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Palmer Chris: Voice Training Through
Acting and Movement

Voice Training Through Acting and Movement

An Integrated Approach

Crafting Short Screenplays That Connect, Sixth Edition, stands alone among screenwriting books by emphasizing that human connection, though often overlooked, is as essential to writing effective screenplays as conflict. This ground-breaking book remains an absolute must-have resource for students of screenwriting.

Crafting Short Screenplays That Connect

National Theatre Backstage Guides

Auditions can often be the most feared aspect of being an actor and yet, as the author points out, casting directors are on the side of everyone who auditions for them. They want you to do well, feel confident about the audition and in turn give the director the confidence they need to choose you. The insights and reassurances throughout this book provide a little-seen glimpse into the world of casting, helping you to understand how casting directors and directors view the process and what purpose the audition serves. Casting director Sam Stevenson draws on her rich experience, from both her time as deputy head of casting at the National Theatre and her varied freelance career, to delve into the challenges and possibilities that you might face. She explores the intersecting, underlying principles of auditioning for stage and screen, whether you are meeting online, in-person or self-taping. This book helps bridge the gap between you and the people who are making the decisions, to help it feel like a less scary process.

A Backstage Guide

Auditioning

A Beginner’s Guide to Directing Theatre

Performance Books

An Introduction to the Work and Principles of Augusto Boal

The Theatre of the Oppressed in Practice Today

Games and Exercises for the Performer

The Singing and Acting Handbook

Perspectives on Performer Training

This is a ground-breaking new book that re-considers a range of trajectories of influence across the established canon of twentieth century practices and challenges conventions of performer training historiography.

Elsa Gindler’s Embodied Translations

Radical Sensing and Performer Training

Routledge Library Editions: Medieval Culture, Society, & Religion

1400–1500

English Medieval Theatre

This comprehensive text traces a cultural history of acting practice in Aotearoa / New Zealand, whose Indigenous M¿ori practitioners have made a significant impact on acting processes, principles and values in this post-colonial nation.

Acting in Aotearoa

Historical Pattern Archive 2 features a collection of women's period garment patterns taken from The Historic Clothing Collection at The University of Virginia.

Women’s Clothing from the Historic Clothing Collection 1820-1938

Historical Pattern Archive 2

The long-awaited autobiography from one of Britain's most talented writers.

My Autobiography

What Have I Done?

The Morse Code: Decoding the Career of Iconic Lighting Designer Peter Morse explores key developments and evolving techniques, processes, and technology within contemporary theatrical lighting design through the career and impact of US lighting designer Peter Morse.

The Morse Code: Decoding the Career of Iconic Lighting Designer Peter Morse

Will She Do? is the story of a girl from a council estate in Tottenham - born in 1934 to an electric-meter reader and a seamstress - who was determined to be an actress. Candid and witty, this memoir takes her from her awkward performances in working-men's clubs at six years of age as dancing 'Baby Eileen', through the war years in London, to her breakthrough at thirty-two on Broadway with The Killing of Sister George ; it's about family, about class, about youthful ambition, about big dreams and what really goes on behind the scenes. `Startling, candid and often disquietingly funny - Atkins proves to be a marvellous raconteur... she's never, ever dull' - Miranda Seymour, FT 'Oh, those anecdotes! . . . A rollicking ride through the early career of one of our greatest acting dames' Evening Standard 'Displays the emotional intelligence, acute observation, wry humour and above all honesty that distinguish Atkins's acting . . . exhilarating' Spectator 'Dame Eileen Atkins has gone toe to toe with them all over a career spanning seven decades and countless triumphs' Radio Times Made a Dame in 1991, Eileen Atkins has been on American and British stage and screen since 1957 and has won an Emmy, a BAFTA and is a three-time Olivier Award winner.

Act One of a Life on Stage

Will She Do?

Voice Training Through Acting and Movement

Informations bibliographiques

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