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Palmer Chris: Voice Training Through
Acting and Movement

Voice Training Through Acting and Movement

An Integrated Approach

Gen X icon Ione Skye bares all in an achingly vulnerable coming-of-age memoir about chasing fame, desire, and true love in the shadow of her famous, absent father.

A Memoir

Say Everything

Arden Performance Editions

One of Shakespeare's last plays, The Winter's Tale provides tragedy and comedy in equal measure. The King of Sicily, Leontes, accuses Queen Hermione, his wife, of adultery and sets off a series of events driven by royal betrayal, jealousy and the possibility of pastoral love that builds to a fantastical ending. Arden Performance Editions are ideal for anyone engaging with a Shakespeare play in performance. With clear facing-page notes giving definitions of words, easily accessible information about key textual variants, lineation, metrical ambiguities and pronunciation, each edition has been developed to open the play's possibilities and meanings to actors and students. Designed to be used and to be useful, each edition has plenty of space for personal annotations and the well-spaced text is easy to read and to navigate. Each edition offers: - Short, clear definitions of words - Information about key textual variants - Notes on pronunciation of difficult names and unfamiliar words - An easy to read layout with space to write your own notes - A short introduction to the play

The Winter's Tale: Arden Performance Editions

Performance Books

An Introduction to the Work and Principles of Augusto Boal

The Theatre of the Oppressed in Practice Today

Theatre Makers

"This first and now largely forgotten work was handwritten in German and in it Michael Chekhov lays the groundwork for the canon of exercises and practices that, a century later, actors generally know as the Michael Chekhov Technique. Although never completed, the text affords a rare fly-on-the-wall insight into the raw material of Chekhov's vision. This extensively revised and abridged text is presented with an introduction and a series of contemporary short essays, which offer practical suggestions to have come out of exploring Michael Chekhov Technique in the studio"--

The Early Draft Rediscovered

The Paris Manuscript

Imagination, Body, Breath, Voice

The Integrated Actor

How the world's best actors communicate with gravitas - and how you can, too. 'The theatre stars' voice guru' Daily MailActing is all about charisma. Whether you're an A-list star or an extra, when you're on stage you need to perform in a way that makes your audience listen. That stage presence is something we can all learn from. Every time you speak up in a meeting, recount an anecdote, or tell a joke, it's essential to communicate with gravitas. Jeannette Nelson knows a thing or two about gravitas. As Head of Voice at the National Theatre, she has spent three decades working with the world's leading actors - from Al Pacino to Benedict Cumberbatch to Juliette Binoche - teaching them to speak clearly and move confidently. Now, Nelson pulls back the curtain on the tricks that professional performers use to own the room. Starting with clear speech and good posture, before moving on to the art of rhetoric and overcoming stage fright, she outlines a holistic three-stage method to communicating with authority, authenticity and eloquence. Throughout, she peppers the book with stories of how world-renowned actors learnt to make themselves heard - and how you can, too. The result is a fascinating and eminently practical guide to the art of performance. If all the world's a stage, then this book will turn you into its lead actor.

Lessons from Actors on the Art of Charisma

Centre Stage

Perspectives on Performer Training

This is a ground-breaking new book that re-considers a range of trajectories of influence across the established canon of twentieth century practices and challenges conventions of performer training historiography.

Voice Training Through Acting and Movement

Informations bibliographiques

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