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Reed E: The Jane Austen Romance Guide
for Well-Bred Women

The Jane Austen Romance Guide for Well-Bred Women

Spotting Red Flags from Across the Ballroom

'Ein Mann bekommt Schmerzmittel. Eine Frau etwas für die Nerven.'SACHBUCH DES JAHRES | Preisträgerin des NDR-Sachbuchpreises 2025 Männer sollen stark sein, Frauen sind es angeblich nicht. Dabei bekommen sie Kinder und schmerzhafte Perioden, leiden häufiger an chronischen Schmerzen und sind stärker von häuslicher und sexueller Gewalt betroffen. Gleichzeitig wird ihr Schmerz weniger ernst genommen und schneller ruhiggestellt: Auf einen schmerzmittelabhängigen Mann kommen gut doppelt so viele Frauen.Mit 'Unversehrt' legt Eva Biringer den Finger in die Wunde einer Gesellschaft, die den Schmerz der Frauen systematisch abwertet und gleichzeitig fetischisiert und in der Männerkörper in der Medizin noch immer die Norm sind. Ein autobiografisches Plädoyer, weiblichen Schmerz ernstzunehmen, und ein Aufruf an alle Frauen, ihn in etwas Machtvolles zu verwandeln. 'Die Lektüre hat mich wütend gemacht. Herrlich wütend. Gleichzeitig hat sie mir Klarheit und Erkenntnis verschafft.'Friederike Kempter, Schauspielerin'Ein schonungsloses, augenöffnendes Werk, das sowohl einlädt zur Selbstreflexion als auch zu Diskussion und Austausch - der erste Schritt zu gesellschaftlicher Veränderung!'Sophia Hoffmann, Autorin, Aktivistin, Köchin'Es geht um den Schmerz, der uns Frauen verbindet und der so vieles erklärt. Der abgetan und immer weitergegeben wird, solange wir nicht anfangen, uns mit ihm zu beschäftigen.'Verena Altenberger, Schauspielerin

SACHBUCH DES JAHRES | Preisträgerin des NDR-Sachbuchpreises 2025 | Gewalt gegen Frauen | Gender Pain Gap | Medizin für Frauen | Frauengesundheit

Unversehrt. Frauen und Schmerz

The multifaceted, cubist, and comprehensive perspective of Forty-Three Ways of Looking at Hemingway appears on the fortieth anniversary of Meyers's magisterial biography of Hemingway. This approach has never before been used to illustrate the complexity of his character, the range of his interests, and the brilliance of his work. This authoritative book uses sources in Italian, Spanish, French, and German. It reveals his reading of literature and history, his transformation of friends into fiction, his personal battles and mythic stature, his persona and ever-growing legend. This work analyzes his name and background, early work, friendships, relations with artists, connections to contemporary writers, description of historical figures and events, war reporting, military experience, life in Cuba, links with Hollywood, wives and lovers as well as the novels that influenced The Sun Also Rises and the background of "The Short Happy Life of Francis Macomber." It also considers Hemingway's feasts, humor, quarrels, self-condemnation, Nobel Prize, unwritten works, suicide, and lasting achievements.

Forty-Three Ways of Looking at Hemingway

'Sand seems as alive as if she had just walked out of the room... quietly witty... fascinating' The Times 'Thought-provoking... written with energy, passion and commitment to its fascinating subject' Literary Review My friends will respect me, I hope, just as much under my jacket as under my dress... So take me for a man or a woman as you wish. By the age of thirty, the novelist who had been born Aurore Dupin in 1804 had become the internationally renowned George Sand. In English, her daring literary experiments were out-selling even Victor Hugo. But the legend of Sand herself scandalised Paris. Not only prodigiously talented but cigar-smoking, cross-dressing and promiscuous, she seemed to break all the rules society set for women.What can we learn from the way she lived? Was her iconoclasm simply an act of courage, a declaration of absolute autonomy? Or did her emotional and creative relationships with many of the leading figures of her day - from Fryderyk Chopin to Gustave Flaubert, and Alfred de Musset to Eugène Delacroix - form part of her dialogue with the world around her: a dialogue that is intrinsic to writing itself?In Becoming George, award-winning poet and biographer Fiona Sampson rehabilitates Sand as an intellectual and artistic giant, the beating heart of French literature in the nineteenth century. Too often underestimated in the century and a half since her death, she speaks to us today - about ecology, politics, society, gender - with brilliant prescience; a figure ahead of her time.Longlisted for the American Library in Paris Award 2026Praise for Fiona Sampson:'Fiona Sampson beautifully describes the "self-invention" of George Sand, the Romantic period's most famous woman writer, and in the process paints a vivid portrait of a world in the throes of political and artistic revolution.' Maurice Samuels, Professor of French, Yale University'Fiona Sampson is a sleuth of a biographer ... rarely has my jaw dropped on so many occasions while reading a biography.' Ysenda Maxtone Graham, Daily Mail on In Search of Mary Shelley'Brilliant, heart-stopping ... reads like a thriller, a memoir and a provocative piece of literary fiction all at the same time ... magical and compelling.' Charlotte Gordon, Washington Post on Two Way Mirror: The Life of Elizabeth Barrett Browning'If we get another literary biography [this year] as astute and feelingful as this one, we shall be lucky.' John Carey, The Sunday Times on In Search of Mary Shelley

