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Reed E: The Jane Austen Romance Guide
for Well-Bred Women

The Jane Austen Romance Guide for Well-Bred Women

Spotting Red Flags from Across the Ballroom

At the end of the 1980s, a writer who very much resembles Günter Grass passes through East Germany on a book tour and visits the Cathedral of Naumburg with its famous twelve donor statues. He invites the sculptor's models to dinner-and they come, not as ghosts, but just as alive as they were in the thirteenth century.&nbsp;Toward the end of dinner, after drinking an icy Coca-Cola, the model for the famed beauty Uta von Naumburg declares she has to go to work: she's a living statue.&nbsp;
As he continues touring around Europe, the writer looks for Uta and her donation basket outside every cathedral he passes. At last, in Frankfurt, he sees her in front of a Deutsche Bank and the two have a meeting with staggering consequences. As Grass said, "on paper everything is possible", and in this tale he gleefully erases the line between life and death, present and past.

A Legend

The Living Statue

Very Short Introductions

Very Short Introductions: Brilliant, Sharp, Inspiring
 
Mary Wollstonecraft is widely hailed as the mother of modern feminism. The book that made her famous, A Vindication of the Rights of Woman, is a work of worldwide renown. Yet the range of her achievements as a thinker and writer reaches far beyond this text. She was a multi-faceted author, and although the condition of women was a constant preoccupation throughout her life, she wrote on a wide variety of topics and in a range of literary forms, some of which she created herself.

This Very Short Introduction examines the conditions for Wollstonecraft's emergence as a feminist, but also her status as an educator, a political thinker, and a romantic. E. J. Clery also considers the reception Mary Wollstonecraft has received over the last two centuries and argues that readers need to look at her gamut of activities anew in the 21st century.

ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.

This Very Short Introduction will examine the conditions for Mary Wollstonecraft's formation as a feminist, and will go on to look at Wollstonecraft as an educator, a political thinker, and a romantic.

A Very Short Introduction

Mary Wollstonecraft

LETTERS FROM GAZA is more than a book - it's a voice from the silence, a heartbeat in the wreckage. Through poetry, letters, and monologues, 30 Gazans lay bare their fears, grief, and relentless hope amid devastation.Since October 2023, the world has been witnessing the unfolding of the largest humanitarian crisis of this century. And the men, women and children spoken of around the world, fight being silenced through their written words.While we lamented at the visuals of unimaginable destruction, loss, and unsurmountable pain, there were people living that reality.Surviving genocide isn't a blanket experience; there are many facets which remain unheard. This collection, the first of in-the-moment reflections, is pertinent in bringing focus to the human stories behind the crisis, the emotions that rang loudly in the silence of the night, when the shutters went down and the dust had settled.Throughout the year, 30 people living in the Gaza strip, of varied ages and ethnographies, penned their feelings, fears, memories, thoughts, and hopes on the tempestuous days of war. Each story is a reminder of the world held within every person and how humanity at large is at stake with them.Collected and compiled by Mahmoud and Mohammed, two prolific writers in Gaza, this collection stands as a testament to unparalleled resilience and unveils the unimaginable emotional scars of war; leaving us overcome with tenderness and compassion.

Post October 2023, the First Collection of In-The-Moment Reflections from the People of Gaza; Written from the Vortex of Turmoil

Letters from Gaza

Oxford World's Classics Hardback Collection

'Very thin indeed is the curtain between us and the unknown'

The short stories of H. G. Wells are about many things, but they are nearly always about contact between the extraordinary and the everyday. There are few mighty statesmen or square-jawed heroes in his writing-it's a junior teaching assistant-who ends up being handed the fruit of the tree of knowledge in a railway carriage, a domestic housekeeper who must save a botanist from a murderous orchid, and a Lancashire engineer who ends up, high in the Amazon, witnessing the rise of an empire of insects. Even in Wells's non-fantastic stories, people are propelled out of their elements, forced to reckon with their place in the world-or that of humanity at large. 

Wells is best-known today for his science fiction novels and his prophetic writings, but he began his career as a journalist and wrote an extraordinary number of tales, sketches, and thought-experiments, forty of which are collected here. This edition contains many acknowledged classics, but also collects some of the less celebrated gems found in the pages of the magazines and newspapers in which Wells learned his craft. This book contains text based on the stories' first magazine appearances, with an introduction, commentary, and notes on the periodicals for which Wells wrote.

ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around theglobe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of othervaluable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies forfurther study, and much more.

