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Alex Katz: Out of Sight

A Drawing Survey

1300-1600

GLOBAL Nuremberg

Renaissance Lives

Repositions Ghiberti as a Renaissance innovator through his material and design brilliance.

Designer

Lorenzo Ghiberti

Sebastian Friedrich malt Bilder, in denen sich Menschen zeigen, ohne sich ganz preiszugeben. Seine Figuren wirken präsent und zugleich zurückgenommen - als seien sie in ihre Räume hineingestellt und wüssten um den Blick, der sie fixiert. So wird Inszenierung bei Friedrich nicht zum Gegensatz von Authentizität, sondern zu ihrer Bedingung: Seine Malerei macht sichtbar, wie "Echtheit" heute entsteht - als lesbarer Effekt, als Pose, als sorgfältig komponierte Oberfläche.
Der Katalog zur Ausstellung in der Oper Halle versammelt zentrale Werkgruppen von inszenierten Alltagsszenen über Aktualisierungen mythologischer Motive bis hin zu Atelier- und Selbstbildern. Zwischen ON STAGE und BACKSTAGE entfaltet sich eine Malerei, die den Moment vor der Handlung sucht - konzentriert, präzise und von stiller Spannung getragen.
Friedrichs Arbeiten reflektieren eine Gegenwart, in der Bilder, Rollen und Identitäten unablässig produziert werden. Seine Malerei zeigt nicht das "Echte" hinter der Oberfläche, sondern untersucht, wie Authentizität selbst hergestellt wird - als Balance zwischen Sichtbarkeit und Zurückhaltung, zwischen Inszenierung und Präsenz.

On Stage

'He created his own universe and became its star' David Cronenberg, Guardian Andy Warhol carried a camera with him everywhere he went and, taken from ten years of extraordinary shots, his America aspires to the strange beauty and staggering contradictions of the country itself. Exploring his greatest obsessions - including image and celebrity - he photographs wrestlers and politicians, the beautiful wealthy and the disenfranchised poor, Capote with the fresh scars of a facelift and Madonna hiding beneath a brunette bob. He writes about the country he loves, wishing he had died when he was shot, commercialism, fame and beauty. An America without Warhol is almost as inconceivable as Warhol without America, and this touching, witty tribute is the great artist of the superficial at his most deeply personal.

America

Artisan Art Notebooks

New title in the colourful Artisan Art Notebook collection by Flame Tree Studio, in a range of hues to suit the mood and the moment, crafted with decorated page edges and embellished with beautiful tactile art on the cover. Artisan Art Notebooks, the new Journals from Flame Tree, come in a range of hues to suit the moment and are embellished with a wide variety of well-known art on their tactile, vegan leather covers. They’re carefully crafted with decorated page edges overflowing with petals, teasing vines and patterns. A unique blend of the practical and beautiful, with two ribbons and lined pages, the Artisan Art Notebooks are perfect for notes, creative writing, poetry, doodles and lists. And, with robust flexi covers, they’re easy to slip into your bag and a pleasure to use. Simply, they feel good! Pages are FSC-certified paper. Frida Kahlo’s bold, carefully crafted visual identity is in many respects an extension of her art, celebrating her Mexican heritage and countercultural ideals while defying traditional notions of female beauty.

Frida Kahlo: Always With Me Artisan Art Notebook (Flame Tree Journals)

A new understanding of Marcel Duchamp and his significance as an artist through an investigation of his non-art activities—archiving, art-dealing, and, most persistently, curating. This groundbreaking and richly illustrated book tells a new story of the twentieth century's most influential artist, recounted not so much through his artwork as through his “non-art” work. Marcel Duchamp is largely understood in critical and popular discourse in terms of the objects he produced, whether readymade or meticulously fabricated. Elena Filipovic asks us instead to understand Duchamp's art through activities not normally seen as artistic—from exhibition making and art dealing to administrating and publicizing. These were no occasional pursuits; Filipovic argues that for Duchamp, these fugitive tasks were a veritable lifework. Drawing on many rarely seen images, Filipovic traces a variety of practices and projects undertaken by Duchamp from 1913 to 1969, from his invention of the readymade to the release of his last, posthumous work. She examines Duchamp's note writing, archiving, and quasi-photographic activities, which resulted in the Box of 1914 and the Green Box; his art dealing, marketing, and curating that culminated in experimental exhibitions for the Surrealists and his miniature museum, The Boîte-en-valise; and his administrative efforts and clandestine maneuvering in order to posthumously embed his Étant donnés into a museum. Demonstrating how those activities reflect the artist's questioning of reproduction and originality, as well as photography and the exhibition, Filipovic proposes that Duchamp's “non-art” labor, and in particular his curatorial strategies, more than merely accompanied his more famous artworks; in a certain sense, they made them. Through Duchamp's elusive but vital activities he revised the idea of what a modern artist could be. With this fascinating book, Filipovic in turn revises the very idea of Duchamp.

