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Europas Chance auf neue Strahlkraft

Examenskurse/Referendariat

Zum Werk
Der Band ist nach der Neubearbeitung nicht mehr nur für das Referendariat sondern auch für die Praxis ein unerlässlicher Begleiter.
Schwerpunkte sind:die Grundlagen und Grundbegriffe des Unionsrechts wie etwa Unionsorgane, Rechtsquellen, innerstaatliche Wirkung des Unionsrechts und seine Auslegung sowie Rechtssetzungdas Rechtsschutzsystem der EUdie Auszüge aus dem Materiellen Unionsrecht wie etwa Unionsbürgerschaft, Grundfreiheiten und Grundrechte, WettbewerbsrechtIm ersten Teil sind Geschichte von Gemeinschaft und Union, Akteure und Organe sowie Rechtsquellen und innerstaatliche Wirkung und Auslegung des Gemeinschaftsrechts dargestellt. Daneben werden das Normsystem, die Rechtssetzung und der Vollzug des europäischen Rechts erläutert.
Der zweite Teil beinhaltet das "europäische Prozessrecht", nämlich die Verfahren des Rechtsschutzes vor den europäischen Gerichten. Jedes Verfahren ist für sich ausführlich beschrieben.
Im dritten Teil sind ausgewählte Aspekte aus dem materiellen Gemeinschaftsrecht dargestellt.
Im Text finden sich eine Fülle von Beispielen, Merksätzen und hilfreichen Hinweisen.
Um die komplizierten verfahrensrechtlichen Einzelheiten zu verdeutlichen, sind zahlreiche Übersichten und Schemata eingefügt.
Für den leichten Zugang findet sich ein ausführliches Sachverzeichnis am Ende des Buches.

Vorteile auf einen Blickkompaktübersichtlichmit vielen Beispielen und SchemataZur Neuauflage
Die 6. Auflage bringt den Band auf den aktuellen Stand von Rechtsprechung und Normsetzung im Europarecht.

Zielgruppe
Für Rechtsreferendarinnen und Rechtsreferendare, Studierende aber auch alle die sich in der Praxis mit dem Recht der EU befassen müssen.

Europarecht

The United States Government Internet Directory serves as a guide to the changing landscape of government information online. The Directory is an indispensable guidebook for anyone who is looking for official U.S. government resources on the Web.

The United States Government Internet Directory 2025

Blazing Light&nbsp;is&nbsp;published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City,&nbsp;and&nbsp;The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day. Plumb’s photographs foreground the presence of people, lending her images a greater degree of pathos and even notes of humorous absurdity. Though the artist embraces realism, her photographs are more ambient and enigmatic, inviting conjecture rather than providing documentary information. The publication will include texts by Gregory Harris, curator of the exhibition; Karen Irvine, chief curator and deputy director at the Museum of Contemporary Photography, Chicago, IL; and Lauren Richman, curator of photography at the Norton Museum of Art, West Palm Beach, FL. Plumb's work is held in numerous public collections, including the High Museum of Art (GA), San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), Museum of Fine Arts Boston (MA), Yale University Art Gallery (CT), and the Deutsche Börse Collection (Germany). The&nbsp;Mimi Plumb: Blazing Light&nbsp;exhibition will be on view at the High Museum of Art from February 6-May 5, 2026. The exhibition will then travel to the Johnson Museum at Cornell University, NY (summer 2026), the Norton Museum of Art in West Palm Beach, FL (winter 2026/2027), followed by the Museum of Contemporary Photography in Chicago, IL (spring 2027).

