to that challenge: taking Venice and the Veneto as a creative site, the author demonstrates how poetry focussed on hybrid, interstitial subjectivity can be mapped into this storied location. Using the structuring metaphor of the archipelago, the book exemplifies how the islands of the Venetian lagoon reflect the way that poetry - as individual works that coalesce to form a focussed collection - can be used to create a cartography of the self that is multiple but interconnected. Drawing upon scholarship around literary nomadism, flânerie, self-translation and cultural geography, the author shows how a personal relationship to a creative space opens a Third Space that challenges fixed ideas about belonging, alienation and nationality. In doing so, in-between-ness is revealed as a generative position from which to write and translate poetry.

A Poet’s Guide to Venice and the Veneto

Mining Midlife for Powerful Writing

Writing Through the Pause

It is seldom, if ever, that readers and writers see the different stages of a piece of writing in progress. In this unique volume, 16 of the US's most distinguished writers pull back the curtain on their creative and revision processes whilst drafting their works of creative nonfiction. Using side-by-side examples of first drafts and final versions of their writing, including original full-page reproductions from the writers' personal notebooks, an original, illuminating essay accompanies each draft that recounts the journey from inspiration to completion. Offering a generous insight into the creative process from the rough bold strokes to refined, clear, elegant prose, this behind-the-scenes look delves into the creative minds of working writers, including African American, Latino, Asian American, and indigenous writers from across the US. An invaluable resource for students and instructors looking to enliven the classroom or just offering practicing writers a peak into the processes of their peers, this book presents the false starts and missteps, the self-editing, tinkering, cutting, rearranging, and craft working writers make in the plight for perfectly polished prose. With nothing like it on the market, The Art of Revising Creative Nonfiction is an enlightening and unparalleled collection of modern-day creativity in action, a must have for aspiring writers and teachers of all levels.

14 U.S. Writers on their Drafts, Craft, and Process

The Art of Revising Creative Nonfiction

Most composition textbooks begin with skills like thesis writing and paragraph structure. This one begins with a person. Writing as Self-Design is a transformative textbook in which students examine control of information and discover their agency in meaning-making. Informed by neuroscience, rhetorical theory, digital literacy, and composition pedagogy, this book challenges students to question how meaning is made, filtered, and constrained in the digital age, and to develop their unique voices through composition strategies that reclaim writing as an act of self-design. It is a book which responds to the technological landscape in which we find ourselves. Rather than convincing students of the value of research and writing, Writing as Self-Design allows them to discover their own emotional value through enhanced agency in inquiry and resistance. Through this textbook, composition becomes a space in which students question information control, the hedonic cycle of passive consumption, and their greater agency in creativity and intentional design. Recognizing the ubiquity of tools like AI, this book encourages critical examination of how and why they are used. Students engage with algorithmic bias, misinformation, datafication, and the influence of platforms like Google, TikTok, and ChatGPT: not just as topics, but as forces that shape the way they think, write, and relate to the world. The value of Writing as Self-Design will resonate well beyond the classroom, addressing the importance of the critical skills needed to navigate the "total noise" of our media-saturated lives, build personal definitions of success, and rediscover the creative cycle that leads to lasting happiness and fulfilment.

Finding Voice and Agency Through Composition

Writing as Self-Design

Strategic Staffing, Sixth Edition equips both current and future managers with the knowledge and skills to adopt a strategic and contemporary approach to talent identification, attraction, selection, deployment, and retention. Grounded in research, this text covers modern staffing concepts and practices in an engaging and reader-friendly format.

Strategic Staffing

This volume is the first in-depth collection to explore the impact of language on the field of comparative constitutional law. It addresses the epistemological and conceptual implications of English as the lingua franca. In this regard, it considers the global influence of Anglophone jurisdictions in orienting the discourse through the identification of concepts, designs and ideas that warrant engagement and exploration outside of those origin jurisdictions. In doing so, the book underscores that language is not a neutral device but can produce hegemonic pressures and expectations. It further makes the role of language in conducting comparative constitutional law explicit, so that its users can be more deliberate in their selection of foreign materials and are made conscious of the limitations of their findings due to language barriers. The book calls for a reckoning with the rich constitutional vocabulary that non-Anglophone jurisdictions have to offer to ensure a more holistic approach to the creation of knowledge. It also emphasises the need for the contextualised study of constitutional phenomena to appreciate how these are shaped by linguistic choices. In addition to raising awareness about language's significance as an epistemological, conceptual and methodological device, the volume also puts forward constructive tools and techniques to harness language's potential, making it an indispensable resource for scholars, students, lawmakers and judges.

Questioning Hegemonies

The Language of Comparative Constitutional Law

'Daisy Buchanan is the big sister of the writing world ... everything you need to know, from one of the most prolific writers working today' Emma Gannon 'This book is like a calm and reassuring friend. A must-have for any writer' Andrea McLean Experience the therapeutic power of writing with Write Yourself Happy. Join the author of Read Yourself Happy and host of the popular You're Booked podcast Daisy Buchanan as she explores how to use writing as a tool for healing, stress reduction, and emotional well-being. Through journaling, creative expression, and thoughtful reflection, you'll uncover your authentic self, learn how writing can help to process emotions, and cultivate a more positive mindset. You'll learn practical techniques to find a writing practice that works for you, overcome challenges including imposter syndrome, and build a supportive writing community. In a culture that too often threatens the 'humanness' of many stories told, Write Yourself Happy shows you how to use your voice to create positive change in your life and the world around you.

Building a Creative Habit That Will Bring Joy and Boost Your Wellbeing

Write Yourself Happy

A Writer's Craft

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