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Alex Katz: Out of Sight

A Drawing Survey

"Parallel Lines. High Modernism in Croatia 1949-1998" documents an exhibition of the same name at Bucharest's National Museum of Contemporary Art in 2025. Organized jointly with the National Museum of Modern Art in Zagreb, the show illuminates with 188 works the unique art scene after 1948's Cominform resolution, which marked Yugoslavia's break from Soviet influence. In the 1960s, Zagreb, with its "New Tendencies," became a hub for artistic experimentation in response to the genre of socialist realist painting. Parallel Lines highlights the coexistence of institutionally supported and alternative art within Yugoslav "socialism with a human face." Through public dialogues and debates, these parallel movements fostered a dynamic cultural landscape.

Parallel Lines: High Modernism in Croatia 1949-1998

Named a Must-Read Book by W Magazine, Time, and more “Everybody’s Fly could comfortably sit alongside books by Richard Price, Lucy Sante, Tom Wolfe, or Ed McBain, chronicling New York from the mid-1970s to the early 1990s with both vivid, journalistic descriptions and the outsized flair from a person who was at the center of it all.” —Rolling Stone “An exuberant recounting of how a culturally omnivorous kid from Brooklyn willed himself into the wider, shinier world—like Moss Hart’s Act One, but with beatboxing and cans of Krylon spray paint.” —The New Yorker An electrifying memoir from the pioneering cultural icon The New Yorker called “the coolest person in New York,” whose fearless creativity reshaped the worlds of art, music, and style Fab 5 Freddy doesn’t just have a great story—he is the story. Name a seismic cultural shift, and chances are, he wasn’t just there—he was helping to make it happen. He’s among the first graffiti artists to turn subway tags into fine art, the visionary behind the first hip-hop movie, the bridge between Jean-Michel Basquiat and the downtown new wave scene, the first person to take rap global on MTV, and the opening rhyme of Blondie’s number-one smash hit “Rapture”—“Fab 5 Freddy told me everybody’s fly”—the song that propelled hip-hop from the New York streets to mainstream culture. With a spirit of joyful creativity and a deep capacity for connecting with kindred spirits (Basquiat, Haring, Lee, Flash, Warhol, and the Clash, to name a few), he shattered racial and artistic boundaries, bridging worlds and raising underground movements to pop culture dominance. Everybody’s Fly is a fast-moving, all-access pass to Fred’s extraordinary life—one that begins in a book- and jazz-filled Brooklyn home and takes us deep into New York’s creative explosions from the 1970s into the 1990s. He didn’t just shape culture, he synthesized it—from highbrow to street, the Bronx to the East Village, punk to rap, Warhol to Wild Style. Whether he’s skipping school to wander New York City’s museums, painting subway cars that became moving masterpieces, or bringing hip-hop to downtown clubs for the first time, Fred’s genius has always been in seeing what others couldn’t—until he made them see it too. Vibrant, rhapsodic, and compulsively readable, Everybody’s Fly is at once an intimate memoir and panoramic cultural history. It is a love letter to the art of seeing, a fascinating account of an inimitable creative life, and a celebration of what it means to shape culture.

A Life of Art, Music, and Changing the Culture

Everybody's Fly

Artisan Art Sketch Books

Unser kunsthandwerklich gefertigtes Softcover-Premium-Skizzenbuch mit dreidimensional geprägtem Kunstledereinband, rundem Buchrücken und farbig gemustertem Buchschnitt übertrifft die Grenzen klassischer Skizzenbücher. Mit 144 Seiten aus hochwertigem, weißem Papier bietet das Skizzenbuch viel Platz, um unvergessliche Momente und Szenen spontan zu zeichnen und kreative Ideen festzuhalten. Die Seiten sind ohne Linien. 

Produkteigenschaften:
Maße: 28 cm Hoch x 21,6 cm Breit und 1,5 cm Dick
144 weiße Seiten ohne Linien oder Kästchen.

