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Institute for the Study of the Ancient World Exhibition Catalogs

Rodin’s Egypt

Chronoi

Zeit, wenngleich unsichtbar, ist sinnlich wahrnehmbar und ein wesentlicher Faktor bildlicher Darstellung. Im Bild zeigt sie sich, wenn kleine oder große Ereignisse miteinander in Beziehung gesetzt werden. Das Buch beschäftigt sich mit diesem In-Beziehung-Setzen als bildkünstlerischer Zeit-Erzeugung und nimmt dabei insbesondere situative Beziehungen in den Blick. Sie werden individuell gesetzt und haben anders als die großen christlichen Zeitordnungen keine regulierende Funktion. Indem sie sich 'der Zeit' nicht als großes Ganzes annähern, sondern Zeit über die Erfahrbarkeit von Dauer, Gleichzeitigkeit oder Zählbarkeit erschließen, rücken sie das Dargestellte an die Lebenswelt der Gläubigen an. In den Blick genommen werden diese Zusammenhänge anhand von Werken aus Spätantike, frühem und hohem Mittelalter. Damit steht eine Zeitspanne im Mittelpunkt, deren Artefakte bisher kaum auf eine differenzierte Reflexion des Zeitlichen hin befragt wurden.

Examining Christian artworks from Late Antiquity and the Middle Ages, this book explores how time is visualised in images and for what purposes. The focus is on the temporal relationships created in specific situations that reveal 'time' not as a grand whole, but in its various facets. Aspects such as duration and simultaneity thus become means of creating artistic sense-making.

Facetten des Zeitlichen in der Kunst zwischen Spätantike und Mittelalter

Temporale Beziehungen

A gorgeous selection of Mucha's Art Nouveau masterworks. A fine new art calendar from Flame Tree. No artist captured the glamour of the fin-de-siècle era as definitively as Alphonse Mucha. Dubbed the ‘father’ of Art Nouveau, this Czech artist transcended the boundaries between commercial and fine art, with his richly decorative images adorning everything from advertising posters to biscuit tins. Composed of ornate, flowing patterns and bold, sensual figures, his highly stylized artwork evoked a spirit of luxury and leisure, and is celebrated in this beautiful wall calendar. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Alphonse Mucha Wall Calendar 2027 (Art Calendar)

The Library of Hebrew Bible/Old Testament Studies

Examines the dilemma of whether ancient Near Eastern images - while providing unique aspects of the world-views of the cultures from which the Bible arose - can be interpreted in a way that traceably relates them to the biblical text. To avoid the danger of using images merely as illustrations for concepts found in the Bible, one first needs to behold the image with its own right to been seen. The essays within this volume describe the methods developed by Othmar Keel for bringing imagery into a dialogue with texts from the ancient Orient and their own interpretation, including previously unpublished material from Keel. 


The contributions begin with an overview of the scholarly work of Keel and the development of his aims and methods, including a revision of an article dealing with semiology in the interpretation of art. The book proceeds to address the research history of iconology in art history, presenting the methodology of Erwin Panofsky and one of his influential predecessors, Charles Clermont-Ganneau, in contrast with Keel's three methodological steps leading from iconographic analysis to iconology. Contributors then present two case studies of how Keel's method can be applied to interpret Egyptian and Mesopotamian images, allowing insights into the worldview of an ancient culture and the aim of iconology. The book concludes with a report about how iconographic analysis and iconology is taught on University level.

Erwin Panofsky and Othmar Keel in Dialogue

Ancient Near Eastern Iconography and the Bible

The life of the world's greatest modern artist by one of Britain's greatest artists.'Positive, original, diverting and highly effective.' - Sunday Times'This biography achieves that rare distinction of never having a dull page.' - Independent on Sunday

A Biography

Picasso

Featuring over 130 works, as well as the work of more than 80 of her contemporaries and artists she inspired from later generations, discover the extraordinary story of how Frida Kahlo became one of the most influential artists of all time, a cultural phenomenon, and an internationally recognised commercial icon. Step into the life and legacy of Frida Kahlo: revolutionary artist and global icon. Discover the extraordinary story of how Frida Kahlo became one of the most influential artists of all time, a cultural phenomenon, and an internationally recognised commercial icon. Frida Kahlo will showcase works by the artist that introduce her 'many selves' - the dedicated wife, the intellectual, the modern artist, and the political activist. Featuring over 130 works, including some of her most well-known paintings, the exhibition will also feature documents, photographs and memorabilia taken from Kahlo's archives, as well as the work of more than 80 of her contemporaries and artists she inspired from later generations. Encounter a journey entirely unique to this fearless, revolutionary artist, one that offers fascinating insight into the transformative role of women artists in the 20th century, the intriguing notion of fandom, and the diversity of communities who claim Frida as their own.

Featuring over 130 works, as well as the work of more than 80 of her contemporaries and artists she inspired from later generations, discover the extraordinary story of how Frida Kahlo became one of the most influential artists of all time, a cultural phenomenon, and an internationally recognised commercial icon.

The Making of an Icon

Frida

Phänomenologie der Bibliothek: Redescriptions

In Narrationen des 19. Jahrhunderts gab es zahlreiche textuelle Repräsentationen der Wunderkammer. Valerie Ahlfeld zeigt anhand von Adalbert Stifters 'Der Nachsommer', Theodor Fontanes 'Vor dem Sturm' und Wilhelm Raabes 'Das Odfeld', wie diese Denkfigur in einer Zeit transformiert wird, in der sich die Sammlungspraxis in Richtung spezialisierter Museen verlagerte. Dabei verknüpft sie literatur- und sammlungswissenschaftliche Perspektiven und verbindet textanalytische Detailarbeit mit kulturhistorischer Kontextualisierung - ein innovativer Beitrag zur Erforschung der Literarisierung vormusealen Sammelns.

