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Willems M: Words and Pictures by Mo
Willems

Words and Pictures by Mo Willems

Writing about Stories, Stories about Writing

Channeling the subversive and sharp-eyed voice showcased in her popular column for The Cut, Amil Niazi stylishly interrogates the aspirations of young adulthood, early middle age, motherhood, and life after ambition. Building off her wildly popular viral essays “Losing My Ambition” and “The Mindfuck of Mid-Life,” Amil Niazi explores what life looks like “post-ambition.” With sly humor and a deep literary sensibility, she interrogates her own evolving ambitions, and how it intersects with adulthood, motherhood, age, identity, class, and race, and how it has shaped her and a generation of Millennials. And—most importantly—now that she is done with ambition: what happens next? An achingly relatable, intensely funny punch to the gut which reveals that, though we hide them from one another, we all have the same painful bruises. At its core, Losing My Ambition is about optimism—about the joy of choosing something different and the thrill of finding ourselves when we thought all was lost. A whip-smart reimagination of how to live our lives, Losing My Ambition reclaims mediocrity to tell us that it is okay to NOT have ambitions but to try and live a life that is true to who we are.

A Good Enough Memoir

Life After Ambition

From the author of the Sunday Times bestseller Caledonian Road

On Friendship

The first book to investigate, analyze and theorize the creative processes of literary writers, Creativity and Contingency in Literary Writing uses author interviews, manuscript genetics and textual evidence to explore creativity from the authorial perspective. Studying an author's practice, literary form and contextual contingencies as elements that affect literary creativity, Karin Kukkoken develops theoretical models for examining the age-old problem of artistic creation and how it has been put to works by authors from the nineteenth century to the age of digital fiction, across a range of languages. With insights from the cognitive sciences, anthropology and philosophy of mind as well as literary studies, the book calls upon interviews with Siri Hustvedt, Marina Warner, Anne Weber, Camille Laurens, Gwenaëlle Aubry, Kate Pullinger, Gunnhild Øyehaug, Maria Stepanova and György Dragomán and studies the manuscripts of Charlotte Brontë, Cora Sandel, Elsa Morante and Italo Calvino. Overcoming the traditional distinction between creative agent, process and creative product, Creativity and Contingency in Literary Writing is as accessible and illuminating as it is important to understandings of human creativity.

Creativity and Contingency in Literary Writing

A manifesto in lectures about the material conditions and absurdities of being a writer and adjunct professor under capitalism-by turns funny, angry, despairing, and hopeful-from a writer who "has invented a new form" (Annie Ernaux). 
 
 In the spring of 2025, Heroines and Drifts author Kate Zambreno taught a weeklong nonfiction "craft" lecture at Columbia University, thinking through the crises of the adjunct loop in the United States and the question of labor and writing in publishing and the university. This project became more absurd, and more urgent, as the Trump administration quickly turned to authoritarianism and the university became complicit with the administration, creating a dystopian and paranoid atmosphere in which students were kidnapped from university housing and student protestors were expelled. How can we study together and create under such conditions? 
 
 The resulting essays are funny, angry, often in despair, and somehow also full of optimism as to the future of writing, even amidst the collapse of the institutions meant to support writers and students. Zambreno engages with texts including Sofia Samatar's Opacities, Fred Moten and Stefano Harney's The Undercommons, Noémi Lefebvre's The Poetics of Work, Heike Geissler's Seasonal Associate, and Samuel Delaney's Times Square Red, Times Square Blue. 
 
 A craft book against a "craft" divorced from political and material realities, Against Nonfiction is for anyone trying to write and make art in impossible times.

Writing Through Capitalist Realisms

Against Nonfiction

Ursula Le Guin took readers to imaginary worlds for decades. In her last great frontier of life, old age, she explored a new literary territory: the blog, a forum where she shone. The collected best of Le Guin's blog, No Time to Spare, presents perfectly crystallised dispatches on what mattered to her late in life, her concerns with the world and her wonder at it. She brings her signature wit and wisdom to topics as diverse as ageing, imaginative literature, capitalism, her beloved rescue cat, classism, cultural perceptions of fantasy and the courage and resolution involved in eating an egg from the shell. This is essential reading for Le Guin's myriad admirers, revealing new sides to a trailblazing and beloved author who influenced literary greats across genres and generations.

No Time to Spare

A clear, thoughtful, and practical guide to writing in the age of generative AI. AI and Writing is an indispensable guide to composing with generative AI. Sidney I. Dobrin prepares students to use GenAI effectively, ethically, and critically--skills now essential for academic and professional success. The book tackles core questions: What tasks do these tools best support? Where do they fall short? How are they used responsibly? Dobrin focuses on durable, transferable writing practices, as well as the real-world issues raised by AI, including authorship, plagiarism, copyright, bias, and the material consequences of AI. "Provocations" boxes spark critical engagement, and each chapter concludes with a sequence of exercises and activities that move students from analysis to hands-on experimentation and reflection.

AI and Writing - Second Edition

Darby Rollins

This story is about supporting children through life's challenges and helping them understand that asking for help is a sign of strength, not weakness. It encourages empathy, resilience, and connection by reminding readers that everyone struggles sometimes-and no one has to face those struggles alone.

