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Gen X icon Ione Skye bares all in an achingly vulnerable coming-of-age memoir about chasing fame, desire, and true love in the shadow of her famous, absent father.

Gen X icon Ione Skye bares all in an achingly vulnerable coming-of-age memoir about chasing fame, desire, and true love in the shadow of her famous, absent father.

Skye I: Say Everything

Say Everything

A Memoir

A personal meditation on, examination of, and tribute to Black single motherhood, unapologetically told through poignant essays and candid interviews, by a celebrated cultural critic. Through her signature candid, humorous and yet often biting takes, Lemieux suffers no fools while also courageously revealing the scars of her own parenting journey and search for self-acceptance in a world that doesn’t see the full worth of women like her. With a particular verve and relatability—honed, in part, from her many years among “Black Twitter’s” most prominent voices—Lemieux puts the lived reality of Black single motherhood: uncertainty, fierceness, and sensuality on full display. Interspersed with beautifully written personal narrative, readers will find cultural and historical analysis, and interviews with single mothers from all walks of life, telling it how it really is.&nbsp; Baby Mamas Day is a bold testament to the multifaceted Black single mother and an invitation to all readers to finally recognize this powerful figure for who&nbsp;she&nbsp;is—not&nbsp;bad, but so, so good.

A personal meditation on, examination of, and tribute to Black single motherhood, unapologetically told through poignant essays and candid interviews, by a celebrated cultural critic. Through her signature candid, humorous and yet often biting takes, Lemieux suffers no fools while also courageously revealing the scars of her own parenting journey and search for self-acceptance in a world that doesn’t see the full worth of women like her. With a particular verve and relatability—honed, in part, from her many years among “Black Twitter’s” most prominent voices—Lemieux puts the lived reality of Black single motherhood: uncertainty, fierceness, and sensuality on full display. Interspersed with beautifully written personal narrative, readers will find cultural and historical analysis, and interviews with single mothers from all walks of life, telling it how it really is.&nbsp; Black. Single. Mother. is a bold testament to the multifaceted Black single mother and an invitation to all readers to finally recognize this powerful figure for who&nbsp;she&nbsp;is—not&nbsp;bad, but so, so good.

Real Life Tales of Longing and Belonging

Black. Single. Mother

'Art is my life and my life is art . . .' The story of the twentieth-century avant-garde movement is a story of difference, of the outsider, of strangeness, of individual freedom, of overcoming marginalisation through self-expression. It is also a story that can be told through the prism of one of its most renowned figureheads: Yoko Ono. From her early life in aristocratic Japanese society to a self-imposed exile in New York, Ono's work built upon the histories of Dada, surrealism, Zen Buddhism, and absurdism. Finding herself at the centre of the notorious Fluxus network, she was connected to all its major proponents. Pursuing disciplined freedom and attempting to free herself from creative fetters, she carved out a legacy - despite her tumultuous personal life - as one of the most essential artists and activists of her generation. Marking the intersection of biography, cultural history and artistic meditation, Love Magic Power Danger Bliss captures the avant-garde movement and the figure at its heart in compelling, vivid detail.

Yoko Ono and the Avant-Garde Diaspora

LOVE MAGIC POWER DANGER BLISS

A Time of Loss

In 2018, India Sturgis - successful journalist, mother and wife - was admitted into the Priory hospital with anxiety so crippling she was deemed a risk to herself. On her slow journey back to herself, it became clear to her that anxiety doesn't discriminate, anyone can suffer from it regardless of external circumstances - but anyone can learn to cope with it too. On her personal journey to uncover the coping strategies that work, India tried every imaginable avenue: antidepressants, benzodiazepines, psychotherapy, group therapy, art therapy, drama therapy, CBT, aromatherapy, mindfulness, meditation, hypnosis, EFT, talking therapy, cranial electrotherapy stimulation, neurofeedback, photobiomodulation, supplements, changing her diet, yoga, cold water swimming and more. She combines this personal exploration with the latest medical and lifestyle thinking from world leading experts to produce a clear-sighted, comprehensive and - ultimately - human look at anxiety. This is what it's like to be in the grip of chronic anxiety - and come out the other side.

How to Eat an Elephant

One Day at a Time

The Beatles, the Beach Boys, and the Invention of the Sixties —or, No Sense Makes Sense

The Musical Lives of Charles Manson

My Memories Of Public Image Ltd

POPTOME

How do we raise our sons to be compassionate, responsible men in a world where toxic masculinity is still the norm? And why are young men today more troubled, less confident and more radicalized than ever before?

How do we raise our sons to be compassionate, responsible men in a world where toxic masculinity is still the norm? And why are young men today more troubled, less confident and more radicalized than ever before?

