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Palmer Chris: Voice Training Through
Acting and Movement

Voice Training Through Acting and Movement

An Integrated Approach

An accessible guide to the theatre directing process of text-based theatre, from the choice of the play through to an encounter with an audience. Moving from how to choose a play to the opening night, A Beginner’s Guide to Directing Theatre takes the reader, via a step-by-step approach, through various techniques, practitioners, methodologies and exercises that could be applied to text-based theatre. Through doing so, the reader comes to understand: - The differences between directing (the approach) and the director (the role), how that crosses over and ways to navigate this - A range of practices, methodologies and techniques for the differing and diverse styles, genres, playwrights and movements. i.e. the ‘what’ of directing - How to create inclusive, safe and diverse practices of casting and rehearsal methods By not providing one single methodology, but introducing readers to various methods, the author garners an understanding of how different plays, genres, styles and movements require their own approaches to reach opening night. Whilst not concentrating on devised or non-text based theatre, the book makes explicit how devising, experiential and improvisatory techniques can be embraced to inform the types of methodologies a director may embrace whilst approaching text-based work. From here, readers will be able to know which practitioners and directing methodologies they may wish to employ and will understand where to head next.

A Beginner’s Guide to Directing Theatre

Will She Do? is the story of a girl from a council estate in Tottenham - born in 1934 to an electric-meter reader and a seamstress - who was determined to be an actress. Candid and witty, this memoir takes her from her awkward performances in working-men's clubs at six years of age as dancing 'Baby Eileen', through the war years in London, to her breakthrough at thirty-two on Broadway with The Killing of Sister George ; it's about family, about class, about youthful ambition, about big dreams and what really goes on behind the scenes. `Startling, candid and often disquietingly funny - Atkins proves to be a marvellous raconteur... she's never, ever dull' - Miranda Seymour, FT 'Oh, those anecdotes! . . . A rollicking ride through the early career of one of our greatest acting dames' Evening Standard 'Displays the emotional intelligence, acute observation, wry humour and above all honesty that distinguish Atkins's acting . . . exhilarating' Spectator 'Dame Eileen Atkins has gone toe to toe with them all over a career spanning seven decades and countless triumphs' Radio Times Made a Dame in 1991, Eileen Atkins has been on American and British stage and screen since 1957 and has won an Emmy, a BAFTA and is a three-time Olivier Award winner.

'She is the cur's cods, the terrier's testicles, the business. I will go farther and declare that Atkins is the finest actor appearing in the world right now' - A. A. Gill Will She Do? is the story of a girl from a council estate in Tottenham, born in 1934 to an electric-meter reader and a seamstress, who was determined to be an actress. Candid and witty, this memoir takes her from her awkward performances in working-men's clubs at six years of age as dancing 'Baby Eileen', through the war years in London, to her breakthrough at thirty-two on Broadway with The Killing of Sister George, for which she received the first of four Tony Award nominations. She co-created Upstairs, Downstairs and wrote the screenplay for Mrs Dalloway (for which she won an Evening Standard Award) and at aged eighty-six, this is her first autobiographical work. Characterised by an eye for the absurd, a terrific knack for storytelling and an insistence on honesty, Will She Do? is a wonderful raconteur's tale about family, about class, about youthful ambition and big dreams and what really goes on behind the scenes. Made a Dame in 1991, Eileen Atkins has been on American and British stage and screen since 1957 and has won an Emmy, a BAFTA and is a three-time Olivier Award winner; her theatre performances include The Height of the Storm, Ellen Terry, All that Fall and she has appeared in television and films ranging from Doc Martin to Cranford to The Crown.

Act One of a Life on Stage

Will She Do?

The long-awaited autobiography from one of Britain's most talented writers.

My Autobiography

What Have I Done?

Crafting Short Screenplays That Connect, Sixth Edition, stands alone among screenwriting books by emphasizing that human connection, though often overlooked, is as essential to writing effective screenplays as conflict. This ground-breaking book remains an absolute must-have resource for students of screenwriting.

Crafting Short Screenplays That Connect, Sixth Edition, stands alone among screenwriting books by emphasizing that human connection, though often overlooked, is as essential to writing effective screenplays as conflict. This ground-breaking book remains an absolute must-have resource for students of screenwriting.

Crafting Short Screenplays That Connect

This comprehensive text traces a cultural history of acting practice in Aotearoa / New Zealand, whose Indigenous M¿ori practitioners have made a significant impact on acting processes, principles and values in this post-colonial nation.

This comprehensive text traces a cultural history of acting practice in Aotearoa / New Zealand, whose Indigenous Maori practitioners have made a significant impact on acting processes, principles and values in this post-colonial nation.

Acting in Aotearoa

Forms of Drama

This book introduces readers to the historical, performative, and cultural context of pansori, a traditional Korean oral story-singing art. 

