Über uns

À propos de nous

Open Access

Karriere

Carrière

Aboverträge Kündigen

Résiliation d’abonnement

Vertrag widerrufen

Résiliation de contrat 

Datenschutz

Protection des données

Impressum

Mentions légales

Barrierefreiheit

Accessibilité

Zahlung und Lieferung

Paiement et livraison

Libra

Was ist Libra?

C'est quoi Libra ?

Kostenlos testen

Tester gratuitement

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Aktienrecht

Droit des sociétés anonymes

Persönlichkeitsrecht

Droit de la personnalité

Publikationen

Publications

Literatur

Digitales Angebot

Bücher

Livres

Buchreihen

Collections

Onlinemodule LEXIA

Modules en ligne LEXIA

recht.ch

Studienliteratur

Littérature pour les études

Swisslex

Dienstleistungen

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Open Access Policy

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Unser Magazin

Notre magazine

Vision und Mission

Vision et mission

Partner

Partenaires

Unternehmenskultur

Culture d'entreprise

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Sortiment & Suche

Catalogue & Recherche

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Gesamtkatalog

Catalogue complet

Fachkatalog Recht

Catalogue de droit

Timpane J: Poetry for Dummies

Poetry for Dummies

Introduction 1 About This Book 2 Icons Used in This Book 3 Beyond the Book 4 Where to Go from Here 4 Part 1: Reading and Understanding Poetry 5 Chapter 1: Knowing Poetry When You See It 7 Poetry as Art and Exploration 8 Why Do People Write Poetry? 9 Creating an intense emotional experience 10 Drawing attention to something real 12 Bringing Poetry into Your Life 13 Online is just fine 13 Checking out libraries 15 Browsing through bookstores 16 Attending readings 17 Writing Poetry 18 Becoming a poet 18 Keeping a poetry journal 19 Chapter 2: Reading Poetry Aloud 21 Why You Should Read Poems Aloud 21 Good Habits for Good Reading 23 Having the right tools handy 23 Reading silently first 24 Noting surprises and unfamiliar words 24 Finding an engaged, conversational tone 25 Resisting the urge to rush 25 Pausing for power 27 Paying attention to line-endings 28 Treating white space as time 29 Doing it more than once 31 Chapter 3: Identifying Subject, Tone, and Narrative 33 Understanding Subject and Tone 34 Subject: A natural starting point 34 Tone: It's got attitude 35 Reading for subject and tone 38 Figuring Out a Poem's Narrative 39 Speaker: The person we're listening to 39 Setting: Knowing where you are 41 Situation: Circumstances and their victims 42 Plot: What goes on 42 Character: What kind of person would do a thing like that? 42 Chapter 4: Tuning in to Language 45 Understanding Figurative Language 46 Opening the Poet's Figurative Toolbox 48 Symbols: When A stands for B, which brings in C 48 Similes: My love is like a can of tuna 52 Metaphors: My love is a can of tuna 53 Allusions: If you know, you know 55 Music: What You Hear, Feel, and See 56 Orchestrating sound 57 Recognizing the varieties of rhyme 59 Feeling rhythm and measuring meter 61 Shape and flow: Visual rhythm 65 Chapter 5: Practicing the Art of Interpretation 67 Reading for Discovery 68 Sense: Getting direct and literal 68 Music: Sounds and rhythms that lead to meaning 73 Speculating as You Read 77 Mastering Speculation 78 Understanding the literal 79 Getting at what's implied 80 Speculating about what's implied 80 Searching for the Subject 81 Tuning In to Tone 82 Being Alive to Language 83 Following the Music 83 Considering Narrative Elements 85 Interpreting "The Knot" by Susan Stewart 87 Part 2: An Intelligent Hustle Through Poetic History 89 Chapter 6: Connecting with Poems from the Past 91 Gathering the Tools You Need 92 Understanding Older Poetry 93 Meeting the poet 93 Discovering the poet's life and times 95 Mastering unfamiliar language 98 Reading Older Poetry: Three Basics 102 Chapter 7: From Enheduanna to the Golden Ages 105 The Pre-Homeric Period (3000 bc-1000 bc) 106 Mesopotamian poetry 106 Egyptian poetry 107 The beginnings of poetry in India 107 The Biblical and Homeric Periods (1000 bc-400 bc) 110 Biblical poetry 110 Homeric poetry 111 The beginnings of Chinese poetry 113 The Archaic and Classical Periods (750 bc-ad 476) 113 Greek poetry 113 Latin poetry 115 Late Antiquity and Golden Ages (ad 476-1000) 116 The Manyoshu and Japanese poetry 116 The poetry of India 117 Arabic poetry 117 China: The T'ang Dynasty 118 Old English 119 Chapter 8: The Middle Ages through the 18th Century 121 Poetry of the Middle Ages (1000-1450) 