A new understanding of Marcel Duchamp and his significance as an artist through an investigation of his non-art activities archiving, art-dealing, and, most persistently, curating.

The Apparently Marginal Activities of Marcel Duchamp

A Pocket-Sized Inky Coloring Book

Inklings

A year of amazing fantasy images from beloved artists Boris Vallejo and Julie Bell.<ul><li>ENCHANTING ART: Step into the wondrous world of Boris Vallejo and Julie Bell, full of dark forces, awe-inspiring creatures, and fierce men and women who rule over it all. Monsters, warriors, and sorceresses await. </li><li>BELOVED ARTISTS: Boris Vallejo is America’s premier fantasy artist, famous for his illustrations of Tarzan, Conan the Barbarian, Doc Savage and many other fantasy characters. Julie is a world-renowned, award-winning fantasy artist and wildlife painter, winner of two Chelsea Awards, and the designer of the popular and award-winning Dragons of Destiny series; in 2023, she was the Artist Guest of Honor at DragonCon. </li><li>GORGEOUS GIFT: With twelve beautiful full-color paintings and a bonus centerfold poster, fantasy fans will love this calendar by the premier fantasy artists. </li><li>NOW PLASTIC-FREE!: Workman wall calendars are completely plastic-free! Now printed with an extended paper flap closed with a fully recyclable seal—no more shrink-wrap! </li></ul>

A Year of Classic Fantasy Art for 2027

Boris Vallejo and Julie Bell's Fantasy Wall Calendar 2027

A comprehensive overview of Antony Gormley's drawings from 1980 to the present, with insightful texts from the artist and major contributors. 'What is drawing?' the artist asks in the prologue to Drawing: Antony Gormley. 'What does it mean to draw?' This beautifully illustrated volume presents the first comprehensive overview of Antony Gormley's drawings from 1980 to the present day, offering an intimate and enlightening window into the artist's vision. Illustrating over 400 works, many of which have never been seen or published before, this major new publication traces Gormley's exploration of drawing as a vital form of thought and feeling. The artist's own reflections punctuate the book with deeply personal insights into his process, including ruminations on drawing's possibilities - 'the act of drawing is its own experimental field, a journey into the unarmed parts of our internal landscape' - and meditations on 'the intrinsic qualities of substances and liquids', from charcoal, mushroom ink and blood to the earth beneath our feet. Accompanying Gormley's writings are perceptive texts by Jeanette Winterson, Margaret Iversen, Daisy Hildyard, W.J.T. Mitchell and Merlin Sheldrake. Each contributor offers a unique perspective on Gormley's work and the wider meaning of drawing as an act of exploration and transformation. Drawing: Antony Gormley stands as both a personal and artistic journey. As Gormley himself reflects, 'Drawings have immediacy. In a good session, drawing can be like going for a rugged, physical adventure on a blustery day with changing conditions of light and rain. A day passed without drawing is a day lost.'

Drawing: Antony Gormley

Named a Must-Read Book by W Magazine, Time, and more “Everybody’s Fly could comfortably sit alongside books by Richard Price, Lucy Sante, Tom Wolfe, or Ed McBain, chronicling New York from the mid-1970s to the early 1990s with both vivid, journalistic descriptions and the outsized flair from a person who was at the center of it all.” —Rolling Stone “An exuberant recounting of how a culturally omnivorous kid from Brooklyn willed himself into the wider, shinier world—like Moss Hart’s Act One, but with beatboxing and cans of Krylon spray paint.” —The New Yorker An electrifying memoir from the pioneering cultural icon The New Yorker called “the coolest person in New York,” whose fearless creativity reshaped the worlds of art, music, and style Fab 5 Freddy doesn’t just have a great story—he is the story. Name a seismic cultural shift, and chances are, he wasn’t just there—he was helping to make it happen. He’s among the first graffiti artists to turn subway tags into fine art, the visionary behind the first hip-hop movie, the bridge between Jean-Michel Basquiat and the downtown new wave scene, the first person to take rap global on MTV, and the opening rhyme of Blondie’s number-one smash hit “Rapture”—“Fab 5 Freddy told me everybody’s fly”—the song that propelled hip-hop from the New York streets to mainstream culture. With a spirit of joyful creativity and a deep capacity for connecting with kindred spirits (Basquiat, Haring, Lee, Flash, Warhol, and the Clash, to name a few), he shattered racial and artistic boundaries, bridging worlds and raising underground movements to pop culture dominance. Everybody’s Fly is a fast-moving, all-access pass to Fred’s extraordinary life—one that begins in a book- and jazz-filled Brooklyn home and takes us deep into New York’s creative explosions from the 1970s into the 1990s. He didn’t just shape culture, he synthesized it—from highbrow to street, the Bronx to the East Village, punk to rap, Warhol to Wild Style. Whether he’s skipping school to wander New York City’s museums, painting subway cars that became moving masterpieces, or bringing hip-hop to downtown clubs for the first time, Fred’s genius has always been in seeing what others couldn’t—until he made them see it too. Vibrant, rhapsodic, and compulsively readable, Everybody’s Fly is at once an intimate memoir and panoramic cultural history. It is a love letter to the art of seeing, a fascinating account of an inimitable creative life, and a celebration of what it means to shape culture.

