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Lecciones de Derecho Mercantil

An Independent, Financial Times, and Irish Times Book of the Year! A couple's search for a rural paradise on the Caribbean coast takes a sinister turn in this darkly ironic modern classic. When J. and Elena swap the parties and culture of the city for a simpler life on Colombia's remote Caribbean coast, they expect to find an Eden to call their own. Their plan is to lead the good life, self-sufficient and close to nature. But from the very start, each day brings small defeats and imperceptible dramas, which gradually turn paradise into hell... A satire of hippyism, ecological fantasies, and of the very idea that man can control fate, In the Beginning Was the Sea is a searingly ironic account of man's confrontation with nature and with himself. In amongst the mango groves, the young couple's surroundings inexorably claim back every inch of the 'civilisation' they brought with them, leaving them to question how they will survive in this new environment when they themselves remain unchanged. And, as their relationship breaks down--and the horror unfolds--who can they count on if not each other? Based on a true story, In the Beginning Was the Sea is a menacing, darkly funny tale of human weakness, the terrifying power of nature, and what happens when our dreams meet their fateful reality.

In the Beginning Was the Sea

Nahum De la Vega Morell

Situación actual del binomio mente-cerebro

Carlos Llano en resumen

Cambridge Studies in Law and Society

This book examines the Colombian experiment with robust rights protections and traces how those rights came to be meaningful in citizens' everyday lives, allowing them to claim access to goods like healthcare. It develops a novel approach to legal mobilization that is both relational and interactive.

This book examines the Colombian experiment with robust rights protections and traces how those rights came to be meaningful in citizens' everyday lives, allowing them to claim access to goods like healthcare. It develops a novel approach to legal mobilization that is both relational and interactive.

Embedding Social Rights Through Legal Mobilization

The Social Constitution

This elegantly designed publication explores Oscar Murillo’s ambitious reimagining of Monet through a contemporary lens. 
 What happens when the radical beauty of Claude Monet’s late paintings meets the political tensions of the present? Interdisciplinary artist Oscar Murillo explores that question in a sweeping body of work that reimagines perception, power, and place through the language of mark-making. At its core is surge (social cataracts)—a series of large-scale, visually arresting paintings that echo Monet’s Grainstacks, Houses of Parliament, and Water Lilies, while confronting the political dimension of seeing and not seeing by positing darkness as a space of speculation for a new reading of impressionism. These works appear alongside further paintings by Murillo as well as his long-running Frequencies project, created in collaboration with schoolchildren across the globe, and participatory pieces that extend his practice beyond the studio and into the public realm. The result is a layered meditation on visibility, landscape, and the politics of artistic labor—across borders and generations. Designed with a modern flair to reflect the energy and ambition of the project, the book includes full-bleed plates, striking installation photography, and images from community-based projects. Both a record of a major artistic undertaking and a reflection of Murillo’s socially engaged approach, it offers an immersive look at a practice that is as materially rich as it is conceptually urgent.

Collective Osmosis

Oscar Murillo

Antonio Cebrián Carrillo

Curso de contrato de trabajo y relaciones colectivas

Derecho penal societario

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