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'We stand on the shoulders of giants. Now we learn their names.'

The Queer Bible / LF

The Queer Bible

**SHORTLISTED FOR 2025 THE BAILLIE GIFFORD PRIZE FOR NON-FICTION** A startling exploration of slavery in the Islamic world from the 7th century to the present Slavery in the Islamic world has a long, diverse and controversial history. Captives and Companions is a brilliant synthesis of history and contemporary reportage that brings to life the voices of the enslaved in stories of eighth-century concubines and ninth-century revolts, thirteenth-century slave soldiers who established dynastic rule over Egypt, Syria, and Iraq, eighteenth-century corsairs and twentieth-century pearl divers in the Gulf. It also has first-hand accounts of this legacy in the twenty-first century, including the depredations of Daesh and continuing hereditary slavery in Mali and Mauritania. Justin Marozzi traces the extraordinary variety of enslavement in the Islamic world, which ranged from agricultural labour and domestic toil to elite concubinage, guardianship of sacred spaces, political leadership and even military command. He shows how Africa bore the brunt of the demand for slave labour, fuelled throughout the nineteenth century by expanding global markets and commodity chains. Slavers plied African coasts, traders raided inland for human cargo, and millions were marched across the Sahara into captivity. Meanwhile, North African corsairs turned the Mediterranean into a slave-raiding 'free-for-all' between Muslims, Christians and Jews. Taking the reader on an extraordinary historical journey from Baghdad to Bamako, Tripoli to Timbuktu, Istanbul to the Black Sea, this is the riveting human drama of those caught up in one of history's most remarkable overlooked stories.

A History of Slavery and the Slave Trade in the Islamic World

Captives and Companions

A Clover Lake Novel

A summer job at a lake-town resort brings together two women with an unlikely connection in this new contemporary romance by USA Today bestselling author Ashley Herring Blake. April Evans’ life is in shambles. She’s had to close her tattoo shop in Clover Lake and she’s subletting her house just to make rent. And her love life? Nonexistent ever since Elena, her ex-fiancée, left her for a younger woman three years ago. When she is asked to teach a summer art class at the town’s new resort called Cloverwild, April jumps at the opportunity, especially since the job comes with boarding. She’s sure that this is the silver lining she needs . . . until she meets her cabinmate: Daphne Love, the woman who stole her ex-fiancée. And even worse, it’s clear Daphne has no idea who April is. Daphne Love is cursed in, well, love. She thought she’d found the unconditional love she craved in her girlfriend, Elena, but now she’s single again and utterly brokenhearted. When her friend hooks her up with a summer gig as an art instructor at a swanky resort in New Hampshire, Daphne feels optimistic for once. If only she had a roommate and coworker who didn’t seem to hate her on sight. Their already-tense relationship gets even shakier when April and Daphne find themselves competing for a rare opportunity to showcase their art in a London museum. But slowly, barriers begin to fall, and an inexplicable allure keeps drawing them closer, leaving them to wonder if the perfect picture they’re looking for can only be painted with each other.

Get Over It, April Evans

Celebrate your pride with bold, empowering temporary tattoos that make a statement. Pride Tattoos is here to help you wear your pride on your sleeve—literally. Express yourself with these 70 unique, playful, and queer designs by illustrator Diego Blanco. Featuring iconic symbols, uplifting slogans, and vibrant rainbow designs, these tattoos are the perfect addition to your Pride festivities, a festival, or any time you feel like expressing some extra queer joy.

Temporary tattoos that celebrate LGBTQIA+ pride

Pride Tattoos

Reimagining Law Through Queer Dissent

Lawful Repair

Christopher Isherwood Inside Out

What if we&nbsp;did&nbsp;abolish police, courts or prisons? Where would we turn for justice? Do we need to have laws? Punishment? These questions are not just the preoccupation of an abolitionist pipedream. Their answers exist already, if only we know where to look.

We Make Our Own Justice&nbsp;introduces the reader to communities around the world who are already resolving harms and conflicts themselves, without looking to the state or judiciary. The book explores a number of locations where alternative forms of justice, peace-keeping and adjudication are taking place. With particular focus on indigenous- and women-led movements from across Mexico, Argentina, Europe, East Africa, Rojava and the USA, Marina Sitrin looks at how each came to be, as well as the theoretical and political underpinnings of the process.

The book allows the reader to reflect on the ways in which the seeds of these alternative forms of justice and adjudication have been planted and nurtured over time-often over decades-and to consider the possibilities for other communities and regions to produce something similar.&nbsp;We Make Our Own Justice&nbsp;offers an invaluable resource as we seek to transform our neighbourhoods, groups and communities into abolitionist spaces in theory and practice.

