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Hoffmann Beth: Proper Theatre

Proper Theatre

The Politics of Form in Contemporary British Performance

SOAS Studies in Music

With the abrogation of the Zen Buddhist Fuke sect during Japan’s modernisation process in the late nineteenth century, the raison d’Ãªtre for the shakuhachi (Japanese vertical bamboo flute) as a spiritual tool for mendicant monks suddenly vanished. Thereafter, playing the shakuhachi changed from spiritual practice to professional musicianship or musical hobby. The fact that the instrument had been modified and ’improved’ has been a well-kept secret. The old style shakuhachi, now named jinashi shakuhachi, became a marginalised instrument for eccentrics. However, during the past decade it has gained popularity, especially outside Japan, where it is considered to be ’the real thing’ as opposed to the modernised jinuri shakuhachi. Kiku Day examines how the jinashi shakuhachi, although constructed according to the principles current prior to the Meiji Restoration, itself has been modified to adapt to the needs of modern players.  In order to place the instrument into the modern world in its own right, the author, a professional jinashi shakuhachi player, describes her recent collaboration with five international composers on a performance project with the aim of creating a new repertoire. This process of cross cultural creation is described against the background of action research, Theory U, and the theory of flow.

The Instrument Today and the Creation of a Contemporary Repertoire

The Jinashi Shakuhachi

Weber in Translation

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

The Sociology of Music

CIE UNDERSTANDING ART

Producing on Broadway: A Practical Guide to Modern Commercial Theater is the first ever in‐depth guide to becoming a successful theatrical producer. This book provides a thorough and detailed examination of the various skillsets that must be developed in order to be competitive in the business, and explains how those skills are applied in real life situations. Grounded soundly in the theory, history, realities, and aesthetics of the business, two-time Tony Award winning author John Pinckard explains each aspect of making a Broadway show happen, coloring the text with personal anecdotes and case studies of successful producers.

A Practical Guide to Commercial Theater

Producing on Broadway

Archaeological Orientations

Art and Archaeology

Golden Age Spanish on the Jacobean Stage challenges the received wisdom that, although Fletcher, Massinger, and other Jacobean dramatists drew on Spanish material, English playwrights' engagement with Spanish literature was limited to exploiting Spanish authors for good plots.  Instead, Mary Dudy posits that Fletcher's engagement with Spanish culture was vastly more profound than has previously been recognized; and in fact, that it constitutes a vital, integral element in his dramatic achievement.  Her analysis shows that Fletcher's acquaintance with Spanish novels led the playwright to experiment with significantly different ways of handling the main themes of his artistry.    This study explores Fletcher's repeated use of Golden Age Spanish literature, especially Cervantes, in the context of political and cultural factors that rendered England's relationship to Spain more complex than ever during the reign of James I.  Golden Age Spanish on the Jacobean Stage leads inexorably to the conclusion that in order to gain the fullest possible understanding of later English Renaissance drama, we must think through the Spanish question.

John Fletcher's Reading and Writing of Cervantes & Co

Golden Age Spain on the Jacobean Stage

Matters of the Image introduces a new framework for thinking about digital images. By introducing techniques from printed electronics, synthetic biology, and digital fabrication Orkan Telhan moves beyond the boundary of "pixels" to the material nature of images. This book demonstrates ways to design, grow, and fabricate visual artifacts that not only provide information but also function as interactive interfaces, diagnostic labs, or living factories.

Designing Digital Images with Materiality, Energy, and Living Matter

In 2009, Futurism has not ended up in a waste paper bin, as Marinetti predicted in 1909, but rather is being celebrated everywhere around the world with exhibitions, conferences and a large number of books. This bibliographic handbook is a revised and expanded version of a bibliographic reference-shelf the author published in International Futurism in Arts and Literature (de Gruyter 2000). Since then, several thousand new publications have expanded the already sizeable critical literature on Futurism. It has become difficult, even for specialists, to keep an overview on such a vast array of books and essays. The centenary year 2009 offered an opportune moment to compile a fresh bibliographic survey of the reception Futurism experienced in the period between Marinetti's death in 1944 and 2009. This bibliography containing some 25,000 bibliographic entries is ordered in sections dedicated to individual countries and artistic media. Its purpose is entirely practical: to offer orientation to the student of Futurism and to help identify publications dedicated to specific aspects of the movement. This handbook lists most significant studies on the artists who were active in the movement and on a variety of aesthetic genres and media in which Futurism exercised a particularly noteworthy influence.

A Bibliographic Handbook

International Futurism 1945-2012

Revels Plays Companion Library

Drama on the Drury Lane Stage, 1625-37

Queen Henrietta's Men and the Cockpit Repertory

This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

Opera and Drama

Image Word Action / Bild Wort Aktion / Imago Sermo Actio

Der Ursprung des Bildakts bindet die in den letzten drei Jahrzehnten erzielten Forschungsergebnisse der Vor- und Frühgeschichte kunsthistorisch ein und ist als anthropologische Grundlegung einer Wirkmacht der Form konzipiert. Fossilien-Inklusionen in Faustkeilen erlauben eine materiale und philosophische Bestimmung der «ikonischen Differenz» (Boehm), die für das Verständnis des Bildakts fundamental ist.

Der 
 Ursprung des Bildakts
 bindet die in den letzten drei Jahrzehnten erzielten Forschungsergebnisse der Vor- und Frühgeschichte kunsthistorisch ein und ist als anthropologische Grundlegung einer Wirkmacht der Form konzipiert. Fossilien-Inklusionen in Faustkeilen erlauben eine materiale und philosophische Bestimmung der «ikonischen Differenz» (Boehm), die für das Verständnis des Bildakts fundamental ist.

Ursprung des Bildakts

Proper Theatre

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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