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Hidden Hand Press

Kølle A: Mouth-Fortress

Mouth-Fortress

This pocketable volume presents a fresh introduction to the vivid and surprising work of a Nobel Prize-winning poet. how cunningly he weaves himself through his own former shapeand works to seize this swaying worldby stretching out the arms he has conceived - beautiful beyond belief at this passingat this very passing moment that's just passed. These intimate, immediate poems were written during the precarious years of Soviet occupation in Poland. Rooted in the pains and joys of the everyday, they ask us what it means to live out our lives amid global conflict and its aftermath. Underlying Szymborska's work is a continual sense of astonishment at having survived, as well as the disbelief and delight that life goes on - that the acrobat's hands have caught the trapeze. Featuring Szymborska's Nobel Prize acceptance speech as an afterword. Translated by Stanislaw Baranczak and Clare Cavanagh.

The Acrobat

The Art of Something

Multi-Genre Creative Writing

A Writer's Craft

An ideal supplemental text for courses in creative writing, professional development, leadership studies, management studies, and publishing, with strategies for leadership- and community-building within academia and beyond its boundaries. This book offers a practical guide to building community, fostering collaboration, and inspiring generosity through the creative arts. This collection of original essays features an accomplished roster of contributors with backgrounds in diverse fields, including literary translation, magazine editing, publishing, higher education, and curriculum design. By featuring successful writers who represent such a wide range of skillsets and career paths, this book helps students envision themselves as leaders in the university and well beyond its boundaries. In a cultural moment where graduates often seek meaningful careers outside of academia, this essay collection also offers an introduction to alt-ac career paths and the unique opportunities for effecting social change in these roles. Focusing on techniques that have broad applications for high school teachers, nonprofit leaders, community outreach organizations, and college classrooms, each chapter includes an original essay from a contemporary writer, editor, or nonprofit leader in the arts, culminating in a set of exercises for individuals and groups, which focus on empathy, citizenship, and community stewardship. Contributors include Traci Brimhall, Chris Campanioni, Wendy Chen, Kristina Marie Darling, Ming Lauren Holden, John James, Dean Rader, and Zach Savich.

Essays on Community in Literary Arts

Open House

Covering all of the major genres of fiction, nonfiction, poetry, dramatic writing and writing for digital media, this 3rd edition of the book is a practical, complete, introductory manual for students of creative writing. The Bloomsbury Introduction to Creative Writing now features: - New sections and exercises for editing and revising across the genres and hybrid forms - A new chapter on intersectionality and writing alongside interviews with practitioners from a host of backgrounds and experiences - An updated and expanded chapter on writing for digital media that explores the role of AI - An updated and fully expanded glossary of key terms Through a structured series of practical writing exercises - perfect for the classroom, the writer's workshop or the creative writing autodidact - the book helps build the new writer from the first explorations of voice and the relationship between writing and knowledge, through to mastery of a wide range of genres and forms. With practical guidance on writing scholarly critiques of your own work, The Bloomsbury Introduction to Creative Writing is an essential guide for any introductory creative writing course and a practical companion for more advanced writers.

The Bloomsbury Introduction to Creative Writing

*2025 NATIONAL BOOK AWARD Finalist*
The New Economy memorializes the world's pleasures and perils told through the point of view of an aging, ungendered body.
A devotional to the ungendered vessel as it ages, dreams, and survives. A practice of radical collaboration, failure, and renewal. A world of “Miss You" poems opening a portal to all those we've lost and would love to visit for a while. In Gabrielle Calvocoressi's latest collection, The New Economy, poems are haunted by the ghosts of loved ones and childhood memories, by changing landscapes and bodies. Calvocoressi's own figure is examined—investigating the desire to protect the body one is born with and the longing to have been born in another. Cisterns sing with the musicality of a poet who understands both the power of sound and silence—those quiet spaces inviting us to consider the words we cannot hear. “The days I don't kill myself are extraordinary" one poems says. “Why don't we have a name for it?" Lyrical and unafraid, The New Economy invites us to name our fears and sorrows, to write to who or what has left us, to create practices that can hold both the darkness and light of this (in)finite life.

