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Hidden Hand Press

Kølle A: Mouth-Fortress

Mouth-Fortress

Covering all of the major genres of fiction, nonfiction, poetry, dramatic writing and writing for digital media, this 3rd edition of the book is a practical, complete, introductory manual for students of creative writing. The Bloomsbury Introduction to Creative Writing now features: - New sections and exercises for editing and revising across the genres and hybrid forms - A new chapter on intersectionality and writing alongside interviews with practitioners from a host of backgrounds and experiences - An updated and expanded chapter on writing for digital media that explores the role of AI - An updated and fully expanded glossary of key terms Through a structured series of practical writing exercises - perfect for the classroom, the writer's workshop or the creative writing autodidact - the book helps build the new writer from the first explorations of voice and the relationship between writing and knowledge, through to mastery of a wide range of genres and forms. With practical guidance on writing scholarly critiques of your own work, The Bloomsbury Introduction to Creative Writing is an essential guide for any introductory creative writing course and a practical companion for more advanced writers.

The Bloomsbury Introduction to Creative Writing

A diverse group of acclaimed young writers reflect on their composing processes, writing experiences and developing creative practices. This book includes over 30 poems with accompanying short essays in which emerging poets reflect on their progression as writers and the journey of their composition from draft to final version. As well as offering insight into the minds of developing artists, these poets also discuss key issues pertaining to the creative process: - mentors, inspiration and influence - their personal poetics - exploration of poetic identities - the importance of poetry for mental health - their writing life and routines, including writing during a pandemic - experiences of submitting, performing and publishing their work - building poetry networks Originating in research from Young Poets' Stories project, the essays are accompanied by commentary by the editors in the hope of inspiring future young poets and their teachers. Offering a diverse snapshot of young, modern writers and alert to the ever-changing dynamics of writing poetry, Becoming a Poet also offers practical guidance on commissions, mentoring opportunities, competitions, writers' networks, grants and routes to publishing. Championing young poets and putting them into dialogue with their peers, this is the ultimate exhibition of the voices of tomorrow.

Young Poets’ Stories of Composition and Creative Development

Becoming a Poet

Sunbreak: Notes on Hope, from breakout social media poet Donovan Beck, is a rousing collection of poetry and prose written in an effort to create a world in which poetry books are not just expressions of grief or loss but also ones of optimism and light. Led by deep curiosity, Sunbreak by Donovan Beck aims to give real and poetic reflections on beautiful moments of hope that can be found even in a challenging world. Donovan Beck is a multi-hyphenate storyteller dedicated to redefining how we talk about ourselves and the world around us, especially online; Sunbreak: Notes on Hope is a perfect encapsulation of his mission. Like sitting up late at night with your friends thinking about the meaning of life, Sunbreak is warm, hopeful, and full of sunlit potential for good.

Notes on Hope

Sunbreak

A hands-on guide for poets who want to make work beyond the page. How can a poem become an image, a soundscape, a performance, an erasure, a tactile object, or a digital encounter? A Writer's Guide to Multimodal Poetry brings together poets, visual artists, editors, publishers, and teachers working across the expanding field of multimodal poetics. Pairing examples of artists' work with craft essays and writing exercises, this collection gives readers practical ways to combine poetry with visual art, sound, music, movement, archive, found materials, digital media, and performance. Contributors share the tools, choices, and compositional processes behind their work, from blending text and image to experimenting with rhythm, translating across media, using erasure and collage, and designing interactive or embodied reading experiences. Rather than treating multimodal poetry as an add-on to traditional forms, this book shows how medium itself can become part of the poem's thinking. The essays explore audio-modality, image-text hybrids, musical influence, alphanumeric translation, lyrical improvisation, neo-concrete poetry, archival practice, found poetry, mythic reimagining, tactile experience, and more. Designed for writers, artists, students, and teachers, A Writer's Guide to Multimodal Poetry offers both inspiration and instruction: a field-defining introduction to multimodal poetics and a practical invitation to make poems that move through sight, sound, touch, space, and screen.