The Invention of George Sand

Becoming George

Has an artwork ever made you hot under the collar? From the co-author of Museum Bums comes a playful, surprising and seriously entertaining introduction to art history through more than 50 sizzling works featuring the artists, muses, myths, and masterpieces that have turned heads for centuries. Discover a global history of art with a steamy twist. In Museum Hotties, art historian Jack Shoulder takes readers on a hilarious journey to visit some of art's sexiest hunks of all time. From Apollo, the original tortured poet, to Lord Byron and his devoted Byromaniacs, this new take on art history explores movements and masterpieces around the world through the irresistible figures who helped shape them. Featuring more than 50 full-colour works of art, this book is the perfect blend of objective art history and subjective hottie analysis. Whether you're a museum regular, an art newbie, or simply searching for your next historical crush, swipe right through these pages and find your new museum obsession. A FUN AND ACCESSIBLE TAKE ON ART HISTORY: This isn't your average art book. Through a playful celebration of history's most captivating (i.e., smoking hot) subjects, readers will discover famous masterpieces, hidden gems and the stories behind them.HUMOR MEETS EXPERTISE: Written by art historian Jack Shoulder, this entertaining collection combines real art knowledge with clever commentary, making museum-worthy works approachable for every reader.FROM THE CO-AUTHOR OF MUSEUM BUMS: Following the success of the cheeky art history favourite, Shoulder brings his signature humour and fresh perspective to another unforgettable tour through the museum. A HUGELY GIFTABLE ART BOOK: A hilarious gift for art lovers, history buffs, romance readers, museum fans, and anyone who appreciates beauty in all its forms. Perfect for fans of Museum Bums, Men to Avoid in Art and Life, and witty takes on classic art.

Hotties in Art

The Yellow Wallpaper & Herland

In a collection of linked tales filled with irony, humor, and magic, Talking with Boys introduces an unforgettable cast of characters in the Pakistani diaspora in Houston navigating crises of their own making and beyond their control. Via generations and geographies, the stories expand from Houston into tales from the characters' pasts in Dubai and Lahore. A community of Pakistani immigrants distract ICE with unlikely bait. A housekeeper in a Dubai mansion plots to liberate her fellow indentured workers. In Lahore, an empty nester finds herself bound by more than a jinxed bracelet. Throughout, Tayyba Kanwal's remarkable characters navigate economic upheavals, political turmoil, and personal betrayals to pursue love, plot for survival, and play subtle power games to triumph against patriarchal forces of all genders.

Talking with Boys

Snapshots from the East of Ukraine

I Will Mix Your Blood with Coal

Rethinking the Humanities Through Premodern Texts

Disrupting Categories, 1050-1250

Uncovers the central and leading roles of women in the development of organised consumer activism in the UK and the USA between 1885 and 1920

Women's Activism in the Transatlantic Consumers' Leagues, 1885-1920

Explores a full spectrum of Gothic works broadly understood as queer, from the eighteenth century to today

An Edinburgh Companion

Queer Gothic

Ein herzerwärmender, lustiger, und gleichzeitig ernster Roman über eine junge Frau, die sich der harten Realität des selbstständigen Lebens stellen muss
 Margo braucht Geld. Seit sie ungewollt von ihrem Collegeprofessor, der sie jetzt mit dem Kind alleinlässt, schwanger wurde, mehr denn je. Wie Margo es auch dreht und wendet, kein Job scheint passend zu sein, oder könnte auch nur ansatzweise ihr Leben mit einem Baby finanzieren. Durch einen Zufall wird sie auf die Plattform OnlyFans aufmerksam, und Margo ist fasziniert von dieser Welt, in der Frauen mit sich und ihrem Körper experimentieren, und offenbar gut dabei verdienen. Also beginnt auch sie, Inhalte zu produzieren. Dabei erhält sie Unterstützung von ihrer Mitbewohnerin Suzie, einem großen Cosplay-Fan, und auch von ihrem Vater Jinx, einem Ex-Wrestlingprofi. Ehe sie sich versieht, ist Margo ein Online-Phänomen. Könnte dies die Antwort auf all ihre Probleme sein, oder hat der Internet-Ruhm einen zu hohen Preis?

Roman | Das Buch zur Apple TV Serie »Margo's got Money Troubles«

Only Margo

In Our Time has a curios history in that Earnest Hemingway released it in at least three different versions. The first edition (the 1924 Paris edition) was commissioned by Ezra Pound for Three Mountains Press and contains six prose vignettes. The collection explores loss grief separation and alienation topics Hemingway would never leave behind. 
Until Ezra Pound asked him to write this collection Hemingway was primarily a writer of non-fiction. This collection would forever change that. Hemingway’s spars style attracted attention immediately. The face of American Fiction would never be the same.

In Our Time

The Jane Austen Romance Guide for Well-Bred Women

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