Global Alternatives to Policing and Prisons

We Make Our Own Justice

Aljosha Muttardis Autobiografie über mentale Gesundheit, Aktivismus und ein Leben auf Social MediaHunderttausende folgen Aljosha auf Instagram und YouTube. Als einer der "Fab5" bei&nbsp;Queer Eye Germany&nbsp;hat er Menschen ermutigt, zu sich selbst zu stehen. Doch wie schafft er es selbst,&nbsp;authentisch, ehrlich und gut&nbsp;zu bleiben in einer Branche, die von Filtern, Hass und Hetze geprägt ist?In seinem lang erwarteten Buch gibt Aljosha intime Einblicke in sein Leben. Er spricht erstmals offen über die prägendsten Phasen seines Lebens und teilt seine persönlichsten Momente: Er erzählt von der tiefen Scham und Angst, die sein&nbsp;Coming-out&nbsp;begleiteten, und dem ständigen Gefühl, "nicht normal" zu sein. Er spricht über&nbsp;Leistungsdruck,&nbsp;Selbstzweifel&nbsp;und die Suche nach&nbsp;mentaler Gesundheit&nbsp;in einer Welt, die Performance verlangt.Mein Weg zum Aktivismus: Vom Queersein zur GesellschaftskritikAljosha zeigt, wie seine eigene Biografie - das&nbsp;Queersein, die Auseinandersetzung mit Privilegien und&nbsp;toxischer Männlichkeit&nbsp;- sein politisches Engagement und seinen Umgang mit&nbsp;Social Media&nbsp;geformt hat. Er reflektiert, warum es so schwer ist, online authentisch zu bleiben, und wie&nbsp;Tierschutz, Klimakrise und soziale Gerechtigkeit&nbsp;für ihn untrennbar zusammenhängen.Dieses Buch ist eine Autobiografie und eine gesellschaftliche Analyse zugleich.&nbsp;Ein ehrliches Buch über die Sinnsuche und den Versuch, online wie offline Mensch zu bleiben, ohne sich selbst zu verlieren.

Ein Versuch, in dieser Welt klarzukommen | Memoir, Aktivismus, Social Media | @aljosha_ auf Instagram

Gut wird's hier nicht mehr, aber besser

Methuen Drama Play Collections

Young Adult Edition

The Methuen Drama Book of Trans Plays Volume 3

Selected pieces on nature, history, politics, and urban culture from a master of the nonfiction narrative. Writing on subjects as diverse as the megafires that burned the grasslands of the Great Plains in 2018, the tragic secret life of the manufacturer of maraschino cherries, the world's largest beaver dam, and the invasive Burmese pythons of the Florida Everglades, Ian Frazier captures the multiplicity, the strangeness, and the wonder of contemporary life. This collection of pieces-consisting of features and reportage for The New Yorker and other magazines beginning in 1974, alongside work published as recently as 2024-showcases the wide-ranging play of Frazier's imagination. Astute and engaged, he is the supreme chronicler of the everyday, and a unique social and political anthropologist. More than fifty years of keen observation and avid curiosity come together in The Snakes That Ate Florida: wry, humane, and endlessly surprising, this volume once again confirms Frazier as one of the finest (and most delightful) essayists writing today.

Reporting, Essays, and Criticism

The Snakes That Ate Florida

Words and Pictures by Mo Willems

This open access book offersa cultural history of lawsuits that traces the development of French performance rights from la Belle Époque, throughthe Roaring Twenties, and into thePost-War period. It does so by analysing the ways in which performers, composers, and playwrights took to French courtrooms, sought attention in mass media, and participated in political debates to claim their rights to create and control musical and theatrical performance. In 19th-century France, composers and playwrights organised in member-run societies that successfully used authors' rights legislation to curb the power of theatre managers. By the turn of the 20th century, these so-called collective management organisations had transformed French cultural industries by building out structures of royalty collection and improving litigation practices. From the café-concert culture in 19th-century Montmartre and the rise of modern celebrity culture, to mass media and radio entertainment, the book traces precedent-setting litigation that defined who creates and controls performance. The book challenges previous narratives that centre the individualisation of authors in the expansion of the international copyright regime while neglecting performers. Instead, it reveals the ways in which the personality and individuality of performers have played a constitutive role in discourses about genius, technology, and legal categories. Performance as Intellectual Property is for anyone interested in the emergence of modern European cultural industries and the relationships between intellectual property systems, creativity, and art. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com Open access was funded by the European Research Council.

The Rights of Performers, Composers and Playwrights in France 1890-1950

Performance as Intellectual Property

The Queer Bible

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