The Day I Raised My Hand

Lydia Davis returns with a timeless collection of essays on literature and language. 'Precise, concentrated, lyrical. No one writes like Lydia Davis, and everyone should read her' Hanif Kureishi 'A writer as mighty as Kafka, as subtle as Flaubert, and as epoch-making, in her own way, as Proust' Ali Smith Lydia Davis gathered a selection of her non-fiction writing for the first time in 2019 with Essays. Now, she continues the project with Essays Two, focusing on the art of translation, the learning of foreign languages through reading, and her experience of translating, amongst others, Flaubert and Proust, about whom she writes with an unmatched understanding of the nuances of their styles. Every essay in this book is a revelation.

On Proust, Translation, Foreign Languages and the City of Arles

Essays Two

Felice von Senkbeil hat alles - zu viele Kinder, zu viele Ansprüche und zu wenig Gelassenheit. In ihren Kolumnen erzählt sie mit entwaffnendem Witz und scharfem Blick vom ganz normalen Wahnsinn des urbanen Lebens: vom moralisch überhitzten Elternabend, von der Hausgemeinschaft zwischen Yogalehrerin und Verschwörungsfan, von nachhaltigen Neurosen und kleinen Eitelkeiten im Namen des Guten. Sie will alles; ein guter Mensch sein, eine liebevolle Mutter und eine hilfsbereite Nachbarin - und scheitert an ihren eigenen Unzulänglichkeiten.
Hinter der Kunstfigur steckt die Autorin Ira Wedel, die seit Jahren für das Satiremagazin "Eulenspiegel" schreibt. Ihre Glossen führen mitten hinein in die Berliner Realität zwischen Prenzlauer-Berg-Idealismus und prekärem WG-Leben - komisch, pointiert und manchmal schmerzhaft wahr - und halten der Bildungsbürgergesellschaft den Spiegel vor.

Berliner Glossen

Ein Herz für Psychopathen

The celebrated novelist Andrea Barrett has for decades reached backward to find inspiration from the past, and written acclaimed and prize-winning works of historical fiction. In Dust and Light, her first non-fiction work, Barrett draws from that deep well of experience to explore the mysteries, methods and delights of the form. She reveals how she created some of her own beloved works, taking readers on a fascinating journey into some of the largest questions in the genre.Building on pieces originally published in leading literary magazines, Dust and Light is an elegant exploration of the hazy borderlands of fiction sewn from the materials of history. Filled with profound insights, it will be a delight for any devoted fiction readers, and of great use to aspiring writers too.

On the Art of Fact in Fiction

Dust and Light

Selected pieces on nature, history, politics, and urban culture from a master of the nonfiction narrative. Writing on subjects as diverse as the megafires that burned the grasslands of the Great Plains in 2018, the tragic secret life of the manufacturer of maraschino cherries, the world's largest beaver dam, and the invasive Burmese pythons of the Florida Everglades, Ian Frazier captures the multiplicity, the strangeness, and the wonder of contemporary life. This collection of pieces-consisting of features and reportage for The New Yorker and other magazines beginning in 1974, alongside work published as recently as 2024-showcases the wide-ranging play of Frazier's imagination. Astute and engaged, he is the supreme chronicler of the everyday, and a unique social and political anthropologist. More than fifty years of keen observation and avid curiosity come together in The Snakes That Ate Florida: wry, humane, and endlessly surprising, this volume once again confirms Frazier as one of the finest (and most delightful) essayists writing today.

Reporting, Essays, and Criticism

The Snakes That Ate Florida

Compiled by bestselling author susan abulhawa, an Arabic-English bilingual anthology of true stories from eighteen young Palestinian writers trying to survive the genocide in Gaza. In early 2024, writer and activist susan abulhawa managed to enter Gaza twice through the Rafah crossing. There, at the Culture and Free Thought Association, susan held a series of workshops for young people who had been displaced to tent encampments. The lives of all participants were marked by unrelenting Israeli violence and extraordinary loss—of home, family, safety, education, electricity, and all the structures of life. They’d fled from place to place as Israel’s colonial violence swirled around them, complete with food and water insecurity and constant threat. Still, despite the bitterness of life in tents and the dangers of travel, they came together to share in the refuge of writing and community. Samya recounts a tender moment with an old man mending shoes in the street, while her cousin Saja hides books in her closet, hoping they and her home will still be there when she returns. Ghassan is haunted by the baby he rescued from the rubble, who for a time became his son. Fatima risks it all retrieve her clothes from a danger zone buzzing with drones and warplanes. Maram’s loving aunt is gone, and chaos inhabits Amr’s mind. Samah, Lubna, Rizq, and Nebal take us by the hand through raining death, trails of tears, classroom shelters, and shared clothes in crowded tents. Every Moment Is a Life delivers rare, unfiltered portraits of life under genocide, platforming the emerging voices struggling to survive in Gaza today. These true stories are raw and real, capturing human moments—buying bread, going to the bathroom, sharing a meal, drinking coffee—all set against the backdrop of history’s first livestreamed ethnic cleansing. With courage, anger, love, agony, and—impossibly—hope, these achingly tender voices from Gaza will stay with us, captured in these pages, forever. *All proceeds go to the contributors in Gaza and to Palestine Writes Literature Festival

Gaza in the Time of Genocide

Every Moment Is a Life

Words and Pictures by Mo Willems

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