Mimi Plumb: Blazing Light

'A series of intelligent and fiery essays' The Sunday Times 'A landmark in British food writing' Jonathan Nunn 'Makes you laugh, think, and get a little angry' iPaper 'I started stitching together my story through a different, universal language: food.' An A-Z of Chinese Food (Recipes Not Included) is not a recipe book, but a deliberate 'anti-glossary' - a delectable edible anthology that serves up Chinese flavour beyond just its taste. Jenny Lau always found herself sitting between cultures, connected to both east and west. Hungry to understand herself, she threw herself into researching the Chinese food of her heritage. The result is An A-Z of Chinese Food - a surprising, unputdownable and deliciously enriching anthology that uses food to explore who we are and how we relate to the world. From A is for Authentic, breaking down our assumptions of who 'owns' what cuisine, to R is for Rice Cooker, a humorous entry from the point of view a hard-working kitchen appliance that has seen a family through its ups and downs, An A-Z of Chinese Food will change the way you think about, see, and eat, food. 'Lau's writing makes you laugh, think, and get a little angry - sometimes all at once. She tackles serious topics such as cultural appropriation, colonisation, racism and fetishisation in Chinese food with a lightness that never undermines their gravity' ANGELA HUI for iPaper 'I feel seen... I feel called out... I feel educated... I feel comforted and satiated. This is the book I needed growing up. Everyone should read this book!' JENNIFER LI, @bookmarkonthewall, book blogger 'A worthwhile and thoughtful corrective to many of the myths and over-simplifications about Chinese food in the West. Lau poses some great questions, which stayed with me long after I'd finished reading' BEE WILSON for The Sunday Times 'Using the universal language of food, Lau rips through an astonishing list of subjects with a uniquely original style. A must-read for lovers of food yes, but also lovers of exciting, daring writing' FOYLES Booksellers 'A groundbreaking rhapsody of a book, that brings something brand new to the canon of diasporic food writing. An A-Z that shines completely new light on Chinese culinary heritage, with an immediacy and spirited reverence that is a joy to read. Jenny Lau is a compelling and expressive storyteller: intricately weaving personal memoir, extensively researched cultural history and satirical humour with commanding eloquence. An instant classic from an essential new voice.' GURDEEP LOYAL, food &amp; travel writer 'An A-Z of Chinese Food is a landmark in British food writing, somewhere between a book, a magazine, and a treatise, but completely its own thing. Jenny has the rare ability to dissect unwieldy matters of identity, race and culture with the lightness of touch that all serious topics need, combatting preconceived notions about Chinese cuisine with immaculate research and subversive humour. This book is a tonic to the mainstream of food writing' JONATHAN NUNN 'A leading light in the British Chinese community' FUCHSIA DUNLOP

A delectable collection that serves up Chinese flavour beyond its taste

An A-Z of Chinese Food (Recipes Not Included)

A TELEGRAPH BOOK OF THE YEARWhen everyday life becomes a state of emergency, how can yesterday's words suffice?'We were so happy and didn't know it...'A thirty-three-year-old writer lives in a quiet European suburb with his wife and his dog. His parents have bought an apartment nearby. On weekends they go out for brunch, cook and see friends. Life is good; it is normal. Then the invaders come. The Language of War is about what happens when your world changes overnight. When you wake up to the sound of helicopters and the smell of gunpowder. When your home is hit by shells or broken into by gunmen, and you spend another night in a basement-turned-bomb shelter. When, even though you've never held a weapon before, you realise the only choice is to fight back. It is about things one can never forget, or forgive. Bringing together Oleksandr Mykhed's vivid day-by-day chronicles of the invasion of Ukraine with a chorus of other voices - his family, friends in exile, those who have fought and have witnessed unimaginable atrocities - this book is both a record, and a reckoning. Haunting and timeless, it asks how it is possible to find the words to describe a new reality; how you can still make sense of the world when the only language you can speak is the language of war.

The Language of War

NomosBibliothek

"Türkische Studien" befassen sich mit der Geschichte, Kultur, den Religionen, Sprachen und Literaturen des Osmanischen Reiches und der Republik Türkei. Dazu zählen auch kurdische, armenische, griechische und jüdische Bezüge sowie die türkischen Gemeinschaften Zentralasiens. Lischewski und Neumann bieten einen breit gefächerten Überblick über die türkische Welt und eine Einführung in das Studium. Diese erfolgt über die kritische Thematisierung historischer sowie aktueller gesellschaftlicher Konflikte und sprachlicher Besonderheiten. Das Buch richtet sich an Studierende, Fachvertreter:innen und alle, die an einem fundierten Überblick über die türkische Welt interessiert sind.