122 Arabic and Persian verse - and the R¿m¿ supernova 123 Chinese and Japanese poetry 126 The European Renaissance (1450-1674) 127 The English Renaissance 127 Poetry on three continents 127 The 18th Century 129 Reason, science, and a changing world: The English Enlightenment 129 Japan: The haiku tradition continues 130 Chapter 9: Poetry During the Industrial Revolution 131 The Romantic Period 131 The Victorian Period 134 The Symbolist movement 135 American poetry: Whitman and Dickinson 136 Shiki and the New Style in Japan 138 Chapter 10: The Century of Poetry 139 The Modern Era (1901-1945) 140 Rabindranath Tagore 140 William Butler Yeats 141 Ezra Pound 142 Hilda Doolittle 143 Marianne Moore 143 T.S Eliot 144 Marina Tsvetaeva 145 André Breton 146 Pablo Neruda 146 Léopold Sédar Senghor 147 The Postmodern Era (1945-1989) 148 Poetry from the Spanish-speaking world 151 Women's voices 153 Experimental poetry 154 Performance poetry 157 The Global Era (1989-2001) 160 Chapter 11: Poetry in the Digital Age. 163 New Voices and Viewpoints 164 Collaborative Poetry 165 Poetry and the Other Arts 166 Translation 166 New and Old Forms 167 Chill subs and Other Poetry Communities Online 169 Part 3: Writing Poetry and Finding Community 173 Chapter 12: Calling the Muse 175 How to Live If You Want to Be a Poet 176 Reading Like a Poet 176 Writing Like a Poet 177 Finding the right time and place to write 177 Recognizing the creative urge 179 Empty page, full imagination: Getting started 180 Keeping a journal (again!) 181 Moving from journal entry to poem 182 Choosing subjects 185 Rewriting until it hurts a lot better 186 From "City Bus" to "City Bus": A case study in revision 187 Getting Connected to the World of Poetry 190 Chapter 13: Working with Traditional Forms of Verse 193 Ballads 194 Psalms 195 Sonnets 196 Ghazals 200 Haiku and Tanka 201 Chapter 14: Writing Open-Form Poetry 203 Working Toward a Definition 203 What open-form poetry is 205 What open-form poetry isn't 206 Knowing What Makes It Poetry 206 Using Open Forms in Your Own Poetry 209 Going for the breath: Framing individual lines 209 Treating the page as a field 211 Chapter 15: Writing Exercises and Prompts for Poets 217 Making Your Journal Your Office 218 Trying a Journal Exercise 218 Spotting and Breaking Habits 220 Using Description 221 Unleashing Divergent Thinking 221 Mining descriptive texts to find your own way of writing 222 Experimenting with different forms 222 Starting with a prose essay 222 Rewriting well-known texts 222 Pulling from a grab-bag of ideas 223 Using techniques of chance and collage 223 Mistranslating (on purpose) 224 Thinking about transitions 225 Getting ideas by taking a walk 225 Using language from one subject to write about another 226 From Poems for the Writing: Three Prompts, Poems, and Processes 226 "The unanswerable letter"; Response by Karen Chase 226 "Bibliomancy"; Response by Luray Gross 228 "Fibonacci Poem": Response by Don Riggs 231 Revising Your Poetry 232 Hiding half of your poem from sight 232 Reworking poems you don't like 233 Collaborating with Other Writers 233 Chapter 16: Going Public 235 Starting a Reading or Writing Group 235 Getting started 236 Discovering ways to spend your meetings 236 Reading Your Poetry in Public 237 Readings for everybody 238 Open mics 242 Poetry slams 243 Participating in Your Local Poetry Community: Good Old Analog! 245 Being an Entrepreneurial Poet 248 Eyeballs and ears 248 The post-Pandemic poetry world 252 Finding Resources and Community 256 Chapter 17: Getting Published 259 Submitting Your Poetry to Lit Mags 260 Knowing when you're ready 260 Following the Poetry For Dummies action plan for poetry market research 262 Submitting your poetry 271 Keeping a submissions journal 276 Pursuing Other Kinds of Publication 277 Collections and contests 278 Chapbooks, pamphlets, and broadsides 278 Self-publishing in print 279 Part 4: the Part of Tens 285 Chapter 18: Ten Poems Worth Memorizing 287 Chapter 19: Ten Love Poems 295 Part 5: Appendixes 303 Appendix A: Glossary 305 Appendix B: The Poetry For Dummies Reading List 315 The Pre-Homeric Period 316 The Biblical Period 316 The Archaic and Classical Periods 316 Late Antiquity and Golden Ages 317 The Middle Ages 317 The Renaissance 318 The Enlightenment and the Eighteenth Century 319 Romantic Poetry, the Victorian Period, Symbolism, and Whitman and Dickinson 319 The Modern Era 320 Postmodernism 320 The Global Era 321 The Digital Era 321 Modern and Contemporary Poetry 322 Permissions 323 Index 331