Raising Boys in an Age of Toxic Masculinity

BoyMum

33 1/3

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye's earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust. Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye's fantasies, his engagement with Ernie Barnes' painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye sang like he lived in bed. He could croon, deliver a political commentary, and sing to you like you were the only other soul on this earth. And in 1976 he gave us a taste of his erotic imagination with I Want You. An album made in honor of his ongoing love affair with Janis (Jan) Hunter, Gaye delivered excess and restraint to sound his desire. I Want You is an album that stands apart from Gaye’s earlier collaborations with Diana Ross, Tammi Terrell, Mary Wells, and Kim Weston. Though not technically a duet, Gaye forges another kind of collaboration with Jan, the result of which is an album that provides an intimate portrait of an artist in love and lust.

Using interviews, visual art, poetry, criticism, and gossip, this book explores ecstasy, funk, sensation, and a host of other delicious and fleshy concerns that animate I Want You. It does not attempt a strict historicization of the album as that would do it a disservice. Instead, this book seeks fidelity to the album by centering Gaye’s fantasies, his engagement with Ernie Barnes’ painting Sugar Shack, and sonic expression of desire for Jan.

Marvin Gaye's I Want You

'A welcome look at the life of a fascinating rider and man' Cycling Plus 'Maurice has lived a hell of a life. The world needs to hear about it' Ned Boulting 'This book is an inspiration to those who want to achieve in both sport and life' Phil Liggett MBE Maurice Burton rose above racism in British society and sport to triumph over adversity. This is the long-awaited, authorised biography of a ground-breaking British cyclist. On a still summer's evening at Leicester's Saffron Lane Velodrome in June 1974, Maurice Burton defeated an elite field to become Britain's first ever Black cycling champion. For his father, it was a moment of intense pride; Rennal arrived in 1948 from Jamaica and made his home in South London. As his 18-year-old son climbed onto the podium, boos rang out around the stadium. The crowd's response that day was typical of the racism and exclusion experienced by Burton. After being overlooked for Olympic selection despite beating those selected, he moved to Belgium to race professionally on the 'six-day' circuit across the continent, becoming the first Black six-day rider for over 75 years. This authorised biography traces Maurice's experiences as the child of a Windrush-generation father and an English mother growing up in London, before moving across to Europe and his eventual return to South London in 1984, where he became a successful business owner and community leader. It rightly places Maurice Burton at the forefront of the British sporting narrative as a pioneer in our collective cultural history.

Britain's First Black Cycling Champion

The Maurice Burton Way

Before Anna Delvey, before the Tinder Swindler, there was 'Hipster Grifter' Kari Ferrell

You'll Never Believe Me

Dr Stuart Campbell provides here the first English translation of Tchaikovsky's critical writings on music. Much of the material originates from the numerous articles written by the composer for the Moscow periodical press between 1868 to 1875, and affords a survey of eminent performers to be heard there, including Auer, von BÃ¿low, Nilsson, Patti and the Rubinstein brothers. As well as following Tchaikovsky's reaction to the Russian musical scene much material is devoted to the operas then being experienced by Moscow audiences, with reviews of works by Halévy, Meyerbeer, Mozart, Rossini, Thomas, Verdi and Wagner and orchestral works by Beethoven, Berlioz, Saint-SaÃ'ns, Schubert and Schumann. The volume also covers Tchaikovsky's first visit to the Bayreuth Festival of 1876, the autobiographical account of his European concert tour in 1888, and his attitude to the music of his great contemporaries Brahms, Verdi and Wagner. The collection therefore offers valuable insight into Tchaikovsky's views on music, performance and repertoire that are relevant to the study of his own compositions, and extends our understanding of nineteenth-century music in general.

Dr Stuart Campbell provides here the first English translation of Tchaikovsky's critical writings on music. Much of the material originates from the numerous articles written by the composer for the Moscow periodical press between 1868 to 1875, and affords a survey of eminent performers to be heard there, including Auer, von BÃ¼low, Nilsson, Patti and the Rubinstein brothers. As well as following Tchaikovsky's reaction to the Russian musical scene - Balakirev, Glinka, Rimsky-Korsakov and others - much material is devoted to the operas then being experienced by Moscow audiences, with reviews of works by Halévy, Meyerbeer, Mozart, Rossini, Thomas, Verdi and Wagner and orchestral works by Beethoven, Berlioz, Saint-SaÃ«ns, Schubert and Schumann. The volume also covers Tchaikovsky's first visit to the Bayreuth Festival of 1876, the autobiographical account of his European concert tour in 1888, and his attitude to the music of his great contemporaries Brahms, Verdi and Wagner.  The collection therefore offers valuable insight into Tchaikovsky's views on music, performance and repertoire that are relevant to the study of his own compositions. In addition, the articles provide fascinating glimpses into the composer's personality and an appreciation of his elegant literary style. The volume is not only of importance for elucidating a time when Russian musical life was developing rapidly, but also in extending an understanding of nineteenth-century music in general.

Tchaikovsky's Writings about Music

Say Everything

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