Named a Must-Read Book by W Magazine, Time, and more “Everybody’s Fly could comfortably sit alongside books by Richard Price, Lucy Sante, Tom Wolfe, or Ed McBain, chronicling New York from the mid-1970s to the early 1990s with both vivid, journalistic descriptions and the outsized flair from a person who was at the center of it all.” —Rolling Stone “An exuberant recounting of how a culturally omnivorous kid from Brooklyn willed himself into the wider, shinier world—like Moss Hart’s Act One, but with beatboxing and cans of Krylon spray paint.” —The New Yorker An electrifying memoir from the pioneering cultural icon The New Yorker called “the coolest person in New York,” whose fearless creativity reshaped the worlds of art, music, and style Fab 5 Freddy doesn’t just have a great story—he is the story. Name a seismic cultural shift, and chances are, he wasn’t just there—he was helping to make it happen. He’s among the first graffiti artists to turn subway tags into fine art, the visionary behind the first hip-hop movie, the bridge between Jean-Michel Basquiat and the downtown new wave scene, the first person to take rap global on MTV, and the opening rhyme of Blondie’s number-one smash hit “Rapture”—“Fab 5 Freddy told me everybody’s fly”—the song that propelled hip-hop from the New York streets to mainstream culture. With a spirit of joyful creativity and a deep capacity for connecting with kindred spirits (Basquiat, Haring, Lee, Flash, Warhol, and the Clash, to name a few), he shattered racial and artistic boundaries, bridging worlds and raising underground movements to pop culture dominance. Everybody’s Fly is a fast-moving, all-access pass to Fred’s extraordinary life—one that begins in a book- and jazz-filled Brooklyn home and takes us deep into New York’s creative explosions from the 1970s into the 1990s. He didn’t just shape culture, he synthesized it—from highbrow to street, the Bronx to the East Village, punk to rap, Warhol to Wild Style. Whether he’s skipping school to wander New York City’s museums, painting subway cars that became moving masterpieces, or bringing hip-hop to downtown clubs for the first time, Fred’s genius has always been in seeing what others couldn’t—until he made them see it too. Vibrant, rhapsodic, and compulsively readable, Everybody’s Fly is at once an intimate memoir and panoramic cultural history. It is a love letter to the art of seeing, a fascinating account of an inimitable creative life, and a celebration of what it means to shape culture.

A Life of Art, Music, and Changing the Culture

Everybody's Fly

Artisan Art Sketch Books

Unser kunsthandwerklich gefertigtes Softcover-Premium-Skizzenbuch mit dreidimensional geprägtem Kunstledereinband, rundem Buchrücken und farbig gemustertem Buchschnitt übertrifft die Grenzen klassischer Skizzenbücher. Mit 144 Seiten aus hochwertigem, weißem Papier bietet das Skizzenbuch viel Platz, um unvergessliche Momente und Szenen spontan zu zeichnen und kreative Ideen festzuhalten. Die Seiten sind ohne Linien. 

Produkteigenschaften:
Maße: 28 cm Hoch x 21,6 cm Breit und 1,5 cm Dick
144 weiße Seiten ohne Linien oder Kästchen.

Wilhelm List: Magnolia Tree Artisan Art Sketch Book

In this book of linked, illustrated essays--a unique hybrid of memoir, art writing, and wisdom-seeking narrative--Steven Kasher looks closely at some thirty artworks in his personal collection. These are not necessarily the largest or most valuable pieces that have passed through his hands, but the ones that have lodged themselves in his mind: a photograph of Janis Joplin, a Philip Guston painting of a salami sandwich on seeded rye, a haunting self-portrait by the comics artist Leela Corman. What sufferings and joys are revealed through these images, he asks? What can they teach us about an expanded self? Can they show us how to love? Through his reflections on these works, Kasher also retraces his personal journey. It is a journey through the New York art world as an artist, an art dealer, a collector, a curator, a writer. The journey of a first-generation Jewish American who plants a Zen seed as a teenager and finds spiritual fruition decades later. A journey through the memory of the Holocaust and a firsthand experience of the Civil Rights Movement. But most of all it is a journey through the meanings we find in art--one that will inspire every art collector and art lover to go take another look at their favorite pictures.

Finding Meaning through Art

Memoir of a Collection

Alex Katz: Out of Sight

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