„Türkische Studien“ befassen sich mit der Geschichte, Kultur, den Religionen, Sprachen und Literaturen des Osmanischen Reiches und der Republik Türkei. Dazu zählen auch kurdische, armenische, griechische und jüdische Bezüge sowie die türkischen Gemeinschaften Zentralasiens. Lischewski und Neumann bieten einen breit gefächerten Überblick über die türkische Welt und eine Einführung in das Studium. Diese erfolgt über die kritische Thematisierung historischer sowie aktueller gesellschaftlicher Konflikte und sprachlicher Besonderheiten. Das Buch richtet sich an Studierende, Fachvertreter:innen und alle, die an einem fundierten Überblick über die türkische Welt interessiert sind.

Einführung

Türkische Studien

The American History Series

Oil and American History

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. He argues that the novel as a character-driven genre emerged from philosophical and scientific thinking about consciousness and that James's canonization must be reexamined in the context of the philosophical, physiological, and biological discourses on which he drew in his theory and practice as a novelist.

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. Rawlings argues that the novel as a genre anchored in the representation of character emerged from philosophical and scientific thinking about consciousness and experience that begins in the late seventeenth century and encompasses two hundred years of traffic between Europe and America. His ambitious study explores the significance of American thinkers and their European antecedents, from Jonathan Edwards to Josiah Royce, aligning James's 1884 essay "The Art of Fiction" with contemporary thinking on consciousness and its dense, ramifying aetiology. By this point, Herbert Spencer had extended Darwin's evolutionary thinking into the social domain, disrupting ideas about consciousness as allied with the soul even as the fin-de-siècle enthusiasm for panpsychism and the paranormal made a last stand against the New Sciences. A major contention of Rawlings's book is that Henry James should not and cannot be isolated from the urgent need to rethink what seminal critics such as Ian Watt and Marthe Robert have said about the procession of the novel from prose fiction. James's canonization by the New Critics motivates Rawlings's reexamination of Walter Scott, Jane Austen, Susan Warner, and George Eliot, among others, in the context of the vast range of eighteenth- and nineteenth-century European and North American philosophical, physiological, and biological discourses on which James drew in his theory and practice as a novelist.

Henry James, Consciousness, and the Evolution of the Novel

Durable and waterproof, with a handy slipcase and an easy-fold format, Lonely Planet's San Francisco City Map is your conveniently sized passport to travelling with ease. With this easy-to-use, full-colour navigation tool in your back pocket, you can truly get to the heart of San Francisco, so begin your journey now!

Lonely Planet San Francisco City Map

The Seven Years' War, the Battle of Plassey won against the Nawab of Bengal, the acquisition of the Bengal Diwani Rights and the Act of Regulating set the stage for the Second British Empire in Asia between 1756 and 1773. These events and the growing settlements had brought an ever-increasing number of soldiers to Bengal and the other factories of India. The French had largely lost the geopolitical game in Asia, but remained numerous in Pondichéry and even in Bengal (Chandannagar).The cultural history of these major shifts in global power deserves more attention: an increase in the number of European libraries abroad is not surprising for either nation. But the British case is special: a very different form of high culture society was now established in Calcutta, with the first common law court of record ever established outside Britain, the Supreme Court. A long tradition and recent scholarship have largely clarified our ideas about how political-economic leaders like Warren Hastings and major scholars like William Jones supported and influenced the study of Persian and Sanskrit manuscripts and indigenous legal traditions at this moment. But the book also shows that at the same time, as Europe's population grew, a more standardized form of libraries and a Western reading culture emerged. With the arrival of more soldiers and company servants, a Western world canon began to form. This differed from the period up to 1750 in the Mediterranean and India, studied in the first volume&nbsp;Western Libraries and Reading, where a multiplicity of small libraries, individual in size and selection, prevailed. One of the first massive manifestations of this Western canon, with a particularly Franco-British character, can be traced in the serial documentation of post-mortem household inventories. The results of a first detailed analysis of the bestsellers of the late eighteenth century among Europeans in India until 1800 are surprising: A "world literature" in the ambiguous Goethean sense becomes visible, and almost no European medieval author survives (until nineteenth-century Romanticism). In today's world, a "Western canon" is usually criticized, debated, and decentered, and with good reason, but as a historical process, the impact of such an imported canon cannot be ignored. No one denies the strong dynamics of autonomous forms of print and reading culture now emerging simultaneously in Hindi, Tamil, Bengali, Urdu, and many other languages, sometimes hybridizing with British production. To some extent, however, it must also be acknowledged that British Bengal early on provided an immense space for this Western canon abroad, comparable ultimately only to the American East Coast.