Lucy Innes Williams: Pink Garden House Artisan Art Sketch Book

From the acclaimed author of Michelangelo, God’s Architect, a dual biography of two towering artists of the Renaissance, whose decades-long rivalry spurred both to greater heights In 1529, Michelangelo was in Venice when he first met Titian, Venice’s famed painter of princes, gods, and goddesses. Coming face-to-face with Titian’s drama-infused, richly colored works, the creator of David and the Sistine Chapel ceiling realized he had met a worthy opponent. Twenty-five years later, Titian came to Rome to paint the pope, and the two met again. Painting in the Vatican, Titian experienced the full power of Michelangelo’s work and vowed to surpass the achievements of his older contemporary. Michelangelo and Titian is the untold story of history’s greatest artistic rivalry, a competition between two monumental figures more admiring of one another than either would ever admit. William Wallace brings the world of the sixteenth century to life, and in particular its culture of gossip and intrigue. Wallace challenges the established narrative of this relationship as mostly one-sided, with the younger artist in competition with the reigning master. He shows how the artists moved in overlapping courtly and papal circles, sharing the patronage, power, and sometimes friendship of the most important people of their era, including members of the Medici, Este, and Farnese families. Wallace traces how, over the span of some forty years, this unspoken rivalry was reciprocal and mutually beneficial, with each learning from the other’s brilliance, quietly seeking to best the other’s work and secure his own legacy. An extraordinary achievement, Michelangelo and Titian is a compelling account of two supremely gifted rivals who inspired each other to test the limits of their creative genius, and in doing so created some of the most astonishing works of art the world has ever known.

A Tale of Rivalry and Genius

Michelangelo and Titian

A year of amazing fantasy images from beloved artists Boris Vallejo and Julie Bell.<ul><li>ENCHANTING ART: Step into the wondrous world of Boris Vallejo and Julie Bell, full of dark forces, awe-inspiring creatures, and fierce men and women who rule over it all. Monsters, warriors, and sorceresses await. </li><li>BELOVED ARTISTS: Boris Vallejo is America’s premier fantasy artist, famous for his illustrations of Tarzan, Conan the Barbarian, Doc Savage and many other fantasy characters. Julie is a world-renowned, award-winning fantasy artist and wildlife painter, winner of two Chelsea Awards, and the designer of the popular and award-winning Dragons of Destiny series; in 2023, she was the Artist Guest of Honor at DragonCon. </li><li>GORGEOUS GIFT: With twelve beautiful full-color paintings and a bonus centerfold poster, fantasy fans will love this calendar by the premier fantasy artists. </li><li>NOW PLASTIC-FREE!: Workman wall calendars are completely plastic-free! Now printed with an extended paper flap closed with a fully recyclable seal—no more shrink-wrap! </li></ul>

A Year of Classic Fantasy Art for 2027

Boris Vallejo and Julie Bell's Fantasy Wall Calendar 2027

Sebastian Friedrich malt Bilder, in denen sich Menschen zeigen, ohne sich ganz preiszugeben. Seine Figuren wirken präsent und zugleich zurückgenommen - als seien sie in ihre Räume hineingestellt und wüssten um den Blick, der sie fixiert. So wird Inszenierung bei Friedrich nicht zum Gegensatz von Authentizität, sondern zu ihrer Bedingung: Seine Malerei macht sichtbar, wie "Echtheit" heute entsteht - als lesbarer Effekt, als Pose, als sorgfältig komponierte Oberfläche.
Der Katalog zur Ausstellung in der Oper Halle versammelt zentrale Werkgruppen von inszenierten Alltagsszenen über Aktualisierungen mythologischer Motive bis hin zu Atelier- und Selbstbildern. Zwischen ON STAGE und BACKSTAGE entfaltet sich eine Malerei, die den Moment vor der Handlung sucht - konzentriert, präzise und von stiller Spannung getragen.
Friedrichs Arbeiten reflektieren eine Gegenwart, in der Bilder, Rollen und Identitäten unablässig produziert werden. Seine Malerei zeigt nicht das "Echte" hinter der Oberfläche, sondern untersucht, wie Authentizität selbst hergestellt wird - als Balance zwischen Sichtbarkeit und Zurückhaltung, zwischen Inszenierung und Präsenz.