Written by a scholar-practitioner of the form, this study is structured in three parts and begins by introducing readers to the technical, aesthetic, and theoretical components of pansori, as well as the synthesis of vocal and percussive elements that stage the narrative. It moves on to reflect on the historical contexts of pansori, alongside Korea’s transformation from Joseon monarchy to modern statehood. It argues that with colonial annexation came modernist influences that Korean dramatists and audiences used to create new genres of performance, using the common thread of pansori.
 
 The book’s third part explores the interplay of preservation and innovation, beginning in the post-war period and continuing with developments in the 20th and 21st centuries that coincide with Korea’s imprint on cultural globalization. Along with Korea’s growth as a world economic center, a growing enthusiasm for Korean culture around the world has increased the transmission and visibility of pansori. This study argues that tradition and innovation are not as divergent as they are sometimes imagined to be and that tradition is the force that enables innovation. Drawing on Chan E. Park’s ethnographic work and performance practice, this book interweaves expert knowledge of both the textual and performative aspects of pansori, rendering legible this dramatic tradition.

History, Theory, Practice

Korean Pansori as Voice Theatre

Historical Pattern Archive 2 features a collection of women's period garment patterns taken from The Historic Clothing Collection at The University of Virginia.

Women’s Clothing from the Historic Clothing Collection 1820-1938

Historical Pattern Archive 2

Focus on Dramaturgy

In this book, Michael Evans discusses what he calls standard dramaturgy a set of seven principles upon which most plays, from ancient Greek dramas to modern works, are based.

In this book, Michael Evans discusses what he calls standard dramaturgy a set of seven principles upon which most plays, from ancient Greek dramas to modern works, are based.

An Anatomy of Dramatic Forms

Dramaturgy

National Theatre Backstage Guides

From one of the most celebrated actors of the stage and screen comes this book on the craft of acting. Lucian Msamati draws on his rich experience, particularly in the context of productions at the National Theatre - including: Amadeus Ma Rainey's Black Bottom Master Harold and The Boys Death and The King's Horseman The Comedy of Errors The Overwhelming - to delve into sets of challenges and possibilities that actors might face. He offers up his tips on getting started in the industry; navigating the various professional relationships and roles inside a rehearsal room; and offers insights into running your own company and generating your own work. Peppered with quoted interviews with other industry professionals and personal anecdotes, which are sure to resonate with any reader, this will be a cherished book on any actor's bookshelf.

From one of the most celebrated actors of the stage and screen comes this book on the craft of acting. Lucian Msamati draws on his rich experience, particularly in the context of productions at the National Theatre - including: Amadeus Ma Rainey's Black Bottom Master Harold and The Boys Death and The King's Horseman The Comedy of Errors The Overwhelming - to delve into sets of challenges and possibilities that actors might face. He offers up his tips on getting started in the industry; navigating the various professional relationships and roles inside a rehearsal room; and offers insights into running your own company and generating your own work. Peppered with quoted interviews with other industry professionals and personal anecdotes, which are sure to resonate with any reader, this will be a cherished book on any actor's bookshelf.

A Backstage Guide

Acting

Wanting to understand the workings and methods of your favourite theatre practitioner? Look no further. This accessible guide summarizes the methods of 20 practitioners by collecting the most important features of their work and framing them so that even the novice actor will understand the material. Introducing us to the work of practitioners such as: Konstantin Stanislavski, Vsevolod Meyerhold, Bertolt Brecht, Michael Chekhov, Jacques Copeau, Maria Knebel, Lee Strasberg, Stella Adler, Sanford Meisner, Viola Spolin, Uta Hagen, Augusto Boal, Jerzy Grotowski, Tadashi Suzuki, and Anne Bogart among a number of others, the book sets readers on the path to discovering the methods they want to explore in greater depth. It does so through each chapter offering: - biographical information on each practitioner - a description of their method - suggestions for digging deeper and further exploration - journal and discussion questions - the opportunity for practical application with 3-6 hours' worth of in-class activities for instructors to use As a whole, the book seeks to offer an introduction to the many acting teachers and their methods in one place, demystifying terminology such as "biomechanics", "active analysis", "grounding" and "viewpoints", and introducing readers to the founders of the principles that make up modern acting.

Understanding Practitioners and their Legacies

A Beginner’s Guide to Acting Methods

Perspectives on Performer Training

This is a ground-breaking new book that re-considers a range of trajectories of influence across the established canon of twentieth century practices and challenges conventions of performer training historiography.

This is a ground-breaking new book that re-considers a range of trajectories of influence across the established canon of twentieth century practices and challenges conventions of performer training historiography.

Elsa Gindler’s Embodied Translations

Radical Sensing and Performer Training

Voice Training Through Acting and Movement

Bibliografische Angaben

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Bibliografische Angaben

Schlagworte

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