Eine Sammlungsformation in Narrationen des 19. Jahrhunderts

Denkfigur Wunderkammer

From the V&amp;A's enthralling collection of distinctive William Morris wallpapers, you'll love this fine new art calendar from Flame Tree. Throughout his career, William Morris created over fifty designs for wallcoverings. Many of these, which form part of the V&amp;A's national collection of wallpapers, reflect a naturalistic and distinctly British approach to pattern that was both innovative and subtly revolutionary. This calendar showcases a selection of his most beloved designs, embodying the hallmarks of his instantly recognizable style, which has inspired his contemporaries and designers worldwide since the Victorian era. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

V&A: William Morris Wallpapers Wall Calendar 2027 (Art Calendar)

A fantastic selection of underworld deities and mythology by the artist Jason Engle. A fine new art calendar by Flame Tree. Jason Engle has been creating art for the publishing and entertainment markets since 1998, working on some of the best and biggest games in the world over that time. Discover 12 of his Dark Gods-inspired artworks in this eye-catching wall calendar. Features Nyx, Anubis, Hel, Hades and more. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Dark Gods of the Underworld: Illustrated by Jason Engle Wall Calendar 2027 (Art Calendar)

Frida Kahlo at Home explores the influence of Mexican culture and tradition, La Casa Azul and other places Frida Kahlo called home, on her life and work.

Frida Kahlo at Home

A reappraising history of the remarkable women who Pablo Picasso shared his life with - whose individual stories and influence on the artist have been overlooked until now

The untold stories of six women who loved Picasso

Hidden Portraits

Named a BOOK OF THE YEAR by The Times and Sunday Times,New Statesman,Spectator,Prospect,and New Yorker.'Undoubtedly Hoare's masterpiece'Olivia Laing'Queer in all senses of the word'Neil Tennant'A life-changing book'Robert Douglas Fairhurst, The Times'Fabulously idiosyncratic'Lucy Hughes-Hallett, New Statesman¿How one visionary inspired 200 years of art, poetry, and protest.Weaving between the historical, cultural and personal, award-winning author Philip Hoare reveals a web of creative minds and artistic iconoclasts fired with the wild and revolutionary genius of William Blake.In 1973, Derek Jarman set off from London to film the stones of Avebury. He was following in the footsteps of Paul Nash, who had photographed the ancient megaliths a generation before. Standing in that muddy field, by those stones, both artists had felt a direct connection to their hero - a man who had died a long, long time ago, yet who remained electrically alive to them.In this alluring and poetic odyssey, Philip Hoare traces the enduring legacy of William Blake and how he came to inspire so many creative lives. Reaching out of his past and into our future, Blake draws together the natural world and metaphysical realms, merging the human and the animal and the spiritual, firing up twentieth-century artists, filmmakers, poets, writers and musicians with his radical promise of absolute freedom. This stirring, deeply felt book brings us back to Blake and shows that art still has the power to create positive change.'A book that is neither Blake biography nor critical analysis nor legacy-tracing nor personal odyssey but a capacious mixing of them all ... a joyful and dizzying romp' Philip Marsden, Spectator'This love letter to William Blake couldn't be more eccentric ... Philip Hoare's weird and wonderful style soars in this study of the poet and his disciples' Ian Sansom, Telegraph'Hoare's impassioned style, alive with metaphor and wordplay, has often been called "dreamlike". This is apt, given his total immersion in his subject ... Nothing will be as audacious or intriguing as William Blake and the Sea Monsters of Love' Jenny Uglow, Times Literary Supplement

William Blake and The Sea Monsters of Love

A comprehensive overview of Antony Gormley's drawings from 1980 to the present, with insightful texts from the artist and major contributors. 'What is drawing?' the artist asks in the prologue to Drawing: Antony Gormley. 'What does it mean to draw?' This beautifully illustrated volume presents the first comprehensive overview of Antony Gormley's drawings from 1980 to the present day, offering an intimate and enlightening window into the artist's vision. Illustrating over 400 works, many of which have never been seen or published before, this major new publication traces Gormley's exploration of drawing as a vital form of thought and feeling. The artist's own reflections punctuate the book with deeply personal insights into his process, including ruminations on drawing's possibilities - 'the act of drawing is its own experimental field, a journey into the unarmed parts of our internal landscape' - and meditations on 'the intrinsic qualities of substances and liquids', from charcoal, mushroom ink and blood to the earth beneath our feet. Accompanying Gormley's writings are perceptive texts by Jeanette Winterson, Margaret Iversen, Daisy Hildyard, W.J.T. Mitchell and Merlin Sheldrake. Each contributor offers a unique perspective on Gormley's work and the wider meaning of drawing as an act of exploration and transformation. Drawing: Antony Gormley stands as both a personal and artistic journey. As Gormley himself reflects, 'Drawings have immediacy. In a good session, drawing can be like going for a rugged, physical adventure on a blustery day with changing conditions of light and rain. A day passed without drawing is a day lost.'

Drawing: Antony Gormley

Rodin’s Egypt

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