The definitive insider's guide to the business of being a children's book author or illustrator from one of the most respected and decorated voices in children's publishing.You've written your manuscript, you've perfected your portfolio, and moreover, you've spent years refining your craft. You're ready to become a published children's book author or illustrator, but you have yet to learn the business side of publishing-and it can be overwhelming. Drawing on her nearly 50 years in publishing and experience writing more than 100 books, award-winning author Nikki Grimes shares the practical guidance, insider knowledge, and hard-earned lessons every picture book, middle grade, and YA creator needs in order to make their passion a sustainable career. Nikki's encouragement and guidance will enable you to: · Navigate the path from manuscript to publication, including submissions, agents, publishers, contracts, and royalties· Book speaking engagements, establish multiple revenue streams, and implement smart financial planning · Protect your creative voice, advocate for yourself professionally, and avoid common industry pitfalls · Build a supportive community and readership in a rapidly changing landscape of social media, AI, and evolving market realities Featuring essays and advice from a powerhouse lineup of literary agents, editors, art directors, publishers, marketers, and award-winning authors and illustrators, this behind-the-scenes look at children's publishing gets down to the business of being in publishing.

A Guide to the Business of Being a Children's Book Author or Illustrator

K Is for Kidlit

Rhetoric, Revision, and the Re-Recorded Albums of Taylor Swift

The first book to investigate, analyze and theorize the creative processes of literary writers, Creativity and Contingency in Literary Writing uses author interviews, manuscript genetics and textual evidence to explore creativity from the authorial perspective. Studying an author's practice, literary form and contextual contingencies as elements that affect literary creativity, Karin Kukkoken develops theoretical models for examining the age-old problem of artistic creation and how it has been put to works by authors from the nineteenth century to the age of digital fiction, across a range of languages. With insights from the cognitive sciences, anthropology and philosophy of mind as well as literary studies, the book calls upon interviews with Siri Hustvedt, Marina Warner, Anne Weber, Camille Laurens, Gwenaëlle Aubry, Kate Pullinger, Gunnhild Øyehaug, Maria Stepanova and György Dragomán and studies the manuscripts of Charlotte Brontë, Cora Sandel, Elsa Morante and Italo Calvino. Overcoming the traditional distinction between creative agent, process and creative product, Creativity and Contingency in Literary Writing is as accessible and illuminating as it is important to understandings of human creativity.