The Empire of the Ants and Other Stories

'Ein Mann bekommt Schmerzmittel. Eine Frau etwas für die Nerven.'SACHBUCH DES JAHRES | Preisträgerin des NDR-Sachbuchpreises 2025 Männer sollen stark sein, Frauen sind es angeblich nicht. Dabei bekommen sie Kinder und schmerzhafte Perioden, leiden häufiger an chronischen Schmerzen und sind stärker von häuslicher und sexueller Gewalt betroffen. Gleichzeitig wird ihr Schmerz weniger ernst genommen und schneller ruhiggestellt: Auf einen schmerzmittelabhängigen Mann kommen gut doppelt so viele Frauen.Mit 'Unversehrt' legt Eva Biringer den Finger in die Wunde einer Gesellschaft, die den Schmerz der Frauen systematisch abwertet und gleichzeitig fetischisiert und in der Männerkörper in der Medizin noch immer die Norm sind. Ein autobiografisches Plädoyer, weiblichen Schmerz ernstzunehmen, und ein Aufruf an alle Frauen, ihn in etwas Machtvolles zu verwandeln. 'Die Lektüre hat mich wütend gemacht. Herrlich wütend. Gleichzeitig hat sie mir Klarheit und Erkenntnis verschafft.'Friederike Kempter, Schauspielerin'Ein schonungsloses, augenöffnendes Werk, das sowohl einlädt zur Selbstreflexion als auch zu Diskussion und Austausch - der erste Schritt zu gesellschaftlicher Veränderung!'Sophia Hoffmann, Autorin, Aktivistin, Köchin'Es geht um den Schmerz, der uns Frauen verbindet und der so vieles erklärt. Der abgetan und immer weitergegeben wird, solange wir nicht anfangen, uns mit ihm zu beschäftigen.'Verena Altenberger, Schauspielerin

»Ein Mann bekommt Schmerzmittel. Eine Frau etwas für die Nerven.«
 SACHBUCH DES JAHRES | Preisträgerin des NDR-Sachbuchpreises 2025
 
 Männer sollen stark sein, Frauen sind es angeblich nicht. Dabei bekommen sie Kinder und schmerzhafte Perioden, leiden häufiger an chronischen Schmerzen und sind stärker von häuslicher und sexueller Gewalt betroffen. Gleichzeitig wird ihr Schmerz weniger ernst genommen und schneller ruhiggestellt: Auf einen schmerzmittelabhängigen Mann kommen gut doppelt so viele Frauen.
 
 Mit »Unversehrt« legt Eva Biringer den Finger in die Wunde einer Gesellschaft, die den Schmerz der Frauen systematisch abwertet und gleichzeitig fetischisiert und in der Männerkörper in der Medizin noch immer die Norm sind.
 Ein autobiografisches Plädoyer, weiblichen Schmerz ernstzunehmen, und ein Aufruf an alle Frauen, ihn in etwas Machtvolles zu verwandeln. »Die Lektüre hat mich wütend gemacht. Herrlich wütend. Gleichzeitig hat sie mir Klarheit und Erkenntnis verschafft.«Friederike Kempter, Schauspielerin&nbsp;»Ein schonungsloses, augenöffnendes Werk, das sowohl einlädt zur Selbstreflexion als auch zu Diskussion und Austausch – der erste Schritt zu gesellschaftlicher Veränderung!«Sophia Hoffmann, Autorin, Aktivistin, Köchin&nbsp;»Es geht um den Schmerz, der uns Frauen verbindet und der so vieles erklärt. Der abgetan und immer weitergegeben wird, solange wir nicht anfangen, uns mit ihm zu beschäftigen.«Verena Altenberger, Schauspielerin

SACHBUCH DES JAHRES | Preisträgerin des NDR-Sachbuchpreises 2025 | Gewalt gegen Frauen | Gender Pain Gap | Medizin für Frauen | Frauengesundheit

Unversehrt. Frauen und Schmerz

In this sharp and darkly funny new essay collection from the New York Times bestselling author, Cazzie David explores the irony and existential crises of leaving youth behind. With her thirtieth birthday fast approaching, Cazzie reflects on the delusions that laid waste to her twenties and reckons with their consequences now that the specter of a new decade is looming. Touching on everything from the pressure to find the "right" partner, dealing with the relentless grip of social media, and navigating body dysmorphic spirals, Delusions cuts through the noise, offering personal anecdotes, sharp cultural criticism, and witty, honest contemplations on the chaos of contemporary adulthood. Cazzie brings her trademark voice-blunt, self-aware, and blisteringly funny-to essays that are as vulnerable as they are biting. An attempt to mature in the span of one year