On Stage

Phaidon Contemporary Artists Series

The first comprehensive monograph on groundbreaking neo-conceptual artist Tavares Strachan, whose diverse practice speaks powerfully to today's cultural climateTavares Strachan is arguably one of the most important artists working today. His open-ended practice offers distinctive points of view on a broad range of urgent social and political themes: archaeology, history, geography, music, science, and extreme climatology are only a few of the subjects he has explored to create allegorical exhibitions that tell of colonialism and cultural displacement, human aspiration, mortal limitation, and the space race.Strachan's extensively researched projects are often monumental in scale and scope. Created in collaboration with thought leaders and organizations across a wide spectrum of fields, his projects are also expansive in reach - The First Supper, Strachan's massive sculpture at London's Royal Academy, was one of the most popular art pieces exhibited in 2024.In his birthplace Nassau, Strachan established the scientific research platform BASEC (Bahamas Aerospace and Sea Exploration Center). In 2018, in collaboration with LACMA, Strachan launched ENOCH, a 3-U satellite bringing to light the forgotten story of Robert Henry Lawrence Jr., the first Black astronaut to be selected for any national space program. ENOCH circled the earth for three years in a sun-synchronous orbit before re-entering on December 2021.This timely monograph, created in close collaboration with the artist, reveals the breadth and impact of Strachan's work. Part of Phaidon's acclaimed Contemporary Artists Series, the book includes a conversation with Strachan; text contributions from writers and experts including Emma Dabiri, Gavin Delahunty, and Michele Robecchi; a studio visit with specially commissioned photography; and a comprehensive chronology of Strachan's career.

Tavares Strachan

German edition Care, welfare and nurturing work ensure the foundations of human coexistence. This exhibition catalogue of Vienna's VERBUND COLLECTION presents works by artists who devote themselves to existential areas of caregiving. They reflect upon a new 'sign language of the kitchen'. They make paid and unpaid care work - often invisible and realised under precarious working conditions - visible as class politics. Touching photographs of care for elders show intergenerational solidarity. Female artists who are mothers address the evaluation of care work in the art world. Works by the Feminist Avant-garde of the 1970s are thereby set into a lively dialogue with contemporary works. Thus, the publication aims to contribute to the appreciation of care work, which is predominantly performed by women. <ul> <li>Discussion of the highly relevant topic of care/nurturing/welfare</li> <li>A lively dialogue between works from the Feminist avant-garde of the 1970s and contemporary works - including sculptures, objects, photographs, drawings and videos</li> <li>Participating artists: Akihito Yoshida, Aneta Grzeszykowska, Anna Kutera, Anna Schölß, Annegret Soltau, Birgit Jürgenssen, Christine Lederer, Elizabeth Catlett, Frida Orupabo, Hannah Cooke , Karin Mack, Kirsten Justesen, Laura Ribero, Lena Henke, Letícia Parente, Lorna Simpson, Mägorzata Markiewicz, Margaret Raspé, Maria Pini¿ska-Bere¿, Marlene Haring, Martha Rosler, Mary Sibande, Mierle Laderman Ukeles, Natalia Iguiñiz, Nicole Wermers, Renate Bertlmann, Renate Eisenegger, Rosemarie Trockel, See Red Women's Workshop, Sophie Gogl, VALIE EXPORT&nbsp;</li> <li>An exhibition by the VERBUND COLLECTION, Vienna, Albertina, Vienna, March 13 to June 14, 2026</li> </ul>

