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Reed E: The Jane Austen Romance Guide
for Well-Bred Women

The Jane Austen Romance Guide for Well-Bred Women

Spotting Red Flags from Across the Ballroom

Lettres, Instructions Et Mémoires De Colbert, Volume 2, part 1

'Ein Mann bekommt Schmerzmittel. Eine Frau etwas für die Nerven.'SACHBUCH DES JAHRES | Preisträgerin des NDR-Sachbuchpreises 2025 Männer sollen stark sein, Frauen sind es angeblich nicht. Dabei bekommen sie Kinder und schmerzhafte Perioden, leiden häufiger an chronischen Schmerzen und sind stärker von häuslicher und sexueller Gewalt betroffen. Gleichzeitig wird ihr Schmerz weniger ernst genommen und schneller ruhiggestellt: Auf einen schmerzmittelabhängigen Mann kommen gut doppelt so viele Frauen.Mit 'Unversehrt' legt Eva Biringer den Finger in die Wunde einer Gesellschaft, die den Schmerz der Frauen systematisch abwertet und gleichzeitig fetischisiert und in der Männerkörper in der Medizin noch immer die Norm sind. Ein autobiografisches Plädoyer, weiblichen Schmerz ernstzunehmen, und ein Aufruf an alle Frauen, ihn in etwas Machtvolles zu verwandeln. 'Die Lektüre hat mich wütend gemacht. Herrlich wütend. Gleichzeitig hat sie mir Klarheit und Erkenntnis verschafft.'Friederike Kempter, Schauspielerin'Ein schonungsloses, augenöffnendes Werk, das sowohl einlädt zur Selbstreflexion als auch zu Diskussion und Austausch - der erste Schritt zu gesellschaftlicher Veränderung!'Sophia Hoffmann, Autorin, Aktivistin, Köchin'Es geht um den Schmerz, der uns Frauen verbindet und der so vieles erklärt. Der abgetan und immer weitergegeben wird, solange wir nicht anfangen, uns mit ihm zu beschäftigen.'Verena Altenberger, Schauspielerin

SACHBUCH DES JAHRES | Preisträgerin des NDR-Sachbuchpreises 2025 | Gewalt gegen Frauen | Gender Pain Gap | Medizin für Frauen | Frauengesundheit

Unversehrt. Frauen und Schmerz

"How do we keep doing this -- making art? Stacey D'Erasmo had been writing for twenty years and had published three novels when she asked herself this question. She was past the rush of her first books and wondering what to expect - - how to stay alive in her vocation -- in the decades ahead. She began to interview older artists she admired to find out how they'd done it. She talked to Valda Setterfield about her sixty-year career that took her from the Merce Cunningham Dance Company to theatrical collaborations with her husband to roles in films. She talked to Samuel R. Delany about his vast oeuvre of books in many genres. She talked to Amy Sillman about working between painting and other media and between abstraction and figuration. She talked to landscape architect Darrel Morrison, composer Tania on, actress Blair Brown, and musician Steve Earle, and started to see connections between them and to artists across time: Colette, David Bowie, Ruth Asawa. She found insights in own experience, about what has driven and thwarted and shaped her as a writer. Instead of easy answers or a road map, The Long Run offers one practitioner's conversations, anecdotes, confidences, and observations about sustaining a creative life. Along the way, it radically redefines artistic success, shifting the focus from novelty and output and external recognition toward freedom, fluidity, resistance, community, and survival"--

A Creative Inquiry

The Long Run

Longlisted for the National Book Critics Circle Award Many worry that criticism is suffering from a crisis of authority. In a world where everyone's a critic, what is criticism for? Since her canonical essay "On Liking Women," the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a leading public intellectual and a bold cartographer of the new landscape of taste itself. Authority brings together sharp, illuminating essays on everything from musical theater to sci-fi novels, as well as an acclaimed tetralogy of personal essays first published in the magazine n+1. Throughout, Chu defies the imperative to leave politics out of art, charging fellow critics like Maggie Nelson and Zadie Smith with complacent humanism and modeling how the left might brave the culture wars with both its faculty of judgment and its sense of justice intact. In two magisterial new essays, Chu offers a fresh intellectual history of criticism's crisis of authority, tracing the surprisingly political contours of the discipline from its origins in the Enlightenment to our present age of social media. The desire to recover some lost authority, she argues, is neither new nor particularly freeing. Rather than being taken in by an endless cycle of trumped-up emergencies over the state of our culture, Authority makes a compelling case for how to do criticism in light of the actual crises, from climate change to rising authoritarianism, that confront us today.