Delusions

Longlisted for the National Book Critics Circle Award Many worry that criticism is suffering from a crisis of authority. In a world where everyone's a critic, what is criticism for? Since her canonical essay "On Liking Women," the Pulitzer Prize-winning critic Andrea Long Chu has established herself as a leading public intellectual and a bold cartographer of the new landscape of taste itself. Authority brings together sharp, illuminating essays on everything from musical theater to sci-fi novels, as well as an acclaimed tetralogy of personal essays first published in the magazine n+1. Throughout, Chu defies the imperative to leave politics out of art, charging fellow critics like Maggie Nelson and Zadie Smith with complacent humanism and modeling how the left might brave the culture wars with both its faculty of judgment and its sense of justice intact. In two magisterial new essays, Chu offers a fresh intellectual history of criticism's crisis of authority, tracing the surprisingly political contours of the discipline from its origins in the Enlightenment to our present age of social media. The desire to recover some lost authority, she argues, is neither new nor particularly freeing. Rather than being taken in by an endless cycle of trumped-up emergencies over the state of our culture, Authority makes a compelling case for how to do criticism in light of the actual crises, from climate change to rising authoritarianism, that confront us today.

Essays

Authority

This fascinating book explores the numerous literary connections, themes, symbolism, and cultural and social references underlying The Silver Chair and The Horse and His Boy, the fourth and fifth books in C. S. Lewis's The Chronicles of Narnia series, following the same format of Paths in the Snow and Gold on the Horizon, Jem Bloomfield's popular explorations of the first three Narnia tales (both published under the DLT imprint). In Signs Among the Stones, Bloomfield considers the significance of the very different landscapes of The Silver Chair and The Horse and His Boy - subterranean caves and arid deserts, both a world away from the more familiar forests and castles of other Narnia tales - and explores what the books can tell us about Lewis's ideas on meaning, questing and storytelling.

A literary journey through The Silver Chair and The Horse and His Boy

Signs Among The Stones

In Our Time has a curios history in that Earnest Hemingway released it in at least three different versions. The first edition (the 1924 Paris edition) was commissioned by Ezra Pound for Three Mountains Press and contains six prose vignettes. The collection explores loss grief separation and alienation topics Hemingway would never leave behind. 
Until Ezra Pound asked him to write this collection Hemingway was primarily a writer of non-fiction. This collection would forever change that. Hemingway’s spars style attracted attention immediately. The face of American Fiction would never be the same.

In Our Time

What the World Might Look Like examines the way resilience stories have come to dominate the settler-colonial imagination and explores alternative approaches to resilience writing that instead offer decolonial models of thought.

What the World Might Look Like examines the way resilience stories have come to dominate the settler-colonial imagination and explores alternative approaches to resilience writing that instead offer decolonial models of thought.

Decolonial Stories of Resilience and Refusal

What the World Might Look Like

Main description: Left alone for the weekend while her husband and two children are visiting her in-laws, the narrator of KILLING STELLA recounts the addition of her friend's daughter, Stella, into their already tense and tumultuous household. Staring out the window at her garden, she worries about the baby bird in the linden tree, about her husband, Richard, who flits from one adulterous affair to another, about her son's gloomy demeanor and her daughter's obliviousness to everything, and, most of all, she worries about Stella, a confused teenager who has just met a sudden and disastrous end.
A domestic horror story that builds to an apocalyptic ending, KILLING STELLA distills many of the themes of Marlen Haushofer's acclaimed novel THE WALL into a claustrophobic, gothic, shattering novella.&nbsp;

Never before in English, a gripping, razor-sharp novella of a fractured marriage, by the ferociously talented author of THE WALL

Killing Stella

[headline]Offers the first full-length study of Cicely Saunder's idea of 'total pain', providing a fresh perspective on the ambiguous place of narrative in healthcare Introduced in 1964, Cicely Saunders' term 'total pain' has come to epitomise the holistic ethos of hospice and palliative care. It communicates how a dying person's pain can be a whole overwhelming experience, not only physical but also psychological, social and spiritual. 'Total pain' clearly summarises Saunders' whole-person, multidisciplinary outlook but is it a phenomenon, an intervention framework, a care approach - or something else? This book disregards the idea that Saunders' phrase has one coherent meaning and instead explores the multiple interpretations now current in contemporary professional discourse. Using close readings of Saunders' extensive publications, as well as archival evidence and Saunders' own personal library, Wood situates the current usage of 'total pain' in wider histories of clinical holism, questions its similarity to later ideas of narrative medicine and explores how it might express the ambiguities of bearing witness to pain and vulnerability when someone is dying. [bio]Joe Wood is an Affiliate Researcher at King's College London. He has worked in the English department at King's and as part of the Glasgow End of Life Studies Group at the University of Glasgow. His work on Cicely Saunders and narrative at the end of life has led to collaborative work with St Christopher's Hospice and the Royal College of Nursing.

Holism, Narrative and Silence at the End of Life

Cicely Saunders and Total Pain

The Jane Austen Romance Guide for Well-Bred Women

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