Creativity and Contingency in Literary Writing

Routledge Environmental Humanities

With particular focus on more-than-human experience, this creative-critical book explores the role of literary storytelling in representing and communicating the oceanic environmental crisis.While investigating the creative potential of scholarship in material ecocriticism and the blue humanities, this book examines the theoretical tools needed while developing the poetic and creative role of scholarship in imagining a livable oceanic future. To overcome anthropocentric views of nature, it argues that a fluid and more-than-human literary form is needed. This is developed in the book as a 'jellyfish poetics': a literary structuring device based on the jellyfish life cycle. The book not only theorises this new form, but also enacts it, presenting original and innovative research that embodies a synthesis between creative and scholarly approaches. With its main focus being more-than-human experience of oceanic environmental issues, central case studies are jellyfish, ecological depletion in the North Sea and recent nature-based Dutch water management.This is an important book for scholars interested in the intersection of blue humanities and creative writing as well as the wider environmental humanities. Additionally, it is relevant to practitioners, writers and educators who grapple with the challenge of representing environmental crisis.

Jellyfish Poetics

Literary Storytelling and the Environmental Crisis of the Oceans

My Reading

A book on the experience of reading the works of Samuel Beckett.

After a life of writing about Victorian novelists, Rosemarie Bodenheimer found herself entranced by the work of Samuel Beckett. In this book she shares her journey of discovery with readers who may or may not be familiar with Beckett's novels and stories. She follows his trajectory from the first unpublished novel, Dream of Fair to Middling Women, through the great postwar trilogy of Molloy, Malone Dies, and The Unnamable, and on to the ever more experimental inventions in the shorter, later fictions and monologues. Through readings of his work alongside extracts from his published correspondence, Beckett emerges as a sympathetic human figure, a poet of productive doubt, and a brilliant stylist of mood changes and second thoughts. 

Professor Bodenheimer considers Beckett's treatments of memory, nostalgia, and grief, and the forms he finds to convey those essential human experiences while avoiding melodrama or sentimentality. His dramatized relationship with his own writing is a crucial part of that emotional landscape. His playful jousts with the conventions of novel-writing show how, from the start, Beckett challenged the notion of character and other inherited novel conventions. The book also emphasizes his dismantling of the autobiographical "I," his moving narratives of attachment and loss, and the inimitable mixture of comedy and pathos he creates by inventing outlandish situations to which his characters respond in very recognizable human ways.

Samuel Beckett

Skills for Scholars

A playful and irreverent argument for—and practical guide to—writing in a rich and extraordinary style When it comes to literary style, the commonplace wisdom of composition classrooms, newsrooms, and editorial offices has long been that less is more. Students are taught that the best prose is that which eschews ornamentation and rhetorical flourish. But what if sometimes more is more? In Praise of Purple Prose playfully and cheekily contests a century worth of convention that rejects the baroque and byzantine as “purple prose,” making the case that fun and joy in language can be as important as concision and comprehension. Part style guide and part manifesto, the book rewrites the rules on writing. Ed Simon encourages writers to embrace the extraordinary, to call upon the classical rhetorical devices, and to relish in the richness of description and the erudition of allusion. He demonstrates that serpentine syntax, eccentric diction, and idiosyncratic punctuation, when used judiciously, can express the complexity of experience, bring out the pleasures of language, and help readers develop a unique voice in a world where AI threatens to make everyone sound alike. To illustrate its arguments, the book features examples of extraordinary prose from dozens of writers, including John Donne, Virginia Woolf, Joan Didion, Salman Rushdie, Marilynne Robinson, and Zadie Smith. Playful and provocative, In Praise of Purple Prose will leave readers with a new appreciation for fancy prose and inspire writers to draw on all of the liveliest and most powerful resources of English in their work.