Kunst aus der SAMMLUNG VERBUND, Wien

CARE MATTERS

Utagawa Hiroshige: The Sea at Satta Artisan Art Sketch Book

Englische AusgabeDas Dresdner Residenzschloss ist seit dem 16. Jahrhundert ein Ort glanzvoller Bälle, Maskeraden und Rituale politischer Macht. In den wiedererstandenen Festsälen präsentiert die Rüstkammer Kunstwerke, die zu den kostbarsten Zeugnissen europäischer Festkultur gehören. Im Großen Ballsaal erinnern die Sonnenmaske Augusts des Starken, Silberharnische, fantasievolle Inventionsinsignien sowie Pferde mit prächtigen Reitzeugen und einem mit hunderten Schellen besetzten Schlittenzeug an grandiose Festinszenierungen. Im Propositionssaal stehen die Zeichen der Macht im Zentrum: Wo 1831 die erste Verfassung Sachsens ausgerufen wurde, werden Insignien vom Kurfürstenhut über den Krönungsmantel bis zu Orden und Büsten der sächsischen Monarchen gezeigt. Die in den letzten Jahren aufwendig restaurierten Bestände werden nun erstmals in einer eigenen Publikation vorgestellt.<ul><li>Weltweit einzigartige Zeugnisse der Festkultur und Machtrepräsentation des 16. bis 19. Jahrhunderts</li><li>Dauerausstellung der Rüstkammer im Nordflügel des Dresdner Residenzschlosses, ab März 2026 "Masken und Kronen - Festkultur und Repräsentation der Macht"</li></ul>

Masks and Crowns – Festival Culture and Representation of Power

Dresden Rüstkammer

In this book of linked, illustrated essays--a unique hybrid of memoir, art writing, and wisdom-seeking narrative--Steven Kasher looks closely at some thirty artworks in his personal collection. These are not necessarily the largest or most valuable pieces that have passed through his hands, but the ones that have lodged themselves in his mind: a photograph of Janis Joplin, a Philip Guston painting of a salami sandwich on seeded rye, a haunting self-portrait by the comics artist Leela Corman. What sufferings and joys are revealed through these images, he asks? What can they teach us about an expanded self? Can they show us how to love? Through his reflections on these works, Kasher also retraces his personal journey. It is a journey through the New York art world as an artist, an art dealer, a collector, a curator, a writer. The journey of a first-generation Jewish American who plants a Zen seed as a teenager and finds spiritual fruition decades later. A journey through the memory of the Holocaust and a firsthand experience of the Civil Rights Movement. But most of all it is a journey through the meanings we find in art--one that will inspire every art collector and art lover to go take another look at their favorite pictures.

Finding Meaning through Art

Memoir of a Collection

A new understanding of Marcel Duchamp and his significance as an artist through an investigation of his non-art activities—archiving, art-dealing, and, most persistently, curating. This groundbreaking and richly illustrated book tells a new story of the twentieth century's most influential artist, recounted not so much through his artwork as through his “non-art” work. Marcel Duchamp is largely understood in critical and popular discourse in terms of the objects he produced, whether readymade or meticulously fabricated. Elena Filipovic asks us instead to understand Duchamp's art through activities not normally seen as artistic—from exhibition making and art dealing to administrating and publicizing. These were no occasional pursuits; Filipovic argues that for Duchamp, these fugitive tasks were a veritable lifework. Drawing on many rarely seen images, Filipovic traces a variety of practices and projects undertaken by Duchamp from 1913 to 1969, from his invention of the readymade to the release of his last, posthumous work. She examines Duchamp's note writing, archiving, and quasi-photographic activities, which resulted in the Box of 1914 and the Green Box; his art dealing, marketing, and curating that culminated in experimental exhibitions for the Surrealists and his miniature museum, The Boîte-en-valise; and his administrative efforts and clandestine maneuvering in order to posthumously embed his Étant donnés into a museum. Demonstrating how those activities reflect the artist's questioning of reproduction and originality, as well as photography and the exhibition, Filipovic proposes that Duchamp's “non-art” labor, and in particular his curatorial strategies, more than merely accompanied his more famous artworks; in a certain sense, they made them. Through Duchamp's elusive but vital activities he revised the idea of what a modern artist could be. With this fascinating book, Filipovic in turn revises the very idea of Duchamp.

The Apparently Marginal Activities of Marcel Duchamp

Alex Katz: Out of Sight

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