The Emerging Western World Canon in the Mediterranean and India, c. 1750-1800

“In the best modernist tradition, [Deschenes] pushes against the basic terms by which photography is conventionally defined: instantaneity, veracity, fixity, or reproducibility.” — curator and critic Matthew WitkovskyDeschenes uses durational photogram exposure to create unique, shifting surfaces that frequently function as sculptural or architectural, rather than photographic, objects. In her recent work, Deschenes exposes photographic paper to the night sky, develops it, and fixes the photogram with silver toner, creating misty silver surfaces brindled with slight changes in hue that are affected either by exposure to ambient light or the hand-application of the toner itself. Some of these photograms remain unframed and oxidize over time, further problematizing the role of the photograph as fixed image on surface. Instead, purged of representational content, the photograph, in Deschenes’s practice, functions as an object that records how it has been, and continues to be, acted upon.Deschenes’ work is held in the permanent collections of Centre Pompidou, Paris; San Francisco Museum of Modern Art; Solomon R. Guggenheim Museum, New York; Whitney Museum of American Art, New York; Museum of Modern Art, New York; Metropolitan Museum of Art, New York; Walker Art Center, Minneapolis; Art Institute of Chicago; ICA/Boston; Pinault Collection, Paris; Montreal Museum of Fine Arts; Milwaukee Art Museum; Princeton University Art Museum; the Hirshhorn Museum and Sculpture Garden, Washington, D.C.

Liz Deschenes

Winner of the 2024 National Book Critics Circle Award in Nonfiction • Winner of the 2024 Kirkus Nonfiction Prize • Shortlisted for the 2025 Andrew Carnegie Medal for Excellence in Nonfiction • A New York Times Notable Book of 2024 NEW YORK TIMES BESTSELLER • “Stunning…A heart-pounding thriller…Challenger is a remarkable book.” —The Atlantic • “Devastating…A universal story that transcends time.” —The New York Times • “Dramatic…a moving narrative.” —The Wall Street Journal From the New York Times bestselling author of Midnight in Chernobyl comes the definitive, “compelling, and exhaustively researched” (The Washington Post) minute-by-minute account of the Challenger disaster, based on fascinating and new archival research—a riveting history that reads like a thriller. On January 28, 1986, just seventy-three seconds into flight, the space shuttle Challenger broke apart over the Atlantic Ocean, killing all seven people on board. Millions of Americans witnessed the tragic deaths of the crew, which included New Hampshire schoolteacher Christa McAuliffe. Like the assassination of JFK, the Challenger disaster is a defining moment in 20th-century history—one that forever changed the way America thought of itself and its optimistic view of the future. Yet the full story of what happened, and why, has never been told. Based on extensive archival research and metic­ulous, original reporting, Challenger: A True Story of Heroism and Disaster on the Edge of Space follows a handful of central protagonists—including each of the seven members of the doomed crew—through the years leading up to the accident, and offers a detailed account of the tragedy itself and the inves­tigation afterward. It’s a compelling tale of ambition and ingenuity undermined by political cynicism and cost-cutting in the interests of burnishing national prestige; of hubris and heroism; and of an investigation driven by leakers and whistleblowers determined to bring the truth to light. Throughout, there are the ominous warning signs of a tragedy to come, recognized but then ignored, and later hidden from the public. Higginbotham reveals the history of the shuttle program and the lives of men and women whose stories have been overshadowed by the disaster, as well as the designers, engineers, and test pilots who struggled against the odds to get the first shuttle into space. A masterful blend of riveting human drama and fascinating and absorbing science, Challenger identifies a turning point in history—and brings to life an even more complex and astonishing story than we remember.

A True Story of Heroism and Disaster on the Edge of Space

Challenger

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