Essays

Authority

"A novel of man's relationship with nature, power, and the vitality of storytelling, from beloved Thai author Saneh Sangsuk. The lovable, yarnspinning monk Luang Paw Tien, now in his nineties, is the last person in his village to bear witness to the power and plenitude of the jungle before agrarian and then capitalist life took over his community. Nightly, he entertains the children of his village with tales from his younger years: his long pilgrimage to India, his mother's dreams of a more stable life through agriculture, his proud huntsman father who resisted those dreams, and his love, who led him to pursue those dreams all over again. Sangsuk's novel is a celebration of the oral tradition of storytelling and, above all else, a testament to the power of stories to entertain"--

The Understory

Brighten the holiday season with five classic tales from the master of Christmastime fiction. Charles Dickens's most famous holiday story is the 1843 publication&nbsp;A Christmas Carol, but he was a prolific writer in the yuletide genre and a great contributor to many now-prevalent traditions of the holiday itself. In the year following the release of&nbsp;A Christmas Carol, Dickens released&nbsp;The Chimes: A Christmas Story of Some Bells That Rang an Old Year Out and a New Year In. This story combined his enduring sympathy for the poor with the notion that we must always strive to live in nobler ways. In 1845 came&nbsp;The Cricket on the Hearth, a novella that, in its time, surpassed even&nbsp;A Christmas Carol&nbsp;in popularity for stage productions. The years 1846 and 1848 respectively brought&nbsp;The Battle of Life&nbsp;and&nbsp;The Haunted Man and the Ghost’s Bargain. Given this wealth of Christmas-themed works, it is no wonder that Dickens is sometimes&nbsp;referred to as “the man who invented Christmas.”

Christmas Carol and Other Holiday Treasures

This graphic non-fiction explores the history of (non-)encounters between Indigenous and Québécois peoples, as well as the very specific linguistic and historical mainstream narratives that make up the province's internal tensions.

A Diary of Encounters Between Indigenous and Québécois Peoples

Quebec Was Born in My Country!

The bestselling and award-winning German author Jenny Erpenbeck has gained international praise for her novels including Visitation, Kairos, and Go, Went, Gone. Things that Disappear is an exciting collection of interlinked miniature prose pieces that grapple with the phenomenon of disappearance on scales both large and small. The things that disappear in these pages range from everyday objects such as socks and cheese to close friends and the social norms of common courtesy, to sites and objects resonant with East German history, such as the Palace of the Republic or the lines of sight now blocked by new construction in Berlin. Erpenbeck asks: "Is there some kind of perpetrator who makes things that I know cherish and disappear?" These things disappear, and yet do they really? Do they remain in our memories more fully than if they continued to exist? Translated beautifully by Kurt Beals, Things that Disappear follows on the heels of Erpenbeck's Man Booker-Prize winning novel Kairos and offers a window into a renowned writer's sense of the past, and of her own self as a writer.

Things That Disappear

Ein herzerwärmender, lustiger, und gleichzeitig ernster Roman über eine junge Frau, die sich der harten Realität des selbstständigen Lebens stellen muss
 Margo braucht Geld. Seit sie ungewollt von ihrem Collegeprofessor, der sie jetzt mit dem Kind alleinlässt, schwanger wurde, mehr denn je. Wie Margo es auch dreht und wendet, kein Job scheint passend zu sein, oder könnte auch nur ansatzweise ihr Leben mit einem Baby finanzieren. Durch einen Zufall wird sie auf die Plattform OnlyFans aufmerksam, und Margo ist fasziniert von dieser Welt, in der Frauen mit sich und ihrem Körper experimentieren, und offenbar gut dabei verdienen. Also beginnt auch sie, Inhalte zu produzieren. Dabei erhält sie Unterstützung von ihrer Mitbewohnerin Suzie, einem großen Cosplay-Fan, und auch von ihrem Vater Jinx, einem Ex-Wrestlingprofi. Ehe sie sich versieht, ist Margo ein Online-Phänomen. Könnte dies die Antwort auf all ihre Probleme sein, oder hat der Internet-Ruhm einen zu hohen Preis?

Roman | Das Buch zur Apple TV Serie »Margo's got Money Troubles«

Only Margo

Geschenkbuch Kunstliebhaberinnen - Caspar David Friedrich

Ernst ist das Leben, heiter die Kunst

At the end of the 1980s, a writer who very much resembles Günter Grass passes through East Germany on a book tour and visits the Cathedral of Naumburg with its famous twelve donor statues. He invites the sculptor's models to dinner-and they come, not as ghosts, but just as alive as they were in the thirteenth century.&nbsp;Toward the end of dinner, after drinking an icy Coca-Cola, the model for the famed beauty Uta von Naumburg declares she has to go to work: she's a living statue.&nbsp;
As he continues touring around Europe, the writer looks for Uta and her donation basket outside every cathedral he passes. At last, in Frankfurt, he sees her in front of a Deutsche Bank and the two have a meeting with staggering consequences. As Grass said, "on paper everything is possible", and in this tale he gleefully erases the line between life and death, present and past.

A Legend

The Living Statue

In Our Time has a curios history in that Earnest Hemingway released it in at least three different versions. The first edition (the 1924 Paris edition) was commissioned by Ezra Pound for Three Mountains Press and contains six prose vignettes. The collection explores loss grief separation and alienation topics Hemingway would never leave behind. 
Until Ezra Pound asked him to write this collection Hemingway was primarily a writer of non-fiction. This collection would forever change that. Hemingway’s spars style attracted attention immediately. The face of American Fiction would never be the same.

In Our Time

The Jane Austen Romance Guide for Well-Bred Women

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