A Guide to Writing with Elegance, Opulence, and Indulgence

In Praise of Purple Prose

Braughler Books, LLC

Poetry Untamed is a heartfelt collection rooted in family, memory, and the moments that shape who we become.Through stories of childhood, strong women, and the quiet strength found in everyday life, C. M. Picklesimon captures the beauty of connection and resilience. Each poem invites readers to pause, reflect, and recognize pieces of their own story within her words.This collection is a tribute to where we come from, the people who raise us, and the strength we carry forward.

Poetry Untamed

A workbook designed to guide the bereaved through grief using a clinically-informed, structured storytelling method, this book gives readers the ability to disclose their suffering and work toward healing and reconcile with their loss using narrative writing. Based upon her research and the 'expressive storytelling' method she created, Linita Eapen Mathew calls upon her own experiences losing her father along with carefully structured narrative exercises to teach readers how they can write, re-examine, revise, and re-write their grief story to work towards a point of clarity and release. Leaning into grief theory and trauma-informed and therapeutic writing research, Writing Through Grief allows readers to create a complete and consistent account of their experiences to help them process events that unfolded, release trauma, and relieve the intense reactions and responses to the loss of both the living and the deceased. With each chapter combining Eapen's personal narrative with expressive storytelling exercises alongside discussion of the research behind them for context, this book offers readers a creative, productive but emotionally sensitive approach to handling grief. Whether guided by a trained psychologist, a workshop instructor or writing in the comfort of a personal space, writers can disclose their suffering and work toward healing and reflection through creative writing.

An Expressive Storytelling Workbook

Narrating Your Grief

Oxford World's Classics

'Some verses flow on out of men
like headstreams course through a canal.
The same holds true for mine, old pal-
though I can't say they're worth a lick,
they still pour out of me real quick,
like sheep escapin' a corral.'

José Hernández's long narrative poems The Gaucho Martín Fierro (1872) and Martín Fierro's Return (1879) relate the often harrowing story of a gaucho's misfortunes against the backdrop of Argentina's nation-building a few decades after its independence from Spain. The first poem relates Martín Fierro's forced conscription, the hardships of irregular military service, and his desertion, followed by the discovery of his home and family gone upon his return, murder, and life as a fugitive from the law among the same tribe he was earlier drafted to exterminate. The second continues the narrative, taking in an epic singing contest against an itinerant musician, and culminating in Fierro and his sons going their separate ways in an attempt to live out lives of peace under assumed names.

G. J. Racz provides the first metrical, rhyming translation into English in almost a century. Considered classics of Latin American literature, the works embrace the psychology of their oppressed 'common man' protagonist while depicting the larger sociopolitical forces slowly marginalizing his once vibrant cohort of skilled horsemen, itinerant cowhands, and modest livestock ranchers.

The Gaucho Martín Fierro and Martín Fierro's Return

The Craft of Emerging and Experimental Forms in Nature Writing

Writing for the World

Bloomsbury Spectres, Hauntings and Horrors

Exploring current debates in creative writing about the borders between fiction and creative nonfiction, this collection of essays draws on concepts of the uncanny and hauntology to challenge, subvert and transgress the boundary between forms. Hauntology, as originally defined by Derrida, challenges the certainties of ontology, in a similar way to debates about truth in creative nonfiction; by bringing together authors that undermine the fiction/nonfiction binary, Haunted Writing considers the ways in which real events and experiences haunt writers as they craft their work. Offering insight into how the past - both personal and historical - is experienced and understood in the present, this book includes writing from a diverse group of established and emerging authors who situate their work on genre boundaries and discuss their own creative practice to show how their writing 'haunts' real events.With essays covering a range of ideas from subjectivity, intersectionality and challenging dominant versions of history, to braiding personal and researched stories, playfulness, experimentation and creating stories from archival documents, this beautifully written collection intervenes in contemporary discussions in creative writing and culture surrounding ownership, appropriation and ethics. Bringing a fresh voice and new perspectives to ever-present questions within creative writing, Haunted Writing uncovers how the past is a spectre that disrupts contemporary writing.

Storytelling from the Borders of Fiction and Nonfiction

Haunted Writing

Multi-Genre Creative Writing

A Writer's Craft

Poetry for Dummies

Autres titres sur ce thème