Mixtures and Margins

A Writer's Guide to Multimodal Poetry

The Instant Sunday Times Bestseller from popular poet, Nikita Gill

Hekate: Volume 1

Farm your heart.Heart Pasture is a collection of Christian-based spoken word poems with its basis focusing on the heart condition that Christians should continually strive for. I believe that taking up your cross and dying to self is a constant and daily challenge. We are continuously evolving in Christ. Heart Pasture is a reminder to its readers to never lose focus on what we feed our hearts. The things we take in are the things our souls feed on. The soul grazes on what the heart grows.

The Soul Grazes on What the Heart Grows

Heart Pasture

Poetry for Dummies

A writing guide to processing trauma through the poetic form, Jehanne Dubrow, a well respected writer, speaker, guide, and spouse of a career military officer, offers an experienced and knowledgeable voice to aspiring writers and those working through trauma. In this accessible and inspiring guide, acclaimed writer Jehanne Dubrow draws on how the study of trauma has defined both her creative work and her teaching. The Wounded Line, the first craft-based writing book of its kind, is grounded not only in research but also in heart, in the belief that even our deepest hurts can find a lyric form. Leading poets through a series of practical approaches to representing pain on the page, Dubrow provides readers with narrative techniques, rhetorical structures, and formal strategies that can be applied to any trauma, from the global and the historical to the intimate and the personal. The Wounded Line encourages poets at all stages to address the difficult, discomfiting questions that ache within each of us.

A Guide to Writing Poems of Trauma

The Wounded Line

Braughler Books, LLC

Poetry Untamed is a heartfelt collection rooted in family, memory, and the moments that shape who we become.Through stories of childhood, strong women, and the quiet strength found in everyday life, C. M. Picklesimon captures the beauty of connection and resilience. Each poem invites readers to pause, reflect, and recognize pieces of their own story within her words.This collection is a tribute to where we come from, the people who raise us, and the strength we carry forward.

Poetry Untamed

Bringing together essays from neurodivergent and disabled writers, and writers with chronic illnesses, this collection explores the impact of these experiences and the struggle against such biases within the field of creative writing. Whilst neuro-divergent and disabled writers publish world-class poetry, prose, and drama that moves readers and wins awards, they face many difficulties accessing these achievements - difficulties which often go unnoticed, unmentioned, and underappreciated. Visibility, insight, alternative approaches, and thorough research are all needed to create more inclusive writing environments. This book confronts these issues head on, calling for diversity in the creative writing field, community, and industry, and more equitable spaces in adjacent arenas from academia to publishing. Broken into four sections, this anthology focuses on creative writing programs, classrooms, the community, and its people, combining narrative, research and practical contributions to the field to offer a mix of practical strategies, personal and pedagogical interventions, critiques, and craft meditations that explore teaching, transformation, evolution, embodied craft, visibility, belonging, injustice, otherness, and views from the outside. With essays and excerpts written by authors and educators from across seven countries, who are each impacted by a wide range of disabilities, including ADHD, autism, blindness, dyslexia, dyspraxia, stroke aphasia, cerebral palsy, bipolar, fibromyalgia, and rheumatoid arthritis, this collection informs, deconstructs and re-imagines to reform and revolutionize normative structures within writing institutions and communities.

Disability, Illness, Neurodivergence, and Ableism in Creative Writing

Divergent Writers

What if reading poetry could change you--not just what you think, but how you move through the world?For forty years, Thomas Gardner led students through this transformative act--not analyzing poems from a distance but reperforming them from the inside. Walking together through Elizabeth Bishop's broken beaches, Robert Frost's snowy woods, and Emily Dickinson's rooms of possibility, they discovered that getting lost is how we are found. That acknowledging fragility opens eyes to wonder. That poems, like parables, ask us not to produce definitive explanations but to keep up.A Place of Encounter is Gardner's luminous record of this work. Through fifty-one short lyric essays moving between memory, close reading, and theological reflection, he opens up the inner drama of poems as spiritual exercises--spaces where, as Dickinson puts it, our narrow hands are forced wide to gather paradise. With the grace and precision of the poems he loves, Gardner shows how deep reading grooves interior change.Here is the classroom as temple: bodies leaning forward, voices rising together, readers discovering they're no longer alone. Here is teaching from a position of faith that speaks across every spiritual commitment. Here is poetry as a place of encounter.

On Poetry, Teaching, and Faith

A Place of Encounter

Mouth-Fortress

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