The New Economy

A hands-on guide for poets who want to make work beyond the page. How can a poem become an image, a soundscape, a performance, an erasure, a tactile object, or a digital encounter? A Writer's Guide to Multimodal Poetry brings together poets, visual artists, editors, publishers, and teachers working across the expanding field of multimodal poetics. Pairing examples of artists' work with craft essays and writing exercises, this collection gives readers practical ways to combine poetry with visual art, sound, music, movement, archive, found materials, digital media, and performance. Contributors share the tools, choices, and compositional processes behind their work, from blending text and image to experimenting with rhythm, translating across media, using erasure and collage, and designing interactive or embodied reading experiences. Rather than treating multimodal poetry as an add-on to traditional forms, this book shows how medium itself can become part of the poem's thinking. The essays explore audio-modality, image-text hybrids, musical influence, alphanumeric translation, lyrical improvisation, neo-concrete poetry, archival practice, found poetry, mythic reimagining, tactile experience, and more. Designed for writers, artists, students, and teachers, A Writer's Guide to Multimodal Poetry offers both inspiration and instruction: a field-defining introduction to multimodal poetics and a practical invitation to make poems that move through sight, sound, touch, space, and screen.

Mixtures and Margins

A Writer's Guide to Multimodal Poetry

Cloud Knowledge

A dark, lyrical odyssey into a mind torn by war, written in a stark, confessional voice that combines raw emotion with analytical cost-benefit language. Raw and poetic, the author portrays trauma, intrusive thoughts, and the reclamation of autonomy. The collection serves both as a literary work and a reflective mirror for readers grappling with anxiety, PTSD, or trauma related stress making it ideal for educators and mental health professionals seeking candid language for reflection, and fans of contemporary confessional or dark gothic lyrical protest.

A Moment of Peace

For Life's Sake

Creative Writing Curiosity: Ten Essays on the Curious and Writerly is a lively collection examining how curiosity informs, shapes, deepens and empowers creative writing. Across ten varied essays the collection explores curiosity as stimulus, as guide, as teacher, companion or provocateur. Sometimes initiating, sometimes encouraging deeper thinking and greater imagining, and often the impetus, curiosity is shown as innate and routinely engaged with uncertainty. It is from our desire to know, the questioning that our curiosity entails, that creative writing emerges. Ultimately, it is shown that curiosity is manifest not only in what we write creatively but in how we go about writing it.

Ten Essays on the Curious and the Writerly Volume 1

Creative Writing Curiosity

A diverse group of acclaimed young writers reflect on their composing processes, writing experiences and developing creative practices. This book includes over 30 poems with accompanying short essays in which emerging poets reflect on their progression as writers and the journey of their composition from draft to final version. As well as offering insight into the minds of developing artists, these poets also discuss key issues pertaining to the creative process: - mentors, inspiration and influence - their personal poetics - exploration of poetic identities - the importance of poetry for mental health - their writing life and routines, including writing during a pandemic - experiences of submitting, performing and publishing their work - building poetry networks Originating in research from Young Poets' Stories project, the essays are accompanied by commentary by the editors in the hope of inspiring future young poets and their teachers. Offering a diverse snapshot of young, modern writers and alert to the ever-changing dynamics of writing poetry, Becoming a Poet also offers practical guidance on commissions, mentoring opportunities, competitions, writers' networks, grants and routes to publishing. Championing young poets and putting them into dialogue with their peers, this is the ultimate exhibition of the voices of tomorrow.

Young Poets’ Stories of Composition and Creative Development

Becoming a Poet

Know you're not alone.

Are you struggling or going through a difficult time? God is reaching out to strengthen and lift you in His arms. The Lord needs you to take His hand and trust in Him. Lean on Him, lay it down. It's not too much because God is able. 

Surviving is a poetry and prose collection for when you need God's strength to make it through life's struggles. It reminds you that He is always with you, He loves you abundantly, and you are worth so much more than you can imagine. This inspirational piece serves as a source of hope and encouragement.

Surviving

What if reading poetry could change you--not just what you think, but how you move through the world?For forty years, Thomas Gardner led students through this transformative act--not analyzing poems from a distance but reperforming them from the inside. Walking together through Elizabeth Bishop's broken beaches, Robert Frost's snowy woods, and Emily Dickinson's rooms of possibility, they discovered that getting lost is how we are found. That acknowledging fragility opens eyes to wonder. That poems, like parables, ask us not to produce definitive explanations but to keep up.A Place of Encounter is Gardner's luminous record of this work. Through fifty-one short lyric essays moving between memory, close reading, and theological reflection, he opens up the inner drama of poems as spiritual exercises--spaces where, as Dickinson puts it, our narrow hands are forced wide to gather paradise. With the grace and precision of the poems he loves, Gardner shows how deep reading grooves interior change.Here is the classroom as temple: bodies leaning forward, voices rising together, readers discovering they're no longer alone. Here is teaching from a position of faith that speaks across every spiritual commitment. Here is poetry as a place of encounter.

On Poetry, Teaching, and Faith

A Place of Encounter

Mouth-Fortress

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